Sentences with phrase «reason than the script»

Moving away from the horror elements of The Terminator, Terminator 2: Judgment Day is an all - out war of car chases, fight scenes, shoot outs, nuclear explosions and a phenomenal, if gratuitous set piece where the Terminator blows up numerous police cars with a machine gun for no other reason than the script required an action beat.

Not exact matches

The script could have done more with this idea: Shen might have tricked Po into joining forces, if for no other reason than to split the cost of a therapist to sort out their daddy issues.

The characters are one - dimensional and unappealing, the script is scatterbrained mush, the music is redundant and ineffectively used, and the message gets lost amid idiotic supporting characters with little better to do than mouth un-pithy lines for no apparent reason.

When Community creator and all - around funny guy Dan Harmon was enlisted by Marvel to work on the script for Doctor Strange, the reason seemed obvious at the time: more than likely he was going to infuse the Sorcerer Supreme with a touch of humor.

Director Tony Scott, many years later, said that he thought the script was better than the movie he made of it — citing the creative tug - of - war between producer Joel Silver and Bruce Willis as the chief reason the movie didn't perform like it should have.

Though the film does a better job of capturing the spirit of the «Hitman» franchise with violent, stealth - based action sequences, it's bogged down by a cheesy and predictable script that shackles its titular character to Hannah Ware's human MacGuffin for no other reason than because Agent 47 would be an emotionally detached bore on his own.

More so than the script, its pretty obvious that the reason each of them signed on was because the others had agreed to sign on.

Noe, whose previous movies «Irreversible» and «Enter the Void» were controversial for one reason (sexual violence) or another (drug use), likes to work with an outline rather than a script and have his actors improvise.

The script of FWWM read very differently to the movie on screen; maybe that's the reason it's even more hard to comprehend than usual.

If for no other reason than to exemplify how the importance of star wattage took over everything back then regardless of what was contained in the script.

In context, there's not much to say about the performances, any more than there is about the Lee Hall / Richard Curtis script, beyond the extent to which they collectively provide a framework for one or another tableau - some truly breathtaking, others cheesy beyond words (one reason why the linguistic component of such material scarcely matters).

While the agreement had stated no legal confrontation would happen, I can't imagine I can do much other than tell them and should money be made for some reason, because it was my initial script and concept, I could seek monetary compensation.