Sentences with phrase «really saw you on screen»

That was the first time that I really saw you on screen.

Not exact matches

I liked seeing it there, blinking optimistically on my computer screen, but it felt a little like getting an A on a school project that I hadn't really worked at.

A printable version would be really nice =\ Or something I can see on my screen all at once without having to be scrolling, looking for ingredients, etc... It looks cool, but I basically have to go through and write down the ingredients and directions for myself.

Meanwhile, I am having a really hard time finding a hospital that will take me now for labor and delivery seeing as I am a «liability» having forgone this ONE test (I am also choosing to forgo RhoGam and the Gestational Diabetes screening, choosing instead to monitor my own blood sugar on my own).

We're used to seeing headlines about the harm of too much screen time and seem to generally agree that it's something we should protect kids from, but Alexandra Samuel, a researcher on technology, argues that it's really just another way to shame mothers.

I wear a lot of black and white and they match well with everything, but the cool mint is a really awesome color and looks just like what you see on your computer screen.

I've yet to get the chance to go and see this film, but I really do want to — if only to see the dress up on the big screen which is just GORGEOUS!

With the internet in our palms and the whole world on the other side of a screen, it can be really hindering to see how many iterations of the same ideas there are out there.

Obviously my Instagram is a highlight reel, and things aren't always as picture perfect as they are on screen — but I really feel like it's a look into how I see the world and that's pretty neat.

On the other hand, I really enjoyed seeing the odd, feral - looking beauty Mireille Enos (of TV's «The Killing») as Pitt's on - screen wife; I wish she had more to do in the film than hunker onboard an aircraft carrier with their kids, hoping the zombies won't learn how to swiOn the other hand, I really enjoyed seeing the odd, feral - looking beauty Mireille Enos (of TV's «The Killing») as Pitt's on - screen wife; I wish she had more to do in the film than hunker onboard an aircraft carrier with their kids, hoping the zombies won't learn how to swion - screen wife; I wish she had more to do in the film than hunker onboard an aircraft carrier with their kids, hoping the zombies won't learn how to swim.

Calling big - screen legal thriller «The Lincoln Lawyer» the best TV pilot I've seen in a while really isn't meant as a putdown — the truth is, there's more good stuff on the tube these days than in theaters, especially at this time of the year.

Kingsman is self - referential; it knows it's a spy movie, comments on recent trends in the genre, and makes us aware of the fact that it features a type of gentleman spy we don't really see on - screen anymore.

They really need to lose the illogical portrait orientation on these ports, as it makes them look bizarre (the human eye sees wider than it does tall, hence the ratio of cinema and TV screens), and feel uncomfortable to play.

I have managed to see just under 500 — a shameful amount, really — but with this new project I aim to see some of the more glaring omissions and, with the help of my home city's screen culture, do so on the big screen where they belong.

Kacy Boccumini says it's great to see Jones on the big screen again in a film that really resonates.

Seriously, I must confess that Carrell and Fey can be likable people on screen and yet I often watch The Office in spite of Carrell's character, not because of it, and the best thing I could say about Fey's character is that I have yet to see her play a role that was really bad but then I have yet to see her play a role that really wants to make me see her play another role.

Anyone who saw her in the Fast and Furious movies would have been rightly worried that she might vanish into the background but Gadot really commands a presence on - screen, even in her civilian guise.

«In my mind, you only get one shot at the iconic Hercules, so I really wanted to make sure that the version I had in my head was the version that the audiences would see on screen,» says Johnson.

Honestly, when i saw the Scott Pilgrim movie it was kind of appalling to see just how white it was — to not even really see myself represented on the screen... At least in the comic they were just cartoons.

It's actually astonishing that we not only have great actors nailing tricky scenes, and really some stunning, winding camerawork to go with it, but such things as the weaving in of special effects and the utter lack of capturing any of the off - screen crew members who surely must have been around helping with the shoot (that we never see anything we shouldn't in any of the many on - screen mirrors is quite astonishing) only makes this one of the more brilliant efforts at shooting a seamless film since the first in Alfred Hitchcock's Rope.

«We all really like the people we were representing, people we really don't get to see on screen.»

While those may be unfair comparisons when it comes to subject matter, this really is the film to see on the big screen, if only for Bradford Young's breathtaking cinematography.

In fact, I would go so far as to say that if you have not seen «2001» projected on a big screen in this manner before, then you have not really seen it.

I feel like I'm getting to know the Cinemark Egyptian really well (which is where I also saw The Hobbit, on December 10), since that's where many of these press screenings are held.

