Sentences with phrase «really special film»

The Shape of Water is a really special film, and it's been amazing to work with Guillermo to bring his vision to life.»

It's a really special film, which France is submitting as its foreign language Academy Awards selection.

Not exact matches

It was a wonderful way to celebrate API «s 20th Anniversary with some really special bonus events, like Friday night's showing of «The Milky Way» film with live Q&A with the lactation consultants who produced the documentary on the U.S. cultural view of breastfeeding support as well as Saturday night's anniversary celebration reception with Irish music provided by Kennedy's Kitchen.

www.sassynfrank.com / - Frank did the DVD for our day and was really discrete, once we received the film we both cried as it is so unique and special to us and Frank has truly done the best wedding films we have seen.

I've never been a fan, as a rule of horror movies, however, the trailer drew me to this one and i'm glad it did, the awful acting we usually get in horror movies wasn't there this time round, in fact, the whole cast were excellent, the special effects were really very good and the humorous, intelligent dialogue (another thing you don't usually get in horrors) was brilliant, loved the film, Chris Hemsworth, although with less to do in this than he does in Thor, was great in it too.

In the documentary, director Robert Zemeckis explains that the movie is really «three elaborate films in one»» a period live - action movie, an animated movie, and a special - effects extravaganza required to blend the two.

This style is fairly new in cinema and has really defined the 2010s era, to see it combined with something that was so relate - able made for a very special film.

This along with the poorly managed special effects and CG work really cause an artificial distraction throughout most of the film's second and third acts.

Quentin Tarantino is definitely one of those filmmakers really knows his craft and each of his films has a special place in the history of cinema.

Granted, part of the «charm» of these films are the fact that the special effects are really fucking cheap, where a lot of the comedy comes from.

I always liked the creatures in the Harryhausen - type films, but really these American Christmas specials were probably the thing that really made me want to do it.»

«It's such an honour and privilege to take this film to Sundance and to be in competition at Sundance, really is something special,» he said.»

Thankfully, director Steven Quale doesn't skimp on the tornado action, delivering some really cool special effects - driven set pieces that almost redeem the film.

Each film has a significant social critique that might be worth the watch if you have the patience to find it, but it definitely takes a special kind of filmgoer to really appreciate these types of films.

In a film filled with special effects and gigantic set pieces it's really the performances that stick out most.

Supernatural elements elevate what is already an intriguing drama and help create a captivating world that features some really mesmerizing special effects work, especially for an independently produced film.

You can't blame the film for the special effects of its time, but the pace is so slow and the timing so awkward that it's really hard to watch the film for the first time today.

However, there's one thing neither Jack nor the producers of the film know — Isabel really is a witch, and while she's been trying to get along without her powers to better fit in among mortals, she will use her special talents when need be.

Lynne Ramsay is one of the most astute and talented directors working today, and her latest film is something really special.

Pennebaker's style is electric without ever being intrusive, and Criterion has REALLY loaded the box set release with hours of special features, including over a dozen performances cut from the original film.

This film isn't at all perfect and really isn't anything special, but fans of Phillips and the other films mentioned will likely be entertained.

It's actually astonishing that we not only have great actors nailing tricky scenes, and really some stunning, winding camerawork to go with it, but such things as the weaving in of special effects and the utter lack of capturing any of the off - screen crew members who surely must have been around helping with the shoot (that we never see anything we shouldn't in any of the many on - screen mirrors is quite astonishing) only makes this one of the more brilliant efforts at shooting a seamless film since the first in Alfred Hitchcock's Rope.

I always had a special place for this film in my heart even though it has a lot of flaws and some really terrible visual effects.

I saw all of these films in the theater, and enjoyed them, but there's something really special about The Fighter.

Director Ben Affleck shows an unerring eye and a concentration of intent that makes this film really special.

The new trailer consists mostly of footage we've seen before, although there is some fresh stuff at the end with John Krasinski «s character Jack Silva (a pseudonym for one of the special forces soldiers who was really there that day), I'm just wondering if this film will have any impact whatsoever.

