Affleck's previous directing credits also have a real darkness to them that isn't
really seen in this film.
However, while promoting that movie she let slip an idea that we hope she genuinely takes on, because it's basically an awesome take on the superhero genre that we haven't
really seen in film before!
«I think people are going to be able to
really see themselves in this film,» Rees tells ET.
Not exact matches
If you're looking at straw - colored lions walking
in straw - colored grass
in Africa, after three days of
filming you
see them
really well.
Nicolas Gonda, To the Wonder's producer, says that «
In many ways this story contemplates and explores the aspects of love that I
really haven't
seen explored on
film before.
Many
in Hollywood say they
see the spiritual - memoir - turned - movie as the next hot genre, suggesting there are ongoing talks about turning Lauren Winner's «Girl Meets God» into a romantic comedy, Ian Cron's «Jesus, My Father, the CIA, and Me» into an action flick, Anne Lamott's «Traveling Mercies» into an indie road trip
film, Kathleen Norris» «The Cloister Walk» into something
really creepy involving monks.»
«The
film is broken down and all that, and the
in - person thing is more about to
see, well, is this guy
really this fast, or is this guy
really gonna move this way, or is he
really shaped this way?
It was so well done, and the
film really captured the magic
in how young children
see the world.
I
really love your inside sweater it is gorgeous It isn't feeling warmer her yet (thank goodness haha) We are suppose to be getting 30 + cm of snow coming up for the next couple days Also I wont be going to
see that movie I might be the only female not interested
in this
film lol hope you have a good time though
I'm yet to
see that
film but hey, here's a
really cute romper
in a
really striking flying tomato print.
On the other hand, I
really enjoyed
seeing the odd, feral - looking beauty Mireille Enos (of TV's «The Killing») as Pitt's on - screen wife; I wish she had more to do
in the
film than hunker onboard an aircraft carrier with their kids, hoping the zombies won't learn how to swim.
It's
really good, deserves respect for its treatment of the subject matter, and is a great example of what I love about 70s cinema, but I just didn't get blown away by it, Maybe I just wasn't quite
in the right frame of mind, or maybe I've just
seen too many
films like this already, but I don't think it's quite as good as everyone else does.
A note about the 3D effect and IMAX, I'm afraid I did not
really see the
film at its full potential as the «IMAX» theater selected for the screening is a pale imitation of the flagship IMAX theater
in uptown Manhattan.
This style is fairly new
in cinema and has
really defined the 2010s era, to
see it combined with something that was so relate - able made for a very special
film.
I would have liked to have
seen more
in the way of extras however, the quality of the
film is such that, I'm not
really feeling as though I've missed anything by not having a wealth of extras to explore.
Even though this
film concludes
in a sad way, you can totally
see why it happens and realize you
really are just watching a slice of life unfold.
There is nothing too complex or overdone about it, which is kind of what I was hoping for, but there are no real stakes aside from
seeing if our main characters make it out alive, which
in the end does not
really matter, because they all pull of ridiculous stunts, making for a very far - fetched
film.
Rope is a classic picture, one that definitely needs to be
seen by genre fans, and it's a
film that steadily builds up the tension,
in order for the viewer to
really get into the story and not turn away.
Ed Harris and Samuel L. Jackson are great together
in this movie, and I would
really like to
see them teamed up
in another
film.
It's mostly a «get what you
see» type
film, with the trailers
really ruining the
film's short third act action that brings about the conclusion
in a deflating manner.
You can
see why this must have sounded like a sure thing
in a Blumhouse pitch meeting, and for a while Jeff Wadlow's
film really feels like one: the early rounds of the game are a frisky potpourri of self - mutilation, loud jump scares and ironic comeuppances.
There is a lot one can unpack
in explaining the history behind how this
film made back
in 2006 is just now being released, but I
see no need to
really do so.
Speaking of Burton, forget the Jews, because this
film really looks bad for atheists, as I can
see some Bible thumper saying that the most inaccurate thing
in this (Snicker, snicker) Biblical drama is Burton's character feeling guilty about killing Christ.
It may not be the best
film I've ever
seen structurally, but
in terms of emotion, it
really did hit me.
Little bit misleading too I think,
seeing as the titular Schwarzenegger isn't
really in the
film until the very end.
However it just plays more like an extended episode and not
really the type of story line the fans want to
see in an X files
film.
