Sentences with phrase «really make each of the film»

Working with Sundance Institute on casting also provided some insight to what casting for the actual feature will be like, and made it more clear exactly what types of personality traits each actor should have to really make each of the film's characters complete.

Not exact matches

They really do make indispensable contributions to advancing the study of this thought - provoking film on the web:

I want my children to make decisions for themselves about faith and some of what was presented in that film made me question if I was really allowing that.

Stone recognized that the late Sixties really were a time of living mythology, of god - creation, and he wanted his film to both take us through that, and indeed make us complicit in it.

What really underlay the attack was a massive rage that such modest artistic statements were made in the year of the bypassing of the most expensive ($ 20,000,000) attempt yet made in a genre of film that had outlived the sophistication of our culture and the churches.

Both the film and the novel make much of God's strategic metamorphosis here, which is really the premise of the whole story.

not really making the news, the atmosphere on last wednesday was really strange, silent, step by step to normal football, but you can't throw away your thoughts immediately, I just got a glimpse of Enkes personality during a film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite of Hannover of course, people will be enthousiastic again, but there is the idea of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind of appeal for everyone to reflect the important things of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but of course the world will not change, things are returning to the old soon, but nonetheless for me this tragedy is a kind of human wake - up call, at least a call and then you continue

The problem is that the film never really makes it clear that those were perversions of the ideas of evolution.

By this time, the film «First Do No Harm» had been made highlighting the Ketogenic Diet, but when I questioned the doctors, again, I was told it was «Hollywood hype» and the diet really didn't work that well and that this film did not give the details of all the terrible side effects that there were with the Ketogenic Diet and once again I was told that drugs were the best option.

Paul David Kennamer Jr. and Merrilee Jacobs discuss this, what do doctors really know about nutrition — if anything at all!?! -LRB-: 60 clip here)-- and the making of their film, Eating You Alive on Awesome Vegans with Elysabeth Alfano.

Chanel # 14 Mystic Eyes is truly a beautiful eyeshadow quad and really worth checking it out, that's why I have decided to dedicate to it a few words here on my blog, and I have also filmed a quick make up tutorial for you, creating just one (of many!!!)

The moment the film got into the people who believed that cell towers and mobile phone transmissions made them ill; I just shook my head — really didn't need the «crazies» showing up in this brilliant piece of work.

Both the film and Nachtwey's photos hammer home the grim reality of the world's gutters and battlefields, and will make you question what «news» really is.

Following on a decade from when former American Vice President, Al Gore alerted the world about the threats of Global Warming and their impacts on our planet and our lives, it seems all too real now that another one of these films didn't really need to be made.

One of the greatest and funniest horror films ever made, it has a great story and a powerful scenes with great visuals and exquisite acting, I am a big horror fan, this one is good, it is really good, although I was barging for something smaller and simpler, but it turned out to be way too different than expected!

Other than Graham, who doesn't really have much to do here, there's a surprising lack of women in the movie, which might make this as much of a guys» film as «Old School.»

This is the BEST James Bond film ever made as it is full of style, amazing action pieces that really dazzle and entertain, Pierce Brosnan is an excellent Bond (wit, humor, action, style, brutality), Xenia Onatopp is the greatest creation of a villain and Bond girl (because her weapon is

It's here that the thriller aspect really takes hold, and it's incredible in that you'll notice in the thirty - plus years since the events of ARGO, things still haven't improved between the Middle East and the West, making this a relevant, but also balanced film.

A one - of - a-kind film that really makes other movies» depictions of sex seem very shallow, this one doesn't have the best acting, or writing, but it's interestingly structured and makes it point very well.

The cool variation comes in the form of his drug - addled brother who believes the film crew that's following him around is documenting his big comeback — when they're really making a documentary on the effects of drug addiction and using his name as former contender to add impact.

The film is by no means terribly long, at least when you compare it to its 1969 musical counterpart, so it's not like storytelling drags its feet for ages, but make no mistake, the fact of the matter is that plotting's structure is something of a mess that meanders along repetitiously and, well, is to be expected, because, really, where does this story have to go?

Spoof movies come and go, and there will always be the ones that are great, but as time goes on, this genre of film is what really makes this industry hurt inside and out.

Although it isn't really a significant film as a whole, there are enough good moments of interest and insights to make Trees Lounge a worthwhile experience for fans of slice - of - life independent flicks.

Sure, fans of the book watched it and may have got some enjoyment out of it, but the story, accompanied by the god - awful dialogue, really does make this film a treat to watch, even if you can admit how bad it is.

What The Peacemaker does establish though is that, given a really good script, George Clooney will become a major film star, one of the few to make a successful transition from television up the ladder.

Now, at the time, Disney made safe films for kids to not have to think too hard about, and while «The Jungle Book» (1967) does play it safe in some regards, the harsh fight sequences and undertones of race really does come through for older viewers and may have kids hiding their eyes every once in a while.

