Sentences with phrase «really get into the film»

I have really gotten into filming and video editing in the past year.

The outcome of the film right from the onset is obvious which makes it hard to really get into film.

The best feature is «Misery Loves Company: The Making of Young Adult», it runs just shy of 20 minutes and really get into the film's story with Diablo Cody and the production with Jason Reitman.

Not exact matches

But it's good to know that I'm not alone in my horror: Director Luke Gilford has skewered the extreme ends of «wellness» in his new short film Connected, starring Pam Anderson as Jackie, a lonely spinning instructor who wants to feel more, well, connected — so she joins a wellness cult and gets wifi shot into her brain so that Jane Fonda (no, really, she does a voiceover cameo) can tell her how «limitless» she is all the time.

The moment the film got into the people who believed that cell towers and mobile phone transmissions made them ill; I just shook my head — really didn't need the «crazies» showing up in this brilliant piece of work.

What we end up with is a film of great potential which never really gets into gear, and whose ideas are skimmed over for the sake of moving forward.

Rope is a classic picture, one that definitely needs to be seen by genre fans, and it's a film that steadily builds up the tension, in order for the viewer to really get into the story and not turn away.

In other words, it's the kind of film a clever - dick film student can really get their teeth into (and indeed, many have).

The film immediately catapults itself into a fuzzy narrative - through the interruptions, the audience gets enough of an idea about what the characters are talking about, but never enough to really have a clear idea what specifically is being discussed.

However, I felt in this film we really got an honest emotional look into the child that it seems is forced into this life of darkness.

This is one of those horror films that takes a few viewings to really get into due to the fact that it's quite bizarre and eccentric.

Not only do they talk about the filming of the movie, but Knightley really gets into the story of the film and she cheers for the characters as the scenes unfold.

I admit I really didn't enjoy this one upon a first viewing, but after watching the director's cut of the film, which is far superior, I really got into this one.

What a tedious film.Over acting, wobbly plot, dialogue at times pure drivel and a laughable ending.It really was poor.The film goes straight into a Cul de Sac and can not get out.Way too much nudity from the metro sexual looking Tilda Swinton.Her androgynous body quite turned my stomach.A redeeming feature was the glorious sunshine and powerful light of Italy.The film meanders, wobbles and finally falls down.Older people like Swinton and Fiennes should really keep their pants on at all times.It is acutely embarrassing when the oldies need to do so much nudity (l suspect it is to appease their insecurity that they might not be physically desirable anymore) Horrible attempt at film making

The first act is admittedly a bit messy as director Colin Trevorrow gets all of his pieces on the board, but the story really picks up once the Indominus Rex breaks free from confinement, turning into a full - fledged adventure film with no shortage of dinosaur - caused destruction.

I wrote a few film reviews here and there for my high school paper, but it was only in University that I really got into it.

I remember really disliking it at the time, but I don't think I knew exactly what I was getting myself into with that film.

Transfixing images accumulate as we get gently dragged deeper into Drift — and that's before the film's turning point, when the soundscape slowly slips from the diegetic into electronic abstraction and the sea wrests control of the helm and we really start to lose our sense of time and space.

Though the focus of the film may be on protégé Gary (Egerton), the debate that's really getting critics going is whether or not Firth has what it takes to step into a spy role.

Even so, the film hadn't really been on our radar at first, and it was only after failing to get into Susanne Bier's «Love Is All You Need,» and deciding that not having seen its predecessor probably precluded us from seeing Takeshi Kitano's gangster sequel «Outrage Beyond,» that we headed to the late - night press screening of the film.

I'm not sure if this is simply a case of getting audiences into the theater or if the trailers are really indicative of the film, but I'm hoping it's a more introspective piece in line with Lowry's novel.

The heyday for American film criticism was the»70s because I think the people that got into it at that point were really inspired by the likes of Andrew Sarris and Pauline Kael, both of whom became famous and established the importance of film critics as a cultural force.

Solondz takes a premise that could be some kind of Apatowian studio comedy — overweight man child falls for pixie dream girl — and really gets into his central character's psyche, to the extent that much of the second half of the film is set entirely within it.

If you are a fan of these films you will really jump at the chance to get an inside look into some of these productions whether it is rare pages from the scripts and productions.