Muniz manages to retain his wide - eyed, harried charm, but the
film is
really a shameful disservice to both him and the family audience which will no doubt turn out
in droves to
see it.
To
really truly appreciate this classic movie it is best to
see this
in the «widescreen» format (Originally
filmed in widescreen Cinemascope and Breathtaking Color).
The backstory is so complex and detailed that it's
really only for hardcore fans; casual viewers will be as lost
in this as if they walked into the eighth Harry Potter
film without having
seen the others.
I
really want to
see Bay make an Avatar styled alien
film in another world with shit getting demolished left and right.
In Silvia, we
see these contradictions embodied and it's a shame,
really, that the thriller aspects of the
film and all the emotional fireworks from blubberpuss Penn obscure her.
The
film rarely breaks away from Isabelle, but when it does the result always feels significant: when we
see Duvauchelle alone on the Metro platform, for example, we may wonder if we are
really seeing him or rather the taunting vision that Isabelle has of him
in her longing.
Funnily enough I
saw this
film in it's English dub, featuring a cast of talented well known names and adopting a unique audible focus on it's English Countryside setting, which actually fits
really well.
What I am
really curious about is to
see how this premise works
in a feature length
film.
I
really miss John Barry, after his departure from Bond we had to make do with some adequate scores over several years even from David Arnold, then along came a new Bond
in the form of Mr Craig and wow DA
really found the formula for Bond and composed two truly magnificent scores if only he could have done Skyfall, that said lets give Thomas Newman a chance
see the
film with the score then listen to the score as stand alone then we can judge, one thing, I
really wish just once they could use John Barry's brilliant 007 theme
in a sequence just for old times sake and as a tribute to the man that gave Bond so much.
The always funny comedic acting of David Koechner is prevalent throughout the
film, but we also get a glimpse at a much darker side that he can play, something very refreshing from an actor you only
really see in a supporting role.
This
film is like I said
really meant to be
seen in 3D.
Greta Gerwig who wrote and directed «Lady Bird,» which won Best Motion Picture - Musical or Comedy, noted that «it's been such an incredible year for women
in film both as actors and also writers and directors and producers and people who are
really coming to the forefront to tell their stories about the world as they know it from where they are standing, and I think that the response to these projects and the support that these projects have gotten and the way that audiences are going to
see them or watching them
in their homes, I think all of this just makes it so much easier for the next crop of filmmakers who want to tell stories about women.»
I
really wish we could have
seen more of the supporting cast
in a trailer, but I guess I will just have to wait for the
film.
«I have to say, this Alien: Covenant is going to be — I'm
really excited to
see it and everybody
in the
film was saying that there's a
film that we all wan na
see, it's much scarier than Prometheus, but it's got that sort of same scope as Prometheus, that imminent sort of disaster feel, that Alien had,» he continues.
The
film as a whole is Sidney convincing her visual orientation doctor, Paul (Alessandro Nivola) that she is
really seeing what she's
seeing, and then solving the mystery of why her donor won't rest
in peace.
Emma Watson has grown up to a beautiful lady - when I first
saw her
in the first harry potter
film she was
really a little girl.
You can't
really call them professional, but there is a unity among the employees, most of whom have bonded by partying together after hours or playing silly games with each other (
in this
film, the game involves trying to get fellow employees to unwittingly
see the participants genitalia).
It's
really quite depressing to
see two shit
films in a row.
It is also worth mentioning that unlike some movies that are released
in IMAX that aren't worth paying the surcharge instead of
seeing it
in a regular non-IMAX theater, Jurassic World is a
film that
really needs to be
seen in IMAX to get the full experience that director Colin Trevorrow intended.
I confessed as I entered the cinema that I didn't feel I
really knew what a Paul Thomas Anderson
film was and having
seen his latest, I'm none the wiser but happy
in my ignorance.
Kacy Boccumini says it's great to
see Jones on the big screen again
in a
film that
really resonates.
This is definitely more interesting, I'd
really like to
see more major studios push to
film sequences
in IMAX and explore the possibilities of shooting at a higher framerate
in the future.
It's a
film full of depressive characters, so Judy Greer
really stands out as a sunny dog lover who senses something positive
in Wilson that nobody else can
see.
I
saw this
film at a press screening prior to a week's Oscar - qualifying run
in December and
really liked it.