Sentences with phrase «really strong narrative»

We're making use of techniques like performance capturing - so we get really good physical performances from actors along with their facial expressions and voices and their interaction with other actors - to build a game that has a really strong narrative component that isn't just a highly replayable shooter.

Your film has a really strong narrative.

Verbinski had this to say: «I think the whole utopia - gone - wrong story that's cleverly unveiled to players is just brimming with cinematic potential... Of all the games I've played, this is one that I felt has a really strong narrative.»

The story has a really strong narrative drive where they keep trying things to rescue Gil.

Not exact matches

«We are not pleased with the narrative in the media that has usually reflected a purposely negative tone that has really been dictated by a small group of dissident franchisees and their advisors,» Daniel Schwartz, chief executive of Restaurant Brands International Inc., said in an interview after the company posted stronger than expected earnings, led by solid sales at Burger King and Popeye's.

«And that then becomes a strong overarching narrative, and then when you get to the stage of being able to maybe really move forward and make this happen, you have a number of different things you can choose from. . .

The strong narrative really is a great addition to the series, and I wouldn't be surprised if the Silent Hill film is made based on this game.

At nearly every turn as I would feel myself losing interest suddenly I would receive a new character that had a reverse relationship with gravity or a double jump, but this was one of the games strongest points it constantly evolved right up to the end developing a surprisingly deep narrative and really strong gameplay.

While the narrative is incredibly strong, it's in the dialog where the Witcher 2 really shines, an area in which most other RPGs, or any other games, for that matter, tend to be rather disappointing, especially in comparison to their two to other main media rivals: books and films.

Now to get me to play a JRPG it has to be doing something really formally ambitious (like Live - A-Live), be an undisputed classic that I never got around to (like when I played Chrono Trigger in college), or have such a strong tone and artistic and narrative direction that it transcends its mechanical JRPG conventions (the Mother series does this for me — Ni No Kuni might).

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

When that is paired with some kind of visual narrative, it can create quite a strong feeling — I guess the same feeling as when I go to a techno club and I'm really in the rhythm», says Hannah Perry in an interview.

When that is paired with some kind of visual narrative, it can create quite a strong feeling — I guess the same feeling as when I go to a techno club and I'm really in the rhythm,» Perry muses.

So this is not really the «debate» that the contrarians would like to make it out to be, and most scientists, as well as people who have accepted that climate science points to the need for stronger action, have no more interest in letting the Heartland and NIPCC folks hijack the public discourse and getting the media to frame the narrative in their terms.

One of them is how the media is portraying the agreement as a success and a reason to celebrate when the narrative that civil society is pushing is that the agreement should really be seen as a failure and a reason to work harder towards climate justice, making the movement stronger.