«I really was interested in getting involved with a company [that has not received a lot of] ink that may be turning into one of the prolific producers of independent films around,» said Lipsky.

Dearest Edgar: As an aspiring film maker and a self - proclaimed cinephile, i must say i truly admire your work, although i'm «young» i've always been interested in art and your work is truly inspirational to me, i can't really put into words how happy your movies make me, hopefully in the future i'll get to make great movies like you too, i'd just like to thank you for directing such great movies!!!

«In this film, you've got a lot of, you know, really unique personalities clashing, so we knew we were going to lean into the humor.

Even though Deadpool screenwriters Rhett Reese and Paul Wernick are really busy writing Deadpool 2 at the moment, we managed to get them into our Collider Video studio a few days ago to talk about the success of the first film and where the character might go next.

It does take a while for me to get into the film, Emmet is a little bit annoying in the start, and some of the humor does fall flat but overall it was definitely a really fun time at the theaters.

It was really great to get his blessing going into the film.»

FESTIVAL FILMS Now we're getting into films that might really figure into the awards FILMS Now we're getting into films that might really figure into the awards films that might really figure into the awards race.

Part of me was glad that the film wanted to be over as quickly as possible, but the rest of me really wanted to get my hands on this script and inject some life into it.

«It was really helpful to get athletically conditioned for the film shoot, although we also got into the specifics of the movements of our characters.

We really got into our fight and filmed for three days.

I only really got into horror films in my early twenties, and due to a lot of horror films having villains with face - obscuring masks, or deformities preventing lip reading, I waited until home video release where I was able to enjoy them at home with my friends (and a bowl of popcorn), thanks to a VCR that captioned the dialogue.

But the soul of Ghibli, it emerges gradually, is really a trinity: Miya - san; fellow director - turned - partner - turned - creative rival, Isao Takahata, aka Paku - san (whose lovely «The Tale of Princess Kaguya» is in production at the same time as Miyazaki's «The Wind Rises «-RRB-; and in between the two, the unsung producing partner, Toshio Suzuki, whose unenviable job it is to keep those two antithetical personalities from flying apart, while also ensuring the films get made, bought, distributed, translated, and diversified into a line of plush toys and calendars that the world's Ghibli museums can sell.

But things get a little sticky when Ned's influence on River seems strange to a child therapist (he's really into a fake form of karate that Ned has started «teaching» him) and accidentally discovers Dylan nude while having a private filming session with Tatiana.

The film kicks into gear, and we really begin to get to know Auggie, once school starts.

This film really hit home and I'll get into that in a minute.

The film does get brutal and it does get bloody, but never really veers into horror territory.

Video game adaptations are really kicking into gear in 2016, with both movie and game studios hoping to get multiple films set...

I really enjoyed this film, which has two fantastic extended chase / action sequences — one with Lloyd provoking all the street thugs he can find into chasing him right into the mission (where he wins their loyalty by nonchalantly passing the collection plate to rid them of stolen jewelry before a police search), the other with Lloyd trying to corral a group of five drunk friends and get back to the mission for his wedding.

As with literary agencies that evolve to handle film and television (as Curtis Brown has done, for example), it takes a certain buildup of foundational accounts, I think, to reach a point at which the range of availabilities can really come into play and that's hard to get in smaller settings which normally will need to focus on one or another approach.

Nightly events include special panels with big - name people from the film industry, which are a great chance to get a peek into «movie - making magic» and see some really major stars.

Nightly events include special panels with big - name people from the film industry, a great chance to get a peek into movie - making magic, and see some really major stars.

About the time I was 7, I got really into black - exploitation films, so I made my own Wonder Woman, but I made her black.»

I'd seen this film a long time ago but when I saw it again this time, I had a much better appreciation of the Aboriginal way of being and the thing that really struck me in this film was there was a section of the film where they were going to do this aeroplane song and dance corroboree and they were getting ready for it and you know there are all these Elders and you know very wise and respected Elders you know making their costumes they were gonna wear, talking about how it was gonna be and in amongst all these people there's little children you know of one 1 or 2 or 3 years old who were just crawling around and you know watching and listening, trying on their head - dresses and they were completely welcomed into that adult community, there was no sense of, you know this is grown up business, you kids go off and play which is very much the western model.