Sentences with phrase «really feature in the film»

Adults don't really feature in the film and are dismissed casually by the teen leads, who are primarily interested in — but also very scared of — sex.

Not exact matches

What YouTube has allowed for is a mutability in the way content is conceived — what begins as a web series can easily transition into a TV show or perhaps a straight - to - video - movie, or if it really blows up, even a feature film.

M * A * S * H is a 1972 — 1983 American television series developed by Larry Gelbart, adapted from the 1970 feature film MASH, which, in turn, was based on the Oh, I really love mash - up games like this where characters from two different worlds are put together!

Harris» feature films for 2004 include the live - action remake Thunderbirds and the thriller Trauma, starring Colin Firth.Though her star was steadily rising in Hollywood, it wasn't until 2006 that Harris would really make a splash on stateside screens; and after supporting roles in Brett Ratner's After the Sunset and Michael Winterbottom's A Cock and Bull Story, Harris took to the high seas for her role as Tia Dalma in the eagerly anticipated summer sequel Pirates of the Caribbean: Dead Man's Chest.

Funnily enough I saw this film in it's English dub, featuring a cast of talented well known names and adopting a unique audible focus on it's English Countryside setting, which actually fits really well.

What I am really curious about is to see how this premise works in a feature length film.

A bit more suspense would have gone a long way here, and while director David Gelb, whose prior experience had been in the crowd - pleasing documentary Jiro Dreams of Sushi, has turned in a slick - looking feature for one with such a small budget (reportedly, only $ 5 mil), it really can't compete with better films out there in terms of quality, while it's too straight - faced in execution to at least give us some choice b - movie thrills.

Its just not a substantive movie, but I guess, if you want a horror film, the mean spirited dialogue, creepiness and stabbings will make it worthwhile, but those aren't really features of a great movie in general.

The feature film debut of Ian Edelman, who created the two - season HBO dramedy «How to Make It in America», Puerto Ricans in Paris looks like it might be a really lowbrow and broad comedy of shenanigans abroad.

The mockumentary format is at least an attempt to do something fresh in the animated film world, but mockumentaries are only really funny because they mirror real life in an ironic, satirical fashion, often featuring comedians employing a naturalistic ad - lib delivery.

What the film really needs is more time for Matt and Justine to process this strange phenomena they find themselves dealing with and I expand upon that in the feature.

But would Soderbergh's love of film really only endure in the features found on his personal website, like lists of films he's watched and recuts of classics like Psycho and Raiders of the Lost Ark?

McCormack, a short film actress, makes a huge leap to feature film in a really encouraging way.

I still remember my astonishment, sustained throughout the film, at his feature debut The Element of Crime — this blasted black - and - white world served up in curry - sauce monochrome, with an obviously English detective making his way through an obviously not - English city trying to solve a series of crimes — a climate of crime, really — which as I recall never did reach any identifiable conclusion.

Most importantly, the sound is excellent featuring an DTS - HD MA 5.1 track and it really scores with the music in the film.

It was in 2002 when specific comic book story beats really began to bleed into feature films: Sam Raimi's Spider - Man substituted Mary Jane Watson for Gwen Stacy but did a riff on the pivotal «Death of Gwen Stacy» story when the Green Goblin dropped MJ off the Brooklyn Bridge (which Marc Webb's The Amazing Spider - Man 2 in 2014 fully committed to by killing off Emma Stone's Gwen Stacy).

Also, is anyone really going to be interested in yet another Hollywood film featuring white male oppression?

Not really a good film by any stretch of the imagination, Corvette Summer has an oddly quaint charm at times, and an interesting cast of recognizable supporting characters, including Annie Potts (of TV's «Designing Women» and Ghostbusters), here in her feature film debut.

I really like Niki Caro, and was a great fan of her 2002 feature Whale Rider, but there seems to be something missing in this film.

