Not exact matches
I
really love the centerpiece
from the produce aisle... it makes me think of old still
life paintings.
All of this (I have left out many details)
paints a portrait of a couple torn
from their secure
lives and forced into a horrifying new world of despair, testing them both to discover who they
really are what they
really feel.
I guess that's one of the things that makes them different
from photographs, in that a photograph might be a record, a snap, one moment — a
painting I think is about creating a small world around that photo... I
really like that idea of something that you can enter like a box or an exhibition space, and enter these little rooms which for me are memories, but it's not about nostalgia — it's more about setting up something that's still
living — so it's almost they're all in the present, rather than in the past.»
If Storr
really wanted to recognize an «old» master, he should curate an exhibition of
paintings by George McNeil, an artist who realized himself late in
life and made something grand, energetic, and funny
from the verities of the New York School.
Although not one
painting is the same as the next, I
really see no difference between the spaces I
paint, the space I
live in and the same space it all comes
from.»
Riley discusses his work and process noting: «I
really strive to not have the
paintings feel like just compositional games... and maybe in that sense they're talking a little bit more about the
life around the artist and the
life that we're
living right now - present tense - and the art being a by - product of that and not so much the art being made in this cloistered place away
from life but in with
life.»
Although I admired the modern
painting of Europe, I never came under the influence of any one artist or school -LSB-...] Recently I felt that most
painting modern or conservative was terribly remote
from conditions that were
really,
really affecting people's
lives.
Grosse: I did all sorts of things,
from figure
painting to still -
life and landscape
painting, as well as video and photography and so on, partly because I
really wanted to see whether
painting would matter enough in the end for me to dedicate my
life to it.
I
really don't see a difference between using photographs and
painting from life.
There wasn't a lot of talk about his way of composing a picture; how he
painted moving figures, something that can't
really be
painted from life.
I have several end - tables in my
living - room that could
really benefit
from a
paint make - over to bring cohesion to my space....
And it was as open a floorplan as I'd ever want (
living room / dining room) and so airy, with a host of clever features (like a two - sided cabinet that had a door in the kitchen in which to store the clean dishes and a glass door in the dining room
from which you could easily set the table), but my biggest favorite were the plank walls, nothing
really,
really fancy but in every room of the house and each room
painted a soft pastel color.
If a
paint decision, decorating project, blogging, popularity, career or any other pursuit is distracting you away
from what you
really want out of
life, I think it is time to set it aside, simplify or reevaluate what you are doing.