Sentences with phrase «recent city space»

Moreover, the green belt does not just restrict housing supply around London, it also results in housing development leapfrogging the green belt, and being built in areas far away from London — as demonstrated by the map below from our recent City Space Race report.

Our recent City Space Race report highlights a dilemma that most growing cities are currently facing: they need to build more houses and offices, but regulations and local political pressures restrict them from expanding (particularly when it comes to green belt development).

Not exact matches

According to a recent New York Times piece, in a decade, Facebook will have space for 35,000 employees in Menlo Park, which is slightly more than the city's current population.

The decor was long this place's weak link, but a recent renovation means an airier, more elegant space, while maintaining the classic white tablecloths and towering floral arrangement that have become a signature of this city institution.

«Parents want to let legislators know they support the governor's proposal to allow charters to provide high - quality pre-K seats,» he added, referring to Cuomo's recent proposal that much - needed city pre-K space could be found in charter schools.

The beating heart of the Waikato, Hamilton has managed to shake off its somewhat countrified image in recent years; becoming a city that smoothly combines urban attractions with the freedom of open spaces.

Their rollicking space adventure is reminiscent of the recent film, and exploring the neon - soaked space city of Knowhere makes for the most unique setting.

Paradox Interactive have released a free update for Cities: Skylines, adding a rocket platform and space exploration center - that acts as both a homage to the recent SpaceX launch and also a tie - in to the upcoming Surviving Mars.

Related Reviews: High School Musical 3: Senior Year (Extended Edition) High School Musical: Encore Edition, 2 - Disc Remix / High School Musical 2: Extended Edition, 2 - Disc Deluxe Dance Edition High School Musical DVD Game • High School Musical: The Concert - Extreme Access Pass DVD, CD Recent Disney DVDs: Air Bud: Special Edition • Mary Poppins: 45th Anniversary Edition • The Secret of the Magic Gourd • Space Buddies Fall 2008 Movies: Beverly Hills Chihuahua • Madagascar: Escape 2 Africa • Fireproof • City of Ember • Body of Lies Disney 2008 Films: WALL • E • The Chronicles of Narnia: Prince Caspian • Hannah Montana & Miley Cyrus: Best of Both Worlds Concert Featuring the High School Musical Cast: That's So Suite Life of Hannah Montana • Jump In!

Moskowitz has shown uncharacteristic restraint in recent months about getting mired in decidedly local fights with City Hall about space sharing arrangements with district schools, and she speaks openly about spreading the gospel of Success outside New York City.

Arkane Studios have already proven they can make thrilling horror with their recent exploration into space in PREY, but what about their flagship series having a fresh twist in Dunwall; a city that has been proven time, and time again to be nothing short of evil.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

«Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals - Cisneros Collection,» Cisneros Fontanals Art Foundation, Miami, FL, December 3, 2014 — March 29, 2015; catalogue «The Other Side - Mirrors and Reflections in Contemporary Art,» Belvedere, Vienna, Austria, June 18 — October 12, 2014; travels to Museum of Modern Art Carinthia, Klagenfurt, Austria, November 27, 2014 — March 1, 2015 «CalArts Art Benefit & Auction,» Paula Cooper Gallery and Metro Pictures, New York, NY, April 5 — 19, 2014 2013 «Damage Control: Art and Destruction Since 1950,» curated by Kerry Brougher and Russell Ferguson, Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 24, 2013 — May 26, 2014; traveled to Mudam, Luxemburg City, Luxembourg, July 12 — October 12, 2014; Kunsthaus Graz, Graz, Austria, November 14, 2014 — February 22, 2015 «Room to Live: Recent Acquisitions and Works from the Collection,» Museum of Contemporary Art, Los Angeles, CA, October 5, 2013 — January 12, 2014 «Nasher XChange,» various sites throughout Dallas, TX, presented by the Nasher Sculpture Center, Dallas, TX, October 19, 2013 — February 16, 2014 «For the Time Being: Hidden Behind Plaster,» Staatliche Kunsthalle Baden - Baden, Baden - Baden, Germany, July 20 — October 27, 2013; catalogue «Endless Bummer II: Still Bummin»,» curated by Jan Tumlir, Malborough Gallery Chelsea, New York, NY, May 11 — June 29, 2013 «Speak, Memory,» Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY, May 1 — June 8, 2013 «Made in Space,» curated by Peter Harkawik and Laura Owens, Night Gallery, Los Angeles, CA, March 16 — April 15; traveled to Gavin Brown's Enterprise, New York, NY, July 11 — August 10, 2013 «Selections from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, March 3, 2013 — January 27, 2014.