We had to work out how to film it, so we worked on some camera technology that had been used on helicopters before and handed that over to special effects supervisor Dom Tuohy, who built a really cool rig to film it.

Writer / director Sngmoo Lee started work on his fantasy action film — cowboys meet ninjas: nuff said — wayyyyyyy back in November 2007, wrapped in February 2008, and... well, okay, in fairness, a lot of special effects went into this thing, so you can only imagine that post-production was a bitch and a half, but, wow, that's a really long time coming.

Richard Linklater: We couldn't imagine any place else to show this film to its first audience so it's really special for us.

Egerton, who already has a relationship with 20th Century Fox and X-Men director / writer / producer Matthew Vaughn through KINGSMAN, recently spoke on this rumor during a special film screening, saying «I really can't comment on the Cyclops thing.

For the first hour, I kept holding out hope that the film would find itself and really present something new and special.

featuring some pretty funky graveyard dancing and film clips scored to Shore's Ed Wood title theme launches the special features (which begin, really, with fun menus that comment a little on the participatory aspect of motion pictures).

Though the film is considerably shorter than the previous LEGO / DC film (by about 27 minutes to be exact) the disc comes packed with some really cool special features such as a Bizarro featurette and a blooper reel.

Villeneuve doesn't pack his films with several big moments allowing those few special scenes to really stand out.

As a visual film, it's really nothing special.

I was really impressed that each of these films also come stocked with their own special features.

It feels like something really, really big would have to come between them for their relationship to crumble, and the film fails to come up with anything special to cause the type of third quarter rift that we all expect in romcoms.

Elinor and Fergus are also appealing, but nothing really special as far as supporting characters from Pixar films go.

It is a silly, joyless, dull film: its laughable special effects are repellent rather than endearing, the story is anticlimactic, and the strong performances by acting stalwarts such as Annette Crosbie serve to make everyone else really look bad.

Blu - ray Highlight: There really isn't a standout special feature on Universal's two - disc release, but there are still a few good extras worth checking out, including a short but sweet making - of featurette that covers a range of topics like the script, casting and production; an in - depth look at the film's fight choreography; and a featurette on ex-CIA operative Luis Falcon III's assistance in making the movie as accurate as possible.

Still, everyone in the movie gives entertaining and enthusiastic performances — with special mention to Paul Bettany's charming crime lord - and with a stronger, smarter script (you guess the outcome of the movie within the film's first few minutes - not good) and the elimination of some very questionable choices (all spoilers, let's just say we're referring to the third act), «Solo» might have been something to really send a hologram Leia to call home with.

This is a workmanlike slasher film with a fair amount of blood and guts, a creepy killer, some atmosphere, and decent use of its location, but without that something special to make it really stand out.

I really can not stop thinking about this film; no surprise then that it won the Un Certain Regard — Special Jury Prize at Cannes this year.

The beautifully shot film is endearing and relatable, director James Ponsoldt (The Spectacular Now) has definitely delivered something that is really special.

The fact that a film that is largely computer generated action sequences and jokes also has the most compelling sibling relationships and father figures and concludes on the shot of a raccoon crying, and the audience cries too is something really special.

But it's really doubtful whether the film would be widely loved here, coz Wong Kar - wai's films are very special, so special that you either like it very much or dislike it very much.

But it's the supporting cast that really make this film something special.

As awesome as I thought the trailer was and excited I was to see Levinson break out of his box to direct this horror film I'm really not surprised to find out that the movie isn't anything special.

The idea that The Lords of Salem has the typical Rob Zombie stamp on it while being a beautiful looking film is really something special because all of his other films have a very gritty tone to them and it will be nice to see something visually striking from a director that isn't known for such qualities.

Of course, Wes Anderson's «Moonrise Kingdom» is a very well - known film, and its addition to the Criterion Collection is not so much to bring it to a wider audience as with something like «Blind Chance,» but to really elevate its place in recent film history with a perfect transfer and interesting special features.