Sentences with phrase «really slow film»

Not exact matches

** Author's Note ** The 1983 film «Doctor Detroit «really marked the beginning of Dan Akroyd's slow decline as an actor.

It really works the momentum of this film moves quick and only mildly slow when it needs to explain science to the people who don't understand much about it.

Con it can be slow some times If you like coming age films, click flicks or really moving films, you should give this a try.

The film is further harmed by all the interviews and investigation which really slow the pace down.

Now this film does start off very slow, but the film does now how to mix the Action and dialogue in really well.

As I just mentioned, you really do need to pay attention to this film, even with the slow pace, or you will get lost.

Could be because I had super low expectations but as a sci - fi action film and a retread it moves really well, doesn't slow down, and keeps the action escalating.

Paterson is a typical Jim Jarmusch film: slow paced, quirky, filled with a diverse cast of interesting characters (with place serving as a character in and of itself), capturing the beauty and mystery of day to day living while telling a story that doesn't really have a beginning or an ending.

You can't blame the film for the special effects of its time, but the pace is so slow and the timing so awkward that it's really hard to watch the film for the first time today.

I kind of like slow paced films, especial when they are psychological thrillers... that's when a movie really gets under your skin.

The girls in the film really take control of the action and what they do at the end of the movie is worth all the slow tension building.

One of the cool things about the movie (though not necessarily original) is that after he does something really cool, the film will instant replay it in slow motion and from various camera angles.

Similar to «13 Assassins», the film is a slow burn that really nails its finale.

The film didn't really even build the sisters» relationship with the grandmother which definitely could've made her slow descent into death more heartbreaking (it also could've helped explain why neither of their parents were there).

The biggest issue with the film is that everything happens under the surface and it makes it difficult to sit through a film that has really unique elements but such slow pacing.

Like the book, the film is overlong (at a slow 135 minutes) and only really engages during its prologue, providing maddening glimpses of promising storylines and character moments tossed aside in favour of being a cut - rate adaptation of a cut - rate King novel.

The enormous cast really aids the slow moving film with life.

A.O. Scott at The New York Times slammed the film's «pretense that this fantasia of misogyny is really a feminist fable of empowerment,» while Sady Doyle at The Atlantic declared that director «Zack Snyder's gooey mix of fetish gear, rape fantasies, and girls - with - guns action sequences represents the nadir of a long, slow, steady decline in action films starring women.»

But I really quite liked the slow, oblique approach in this film about a wanna - be skateboarder kid who relishes hanging out with the bigger skateboarders at the titular skate park — but there's a death not far from there, and it takes the rest of the movie to slowly reveal what exactly happened that one night near Paranoid Park.

Edgerton directs the film with a slow but deliberate pace to the point where you're not sure if Gordo really is up to something or if it's just Simon and Robyn's paranoia getting the better of them.

Coming to Cannes with such a film the year after «Blue is the Warmest Color» made such an unprecedented splash with its lesbian love story was perhaps part of the reason the film was slow to be embraced, but it's a comparison that isn't really fair: Laurent's film is darker and more unsettling, a tone she conveys masterfully without ever compromising the authenticity of the performances (both of which, from Josephine Japy and Lou de Laage, are superb).

Exacerbating matters is an incredibly slow, almost dull opening hour that doesn't really go anywhere; it's not until around halfway through that the film finally starts to build up some momentum, particularly as LaMotta begins his downward spiral into obscurity.

There are moments that roll on a really slow burner, but then that's how the film was designed.

Filmmaker Miller imbues the movie with a slow - paced, expectedly talky sort of vibe, which admittedly suits the material but prevents the film from ever really taking off.

The only candidate everyone feels pretty safe writing off without a qualm is Jacki Weaver, whose performance as Animal Kingdom's quasi-incestuous Ma Barker picked up a citation from the Los Angeles Film Critics Association, but whose slow - burning presence in the film doesn't really start to accrue merit points until long after some voters could be expected to hit eject.

The film's cinematography really makes it stand out in its bold camerawork, from an escape in a wheelchair the focuses solely on the face of the victim without much idea of what's pursuing them to a shot that pans 540 degrees and ends with a slow zoom.

It's an homage to «slow - burning» horror found in films such as the first Alien movie, where the scary stuff «doesn't really happen on screen,» he said.

The strong start builds enough goodwill to keep things buoyant even when things slow a little around the film's midway point (does any Muppets fan ever think «this part could really use a slow Miss Piggy song here»?!).