Check out a sneak preview of a few really cool head knockers featuring Batman and Bane from the upcoming film «The Dark Knight Rises» by director Christopher Nolan (The Dark Knight, Inception, Memento) stars Christian Bale (Batman Begins, Terminator Salvation, The 13 Women of Nanjing), Anne Hathaway (The Devil Wears Prada, Get Smart, Alice in Wonderland, The Silver Linings Playbook), Tom Hardy (Inception, RocknRolla, Bronson), Joseph Gordon - Levitt (Elektra Luxx, 3rd Rock from the Sun), Morgan Freeman (The Shawshank Redemption, The Dark Knight, Se7en), Gary Oldman (The Professional, The Fifth Element) and Michael Caine (Cars 2, Gnomeo & Juliet, Inception, Harry Brown).

I previously featured Abel Gance's 1919 masterpiece J'Accuse in my DVD column, but was given the opportunity to really explore the film in a feature piece for Turner Classic Movies.

If you'd prefer to go in blind, know that the film is a really good first feature outing for writer - director Cory Finley.]

But while those are obvious comparisons, they aren't inaccurate; the film, with it's super small cast and minute - by - minute struggle, really feels in line with the very first episode of The Walking Dead, which featured primarily one man coming to grips with his harrowing reality.

All in all, I hated Vacation but not because the film was really poorly written, was painfully unfunny, and featured all unlikable characters, but rather because the film never even tried to grasp the concept that made the original films so great.

Blu - ray Highlight: There really isn't a standout special feature on Universal's two - disc release, but there are still a few good extras worth checking out, including a short but sweet making - of featurette that covers a range of topics like the script, casting and production; an in - depth look at the film's fight choreography; and a featurette on ex-CIA operative Luis Falcon III's assistance in making the movie as accurate as possible.

In what really could be considered a leading role (and might very well turn out to be), Banks holds her own in a film that features two bravura performances by Paul Dano and John CusacIn what really could be considered a leading role (and might very well turn out to be), Banks holds her own in a film that features two bravura performances by Paul Dano and John Cusacin a film that features two bravura performances by Paul Dano and John Cusack.

As it goes in feature films, once the director is onboard — I mean, I am executive producer, as well, but Dee Rees really, really drove a lot of the casting decisions.

I expect that this was done to give this very colorful film that extra bit of punch as it features lots of really bright colors in the pink and yellow area.

Extras: Fans of this one get two commentaries: an isolated score track with film historians Jeff Bond, Jon Burlingame, and Nick Redman commenting mostly ahead of the music (which really begins when the fantastic voyage begins); and a feature commentary with Bond again covering all the basics in a somewhat average walk - through.

I had interviewed the stars and the director Sean Baker (of Tangerine fame) earlier in the day, where I nerded out HARD and told every A24 rep I saw that they were my all - time favourite studio in the game right now (I was really into New Line in elementary school and tried to see EVERY Focus Features film in high school.

Do we really need to explain why this mega sequel that is 10 years in the making and features upwards of 50 characters, massive movie stars and franchise altering storylines that will redefine the biggest brand in film, is on this list?

She first really earned notice thanks to her performance in Gerardo Naranjo's 2011 film Miss Bala, but she has since been in a Bond movie (featured in the opening sequence of Spectre) and more recently has been playing Valeria Velez on the Netflix series Narcos.

Now, if you had told me that this list would feature not one but two Planet of the Apes films in the Top 25, I'd have called you crazy and doubted you were really a time traveler.

In addition to Super Troopers and Super Troopers 2, Chandrasekhar's credits include the feature films Puddle Cruiser, Club Dread, The Dukes of Hazzard, Beerfest and The Babymakers; the movies for television Held Up and Schooled; the pilots for the series The Rebels and Really; and episodes of the series Undeclared, Arrested Development, Chuck, Psych, Community, Royal Pains, The Goldbergs and New Girl.

Cloudy With A Chance Of Meatballs and 21 (and 22) Jump Street veterans Chris Miller and Phil Lord have never been shy of a little anarchy, but The Lego Movie really brought three - bags - of - Haribo hyperactivity to animation with a big, bright blockbuster full of jokes you never thought you'd see in a feature film tie - in based on Danish construction toys.

