«It's great to perform live with the same team who recorded the soundtrack,» says Ames, «key players with solo parts like Katherine Tinker (piano), Galya Bisengalieva (violin) and Oliver Coates (cello)
really have a strong voice throughout the movie so it had a real authenticity.»
Not exact matches
«Deeply do I feel, ever will I protest... that in questions of right and wrong, there is nothing
really strong in the whole world, nothing decisive and operative, but the
voice of him, to whom
have been committed the keys of the kingdom and the oversight of Christ's flock....
Deeply do I feel, ever will I protest, for I can appeal to the ample testimony of history to bear me out, that, in questions of right and wrong, there is nothing
really strong in the whole world, nothing decisive and operative, but the
voice of him, to whom
have been committed the keys of the kingdom and the oversight of Christ's flock.
Are you
really naive enough to believe that Wenger
would bring anyone into this current locker room that is going to be given a
strong voice...
have you not been watching, listening or reading about our club for years... Lehman is a blind Wenger follower, which is the only reason he was even considered... just for a second think of all the
strong personalities that
have played for this club that
have never been seriously considered even though they
have expressed legitimate interest in participating in the coaching process... even worse, think of all the former greats who aren't even allowed on the same pitch as Wenger because they
have offered their advice and / or criticism to the infallible one... I dare you to find a manager that
has distanced himself from his former players as much as this man... it's the very reason why only one player I can think of
has ever returned to play for Wenger and that was Flamini, which was hilarious considering we were desperately looking for a top quality defensive midfielder but Wenger could somehow find no one better than Flamini in the whole wide world... let's face it this club was simply trying to appease it's disgruntled fans by declaring that Wenger
would no longer be given Ca rte Blanche when it came to the backroom staff so they probably asked him to give them a list of those who he
would allow in the locker room... on that list he wrote Lehman, Pires and Bergkamp, likely because the first two are the only former players who haven't publicly questioned his horrible decision - making and the last one because he won't get in an airplane
Just then I found someone who
has a
really strong voice when it comes to this print.
They
really are about, from what I
've seen so far, supporting up and coming artists, artists who
have a
strong vision and
voice and perspective, and they
really wan na permeate the films with those kinds of
voices.
In education, it is
really interesting to see teachers, parents, and students — who may depend on federal programs or
have strong views on the administration's education policies — making their
voices heard in a way I haven't seen before.
No doubt 343 will be taking a hard look at its missteps with regard to the campaign as the
strong voices of discontent simply can not be ignored but the studio should
really take pride in what it
has achieved with arguably the most important element of Halo and that is its multiplayer.
We're making use of techniques like performance capturing - so we get
really good physical performances from actors along with their facial expressions and
voices and their interaction with other actors - to build a game that
has a
really strong narrative component that isn't just a highly replayable shooter.
While the pacing of episodes
has a tendency to stumble, it's made up for massively with
strong performances from the cast (who
have given their likenesses and
voices to characters in both game and show) and
strong scenes of action that
really raises the stakes for all involved.
That said, Tom Clancy games
have never
really been particularly
strong in two departments: story and
voice acting (save the original cast of the first few Splinter Cell games, of course).
, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we
have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might
have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the
voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was
really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we
have to raise our
voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion,
strong as the wind near the sea, transforming all things,