Sentences with phrase «really emotional scene»

I'll always remember, I was doing this really emotional scene.

It sounds like a really emotional scene, but if you see the movie, it was definitely intended to be a joke.

The significant moments are deftly handled, and there are some really emotional scenes that brought a tear to my eye.

Not exact matches

[On the other hand] we see more amygdala involvement when you say, «Yeah, I really remember it in a lot of detail» if it's an emotional scene.

And Naomie Harris» eventual sidekick Kate has an emotional back story that's designed to make her more accessible but really just falls flat — a scene between the two when they share their pasts, including when Davis found George and saved him from poachers, is embarrassingly mishandled.

Their relationship is endearing and destructive and there's a really intense emotional scene where Pace confronts his continual manipulation of the girl which has lead directly to her injury.

Cloris Leachman's sex scene with Timothy Bottoms, to the sound of the creaking bed, and her emotional explosion at the end really affected me.»

He lacks the emotional range to fully draw us in to his story and you can really see him straining in some of the film's more taxing scenes.

Their excellent performances help the movie sweep along its formulaic path, but it's the smaller moments, such as Stone's scenes with Andrea Riseborough as hairdresser (and romantic interest) Marilyn Barnett, that really give this an ace edge — Simon «Slumdog Millionaire» Beaufoy's script fuses Billie's private battle to recognise her own sexuality with her public one, a balance that gives this a stronger emotional backhand than you might expect.

Despite having the deepest emotional reaches to plumb, Hathaway's [who really does deserve an Oscar ® nomination] Kim is the glue that holds the film together, rather than the big scene stealer.

I asked her about her characters, her writing process and the emotional repercussions of writing viscerally painful scenes... but what I was really interested in was when we'll be hearing from her again.

Why the decided to show a picture for some really emotional, important scenes instead of animation is beyond me.

Whether her work portrays a series of narrative fragments or a single evocative scene repeated over and over, Friedman heightens the emotional impact by cutting directly to the film's climax in order to, as she puts it, «get to the part you really care about.»