Sentences with phrase «really getting into character»

My older daughter surprised me by really getting into character for her part (granted, it's just a 15 second commercial).

Talk about really getting into character.

They really got into character and had amazing chemistry.

Skarsgard really gets into this character.

He really gets into the character here and turns in a much stronger performance than he did in his Golden Globe nominated role in The Tourist.

It never really gets into the characters, with Jim of course the minor exception.

Really get into your characters» heads for voice that pops with the free PDF Guide to Deep POV — with bonus resources not found in the blog series!

I never really got into the characters themselves, but the game was surprisingly fun for me.

When you're done with your anime dress - up you can really get into character in our anime RPG games.

Not exact matches

Ben, perhaps what you are really getting at is that when people try to bring their religious «beliefs» into what ought to be a rational political discussion, either their religious «beliefs», or the rational character of the political discussion, or, unhappily, both, end up on the losing end.

Some actors really bulk up for roles, but Ike Barinholtz decided to «let himself go» to get into character for Snatched.

«I think they get into their 20s and 30s and they really feel lost — they feel like they never had those character - building experiences as adolescents, as kids, that really make a difference when they get to adulthood.»

The book doesn't so much delve into that and I had more questions about how, but one thing it discusses is the helicopter - parented child who never has to figure anything out for himself, gets to college and after college and doesn't really know how to make things happen because he's never been given the opportunity / challenge or had certain character traits instilled.

During a lengthy initial consultation, the team really gets to know the people they work with by delving into the individual's lifestyle, personality, and character.

They have the ability to meet each other and get a feel for each other's personality and get to know each other a little better before they take it offline.With «webdating,» you get a feel for chemistry and the ability to pinpoint each other's personality and character; you can see them, see how they smile, see how they move and this gives you insight into what that person is really like as opposed to just reading a typed profile or chat with them on IM which is less personal.

The introduction to the characters seems a little perfunctory, but once we get into the problems experienced in the comics industry during the Fifties, the show really gets good.

There aren't really any characters per se in Lucy, but I was grooving on it until the final scene, when Freeman gets Johansson into his laboratory and things get a mite abstract.

Free Fire takes too long to get started with poorly developed characters and when it does kick into action the movie doesn't really improve too much.

It's really amazing how quickly Mr. Merrick gets into the persona of a common working man, almost immediately identifying with all the problems facing them (which is a huge jump from the way his character is introduced).

Dunwall is an amazing place in terms of the way it incorporates elements of steampunk with a victorian feel and setting a pace that wouldn't normally suit a 1st person action game but it just flows so well and the artwork on the characters is stunning but sadly let down by a bit of collision detection which is hard to ignore, combine all this with a satisfying story you get a really decent game with plenty to get stuck into.

The film immediately catapults itself into a fuzzy narrative - through the interruptions, the audience gets enough of an idea about what the characters are talking about, but never enough to really have a clear idea what specifically is being discussed.

As it stands the constant need to be offbeat distances us from the characters and events, to the point where we can never really get into the story, not really finding the proper foothold to care about the case against Mrs. Harris one way or another, or to feel the profundity the murder so desperately needs to properly keep us on the edge.

Not only do they talk about the filming of the movie, but Knightley really gets into the story of the film and she cheers for the characters as the scenes unfold.

Gritty, harsh and extremely well - acted, this Australian crime drama really gets into the skin of its central characters.

The voice acting in the game, especially Claudia Black and Laura Bailey really get into the psyche of each their characters and more importantly, the banter between the two protagonists not only feels real but there's some priceless banter as well.

«We really get to introduce this character into that universe.

Solondz takes a premise that could be some kind of Apatowian studio comedy — overweight man child falls for pixie dream girl — and really gets into his central character's psyche, to the extent that much of the second half of the film is set entirely within it.

Character models may not be the best we have seen but they are still brilliant and in conjunction with the beautiful world that Guerilla Games have created, you really wish there was more substance to the gameplay so that you could really get immersed into the world.