Ramsay's unwillingness to compromise artistically has often run afoul of a bottom - line - minded industry, which explains why «You Were Never Really Here» is only her fourth film in the 18 years since her brilliant, Cannes - premiered debut feature, «Ratcatcher.»

Of course, Wes Anderson's «Moonrise Kingdom» is a very well - known film, and its addition to the Criterion Collection is not so much to bring it to a wider audience as with something like «Blind Chance,» but to really elevate its place in recent film history with a perfect transfer and interesting special features.

In terms of special features, it is not a surprise it is lacking since Woody's films have never really impressed ere.

Tags 120 battements par minute 2017 cannes 2018 oscars Agnès Varda Andrey Zvyagintsev Cannes cannes 2017 cannes film festival diane kruger faces places focus features foreign language film france Germany happy end in the fade Joaquin Phoenix loveless magnolia pictures nicole kidman oscars 2018 Palme d'Or robin campillo ruben ostlund russia sofia coppola sony pictures classics the beguiled the killing of a sacred deer the orchard the square wonderstruck yorgos lanthimos you were never really here

In terms of extras, the 4K Ultra HD disc includes the original Blu - ray audio commentary featuring Kosinski and Cruise — it's an interesting listen but nowhere do they really address the film's larger concepts in much depth (and Cruise tends to use buzzwords like «iconography» a lotIn terms of extras, the 4K Ultra HD disc includes the original Blu - ray audio commentary featuring Kosinski and Cruise — it's an interesting listen but nowhere do they really address the film's larger concepts in much depth (and Cruise tends to use buzzwords like «iconography» a lotin much depth (and Cruise tends to use buzzwords like «iconography» a lot).

Comedy had never really been Huston's forte throughout his career, but many of the scenes in The Dead are laced with humour, especially the ones that feature Donnelly, and despite the problems he was going through during the course of filming, it was clear that Huston was aiming to venture into areas that he had not encountered before.

The film features Woody Allen in a major role, and in a new clip, really highlights the chemistry between the two actors.

Although it's sounds depressing, Lonergan fills it with a lot of dry humour and the entire cast are excellent; Kyle Chandler only features in flashbacks but he brings a really strong paternal presence and, despite appearing high in the film credits, Michelle Williams actually features very little.

That just reflects what this movie and DVD really is: one huge ego trip, and evidence doesn't come any stronger than the final special feature: a feature - length recording of the audience at film's premiere, which means lots of hooting, hollering, laughing, and approving applause — in other words, a reaction universes removed from the reality of what played out in multiplexes across the country earlier this year.

Could any film that features lumbering CGI rhinos and two guys duking it out in skin - tight wildcat costumes really bear the thematic weight for which Coogler strains?

It's a category where even the notoriously conservative Academy have been known to push the boat out a little, but the new faces it sometimes features (last year's winner Lupita Nyong» o, for example) tend to need to break out in an otherwise recognized, buzzed film (like «12 Years a Slave») and even those picks are often offset by nods for established actresses who either deserve a consolation prize or who in general feel like they haven't ever really been given their due.

«The size of the film felt right for my first feature and one that was a character study in which I could really play and direct my actors in.

«The process of making a first feature film, writing all the drafts and raising the budget, is really long and complicated,» said Talya Lavie, an Israeli filmmaker working on a project entitled «Zero Motivation,» and the Institute has already been helpful in letting her focus on the creative aspects of her project.

The film places an emphasis on blood over flesh when it comes to Jennifer (and Needy as well, in a childhood flashback of the girls featuring either a kissing - a-cut-to-make-it-better or forming - a-blood-bond-via-quick-blood-sucking you'll - have - to - decide move by Needy on Jennifer's cut palm which may or may not form a psychic connection between the girls, you'll have to decide on that, too), which in turn draws one away from demonic connections towards vampiric ones, which sets Cody against Whedon; a battle Cody can't really hope to win.

Good: When your hero is a guy who can get really big and really small, and whose first film featured a climactic showdown in a children's train set and an actual train - sized Thomas the Tank Engine, the movies shouldn't be taken that seriously.