I found
myself really framing shots, paying attention more, slowing down, and thinking about what I was shooting more than with digital.
I photographed some flowers at a nearby farmers market, and though I couldn't
really frame the shots because the sunlight was so bright, the resulting images weren't terrible.
Not exact matches
The technical bits of the movie, such as the camera trying
really hard to be creative with oddly
framed shots, are as bad as the script and performances.
There's some truly wodnerful and memorable
shots and
framing here that are STILL being copied to this day, and I was
really struck by the artisticness of them.
In fact, «they» don't
really come like this: a movie almost without establishing
shots or hand - holding narrative cues, aggressive with its weird ambient sounds and literally eccentric
frames.
If you
really dissect Hollywood movies, you will find errors in some
shots, but because the
frame changes, the audience doesn't have a chance to notice them, because they are paying more attention to the story.
But it was surprisingly difficult to settle on one
frame that
really stuck out, because unlike many of his works, the film is more memorable for its overall visual atmosphere than it is for this
shot or that.
Shot in a stark black and white, with the actors repeatedly isolated in their own
frames, some
really creepy images of crazy nuns (the long early sequence wherein the nuns are interrogated and exorcised is a miniature masterpiece) and a series of subjective tracking
shots implicating the audience in the chaos, the film reaches a high point when the priest consults the local rabbi (also played by Voit) in a series of head - on medium
shots.
Working again with cinematographer Yorick Le Saux, the visuals are stunning, but there are a few more of those
really obvious
shots — you don't have to know La Piscine to get that the pool is Bad News, given the way it looms in the
frame, like it's stalking victims — and the jittery pacing of some of the editing is at odds with the languorous and sumptuous tone of the film.
In the high
frame rate you can
really notice the imperfections of effects and the merging of computer generated and live action
shots.
«We were
really proud to have a Single from Christopher Hitchens eight days after Bin Laden was
shot, which is a time
frame that traditional publishing would have found very difficult to publish into,» Grandinetti said.
That's the short and sweet of the camera specs but
really the BlackBerry 10.3.1 software adds more to it through various optimizations such as the ability to take photos while capturing video,
shooting modes, and even a nice set of tools for post processing both images and video that includes filters,
frames, the ability to add slow - mo or trim the content, and reduce red - eye as well as adjusting audio levels, color levels and more.
Unless you're
really quite firm with the button, you'll find yourself zooming when you already had the
shot nicely
framed up — something we found to be a real annoyance on several occasions.
Each was a joy to
shoot with — I didn't have to get nearly as close, and it
really helped
frame the
shots perfectly.
The ability to snap that
shot using the volume button
really helps, especially with that solid
frame and button as a base to press against.