This is the BEST James Bond film ever made as it is full of style, amazing action pieces that really dazzle and entertain, Pierce Brosnan is an excellent Bond (wit, humor, action, style, brutality), Xenia Onatopp is the greatest creation of a villain and Bond girl (because her weapon is Bond» worst nightmare), the villain is truly threatening and played very well by Sean Bean, the title song is awesome and classic Bond, the script for this film is VERY well written and witty, etc..

But what made that film work is that his fellow cast members made you believe they were convinced he really was a woman in spite of his comically non-womanish appearance.

One of the greatest and funniest horror films ever made, it has a great story and a powerful scenes with great visuals and exquisite acting, I am a big horror fan, this one is good, it is really good, although I was barging for something

This is a fun film to watch, one that is well crafted and with a cast of talented actors, it really makes this one a stand out film.

When I said that the film hits particularly bland spells, I really did mean it, though I'd be lying if I said that the film ever slips into downright dullness, thanks to an adequate degree of colorful wit within Sherriff's, West's and Maschwitz's screenplay, which, at the very least, delivers on engaging characterization that is made all the more engaging by the portrayals of the characters.

Fox made his film debut in The Reincarnate (1971), the story of a cat that really does have more than one life.

There really isn't much room for ambiguity in the multiplexes, and, tellingly, there's not much room for Annihilation in them, either — Paramount, the studio that produced the film, lost faith in the resulting weirdness of the finished project and sold off most of the international rights to Netflix (which has been making itself a home for sci - fi studio discards recently).

No one is expecting an in - depth look into what it takes to actually make a marriage work out of a Farrelly brothers film (or any relationship comedy about marriage, really).

Either way, this film grasped me and made me really realize what Love and pain can do to a person, and Lopez and Anthony have a great chemistry onscreen and set of a blazing fire od charisma and sensational entertainment.

An unsentimental but emotional film for anyone who suspects in their heart of hearts that suffering really is the only thing that makes anyone worth a damn.

There is nothing too complex or overdone about it, which is kind of what I was hoping for, but there are no real stakes aside from seeing if our main characters make it out alive, which in the end does not really matter, because they all pull of ridiculous stunts, making for a very far - fetched film.

Harris» feature films for 2004 include the live - action remake Thunderbirds and the thriller Trauma, starring Colin Firth.Though her star was steadily rising in Hollywood, it wasn't until 2006 that Harris would really make a splash on stateside screens; and after supporting roles in Brett Ratner's After the Sunset and Michael Winterbottom's A Cock and Bull Story, Harris took to the high seas for her role as Tia Dalma in the eagerly anticipated summer sequel Pirates of the Caribbean: Dead Man's Chest.

Though likely to be variously praised and pilloried as a pro-choice film, Weitz's film is really a movie about choice in both the specific and the abstract — about the choices we make, for good and for ill, and how we come to feel about them through the prism of time.

Having never read the book I'm rating it as just a film and it's really a film that starts well then gets predictable then got silly and confusing, The story was not new but it had a different take on it, It wasn't acted very well but it had some good intense scenes that were done well, With a good cast the story should of been told more deeper and we never really know how it all started which was quite annoying, I did like the ending but the scenes before that completely ruined the film as they didn't make sense or were done that well, It's not a bad film it's just poor for what was on offer.

There is a lot of symbolism in this film that doesn't make a whole lot of sense, but the ending really just brings it all to a head.

Yes, he's fine with the big action mayhem that is par for the course with these films, but he understands that the thing that makes any of it interesting is making sure the audience really enjoys spending time with these characters.

Horror films need to be more than jump scares to be good, and this one is accompanied by a good moral of growth, facing your fears, and has a good amount of humor to make for a really good movie.

Excessive violence, hysterical directorial overkill and a cast of mostly glamorous non-actors make this relatively short film seem much longer than it really is.

Overall this is a decent film, that is somewhat entertaining, but like I said, it never grabs your full attention, and it's a shame because the filmmakers could really have kept the momentum going, but it also seems they were a bit too overconfident with this one, and they seemed to try and outdo previous entries, and in a way they failed to capture the essence of what makes fort a truly entertaining and ultimately memorable Star Trek film.

Well, film noir literally translates as «dark film» so that means that this is really as dark as you can get outside of the Holocaust (and no, I don't wish the Coens made a comedy about the Holocaust).

The first hour of the movie is virtually unwatchable, with Braff oddly sprinkling in fantasy sci - fi sequences that are supposed to convey the character's inner - life, but never really add anything to the film other than make it feel alternately goofy and pretentious.

I am of the opinion that the three films were unnecessary additions to the franchise, but now that they have been made competently, it's hard to really object to them.

The sound design and score lend to the tone of this film and really make the film.

Both Thor and Thor: The Dark World presented us with something drastically different than what was before it, including expanding beyond the cosmos and accepting the God - like characters as normal, which really pushed the medium of comic book films, while also blending humor and action in a way that made the character both interesting and viable.