Sentences with phrase «really good curators»

If you wanted to see older movies you had to go to 42nd Street, or to the MOMA, which was particularly strong in the mid -»70s — they had really good curators then.

Not exact matches

«She really wasn't much of a scientist — which is good,» says Horner, curator of paleontology at the Museum of the Rockies.

«Their power of observation was very acute, and they were really well educated,» says Susan Rossi - Wilcox, former curator of Harvard University's Blaschka glass flower collection (a later body of work for which the Blaschkas are now most renowned).

A comfortable and opening forcefield surrounded his studio, not to mention, Statler and his curator, Corinne Dove are incredible kind individuals and are really good at stealing your attention in the best possible way.

And I realized pretty quickly that in my new role as a director - slash - fundraiser - slash - janitor of Participant, when curating solo exhibitions, most people don't even really see the curator, if you're doing a good job.

VILLAIN: A diabolical genius, Bruce Nauman has persuaded naïve curators and critics around the world that his habit of torturing clowns, tormenting viewers with claustrophobic tunnels, and filming strange nocturnal surveillance videos is a force for good — when really his endgame is infinitely more disturbing, resolving itself only at his viewer's point of death.

«He's really good at picking out the various oddities and uncanny moments of the everyday,» says the exhibition's curator, Cliff Lauson.

Helen Little, curator of the exhibition at the Tate Gallery, said: «We've brought together over 90 of what we think are the very best of Lowry's urban scenes and industrial landscapes, really to argue for Lowry's status as Britain's pre-eminent painter of the industrial city.»

Its only January but this show is probably going to be one of the most exciting and interesting shows of the year we really like Condo at FAD as well as this preview we have a quick Q&A with the joint curator of the show Laura Hoptman which you can read here.

For «A Story of Deception,» the first really comprehensive exhibition of Alÿs's works to date, the two curators, Mark Godfrey and Kerryn Greenberg, made sure to include the artist's most successful works as well as to give full insight into the different aspects of his multifaceted practice.

It is an eruption into the present of a past long gone, wreckage which, cut adrift from its own time, has somehow washed up on the shores of the present as poverty and abandonment...» and that `... To let the place begin to speak to us, we need a practice of observation of the kind Keats meant by «negative capability»... Take my advice and skip forward to the far more pragmatic and illuminating: Dust Bunnies and Coffee Stains: Anya Gallaccio in conversation with Clarrie Wallis, curator of contemporary art at Tate Britain — a far better point of entry, where one gets to know, first hand, what the work is really all about.

«It's definitely strange,» Kim Gordon tweeted in response, adding, «Actually mark Francis is a really good and respected curator / im Totally surprised though... He claims to be surprised it ended up that way.»