Of course, he's not really engaging in any real fisticuffs in this one, but he's still the same action hero that many love seeing on the big screen.

Even so, the film hadn't really been on our radar at first, and it was only after failing to get into Susanne Bier's «Love Is All You Need,» and deciding that not having seen its predecessor probably precluded us from seeing Takeshi Kitano's gangster sequel «Outrage Beyond,» that we headed to the late - night press screening of the film.

I really must see Brazil on the big screen one day.

Warner Bros» wants to remind us that this offshoot ties in with what they've planned so far in their mad rush to catch up with the Marvel films and their jam - packed universe of already beloved characters, but we've never really seen any of these new Suicide Squad characters on the big screen before.

But on the other hand, when I meet students and enthusiasts at screenings and they say, ««Jesse James» really affected me» or ««Jesse James» is why I want to be a cinematographer» — you only have to have a couple of comments like that and it makes up for all those people that didn't go to the cinema to see it for whatever reason.

Not only does it not really draw us into the action, despite its first - person perspective, but a sizable portion of the film is actually not shown to have been shot by any of the characters we see on the screen.

I was really pulled out of the movie when Andrew Scott appeared on screen, not that he is a bad actor, I just can't see him as anything else other than Moriarty.

So you were talking about this kind of karmic circle where it comes back around — where now «Hoop Dreams,» a film Ebert helped make successful, he was someone that shined a light on these less - well - known films that had weaker marketing budgets or so forth, drew people's attention to Errol Morris, who you saw on screen, really helped launch the careers of some of these people by shining that light on them... and you were saying how from your experience as a critic and all that, you say in your own words, you yourself feel the same desire, that your job is to cast that light.

But does the movie really need to be seen on the big screen to be fully experienced?

Hotel Transylvania isn't really for the average Bloody Disgusting reader, but fans of the classic universal monsters will enjoy seeing their favorite creature on screen, and the jokes that accompany them.

This is more then a sequel 2 to the 3ds game go look at the devolper interviews on the Nintendo page true it not nothing like galaxy but the graphics look great and there's still plenty of time polish it... and there's still galaxy and 64 inspired levels in it too and you can control the camera directly unlike 3d land etc lets play the game first before we judge it I'm sure be will be praising it lol... I for one love the art style cause on the 3ds the resolution wasn't to great now you can really see the art work and every thing on screen is a little larger then normal it makes it easier to see the little details

Falling somewhere on the quality scale between The Woman in Black and The Woman in Black 2: Angel of Death (as far as similar movies from this decade go), Winchester is not really worth paying the full ticket price to see it on the big screen.

Was Harding's mother, LaVona (Allison Janney and brilliant undersells her performance), really the monster we see on the screen?

This truly proved that zombies are all the rage right now and that audiences really do want to see the world overcome by a similar outbreak resulting in bloodshed and brain - splattering (on screen of course).

Not really, but Bousman's version has Rebecca De Mornay starring as the brothers» deranged mom, and it's been far too long since we've seen her go nuts on the big screen.

We've all seen the screenshots but they really are impressive on the big screen.

It was really cool to see Ellar as Mason grow up right before my eyes on the big screen.

The movie isn't horrible, but there really isn't any need to rush to theaters to see it on the big screen.

«I think it's really just a matter of audiences wanting to see more of ourselves reflected up on screen.

not really the first movie i'd think of when i think «movies i HAVE to see on the big screen», but would definitely pay to see it.

Peele showed us something on screen that we really haven't seen before.

As nice as it is to see Paul Newman on screen, I really don't understand how his performance overshadowed Law's in the eyes of the Academy.

So much film criticism focuses on directors that we sometimes forget what draws most people to the screen: the prospect of seeing an actor connect with a role and really live it.

Of course, both Amazon and Netflix came to the festival with titles to screen — Netflix debuted the Gloria Allred documentary «Seeing Allred» and the comedy «A Futile and Stupid Gesture,» while Amazon arrived with Spike Lee's «Pass Over,» Gus Van Sant's «Don't Worry, He Won't Get Far on Foot,» «Generation Wealth» and «You Were Never Really Here.»

that we can actually see plus the fact that in order to really utilize a navigation app (which I may add did not come with) had to plug your phone into the cigarette lighter to project the navigation tool you want to use on this IPhone like screen.

Navigating was really easy so you don't have to look for too long on the screen in order to find something but the best of all is even with a sunny day you can clearly see the screen.