«And he was really excited to get back into that character, which he'd had a gap of a couple of years there between the last time he'd put on his costume.»

The narrative trips itself up somewhat with a messy third act that falls into predictable realms of police corruption and overly convoluted, poorly explained schemes to benefit the hierarchy while threatening the lives of our main characters (for some reason) but the lack of coherency can't get in the way of Creevy's skill for adrenaline - fueled action filmmaking and that is where Punch really delivers.

Roberts is apparently supposed to be the star, though Potter and Kind get as much screen time; and despite being the one character who should stand out, Minkey the monkey doesn't do much or even really factor into the story beyond cutesy (yet annoying) monkey - make - noise, monkey - punch - face gags.

Even though Deadpool screenwriters Rhett Reese and Paul Wernick are really busy writing Deadpool 2 at the moment, we managed to get them into our Collider Video studio a few days ago to talk about the success of the first film and where the character might go next.

The pace is slow moving but really gets deep into its characters and leaves you at the edge of your seat.

I get the feeling that most people who do not like the twist dislike it because it turns the characters into something they don't really care about anymore.

While it may still be somewhat hampered by having to keep characters that will play a more vital role later around that don't really add to the movie at hand, for the most part, Goldenberg and director David Yates (The Girl in the Cafe, Sex Traffic) waste little time in getting us into the story and keeping us focused throughout.

«It was really helpful to get athletically conditioned for the film shoot, although we also got into the specifics of the movements of our characters.

Tom Cruise was the perfect choice to play Jerry; he has the look, the energy and the talent to get inside this guy's skin and make him tick, and he successfully channels his natural exuberance into his character, tempering his performance just enough to make it really work.

For a start, matches usually last at least a couple of minutes because you've got to knock out three characters instead of one, which lets you really dig into the synergy potential of assists and supers.

Really I want to immerse them all into my world, the world of my creation, and get them to share the experience of my characters.

Honestly, reading this manga, really breaking down the panel transitions and the way Inoue breaks up the action, gets his characters into place, creates miniature epics of conflict and triumph, all the while creating a new pace and rhythm to manga - it's fantastic.

«The surprise for you as a reader is that when you get really far into this long book, you realize that the characters you have grown to know so well and who live in a very confined space don't know each other all that well, and that's because they occupy different social realms.»

Hoffman transforms San Francisco into a noir playground for all sorts of shady characters — the kind that can only come from the mind of a writer who really gets people, their secrets and the lengths to which they'll go when they have no good choices.

But for now we have a taster of what is to come, enough to get a handle on whether IO have managed to bring their iconic character back into the favor of gamers after Absolution, a title that I personally really enjoyed but is often cited as being much weaker than fan - favorite Blood Money.

Our goal with the story, in terms of getting the game started quickly and players into really compelling story situations... that dictated and allowed us to do certain things including changing the way that your abilities work and the way you develop your character.»

«This lets us get much, much more detail and fidelity in there, so you can really empathise with what [the characters] are saying, and it allows us to hit certain poses that we couldn't quite hit before... it all allows us to tell our stories better, to animate our characters better — we hope it's going to be something you all notice, rather than just be a technical marvel; something that really ties into the characters and emotion in the game.»

It all works really well and keeps things flowing nicely and by switching back and forth, it gave me a deeper insight into the characters, giving me a sense of compassion towards them and that had me rooting for them to get through the hell they're going through because of their past and what they had already been through to get where they are.

Even though the story is similar to Dead or Alive in that you control different characters throughout the story, it really helps to get into the headset of the universe which eventually leads to the climatic showdown with the villain of the game.

I'm really glad Cloud got into smash I love seeing unexpected characters skip in.

Perhaps the most interesting additions are the extra characters and weapons added to Raid Mode, which is a lot more accessible using Xbox Live to play with friends — I've never really got into multiplayer on a handheld format, personally.

Ok, this isn't really huge news or anything, but the characters from Secret of Mana have apparently been added into the game Voice Fantasy where you apparently get people to talk on your phone and you unlock characters who fight using all the voices that summoned them or something strange.