Recent exhibitions include his solo show Potential Difference at the Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014), as well as group exhibitions including the SIKKA Art Fair, Dubai, UAE (2016), Perched in the Eye of a Tornado, Ying Space, Beijing (2015), A Personal Thing, 184 Project Space, Brooklyn, NY (2014) Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013), Body And Material, Greenpoint Film Festival, Brooklyn, NY (2012), Fractured, performance at the Chrysler Museum of Art, Norfolk, VA (2011), -LCB- Superposition -RCB-, Hyperopia Projects, Seattle, WA (2011), Art Here Art Now, University of Chicago / HyPa, Chicago, IL (2011), The Post - Glass Video Festival, Heller Gallery, New York, NY (2010), A Thin Veneer, RISD Museum, Providence, RI (2009).

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

Recent exhibitions include UNTITLED: Art on the Conditions of Our Time, New Art Exchange, Nottingham, UK (2017); In This Soup We Swim, Kingsgate Project Space, London, UK (2016); Changing City: Shifting Places, CCA Lagos, Lagos, Nigeria (2016); Arena, Center of Contemporary Art, Torun, Poland (2014) and a number of screenings including at Akademie der Künst, Cologne, Germany (2016); Mount Florida Studios, Glasgow, UK (2016); Kunstmuseum Bonn, Bonn, Germany (2015); Atomic Pictures, Paris, France (2015).

Recent exhibitions include: Two Forward, One Back at 65 Grand (Chicago IL), Interstice, curated by Rachel Adams and Rob Greene at 308 at 156 Project Art Space (New York, NY), and The Tyranny of Good Taste, curated by Danny Orendorff at Glass Curtain Gallery, Columbia College (Chicago, IL)- an exhibition which travelled to La Esquina Gallery, Kansas City, MO..

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

Recent work also utilizes large, outdoor video projections onto buildings that creates temporary public art which incorporates new media and the visual language of murals while engaging with architecture and city space.

Herrera's paintings were the subject of a large - scale survey at the Whitney Museum of American Art in New York City, USA (September 2016 — January 2017) and prior to this, a selection of Herrera's recent paintings inaugurated Lisson Gallery's recently - opened New York exhibition space (2016).

TNS aims to support recent graduates and early - career practitioners from a wide range of creative backgrounds by providing affordable city centre spaces in which to work and exhibit.

Most established museums are in large cities and many private collectors simply do not have the space to exhibit the explosion of artistic creativity that has been produced in recent times.

Her more recent exhibitions and publications include Automatic Cities: The Architectural Imaginary in Contemporary Art (Museum of Contemporary Art San Diego, 2009) and Phenomenal: California Light, Space, Surface, part of the Getty's Pacific Standard Time initiative (University of California Press, 2011).

Recent exhibits include Precarious Constructs at Venus Knitting Space in Brooklyn and Lightly Structured at Sculpture Space NYC in Long Island City.

Recent exhibitions include «Sand & Water» at Leica Store Miami; The Rivington Hotel Project, New York; Shelter Art, Shelter Architecture, on Shelter Island, New York; PDN International Expo; The Impossible Project Space and New York, Ralph Pucci, New York City.

Hanley has also exhibited in Istanbul (Artist Fair Tüyup, 2009 and 2010), Jerusalem (Artist House Jerusalem 2012), New York City (La Mama Galeria, 2013), and Chicago (Flat Space 2014), with recent shows in Mexico City (Lodos Contemporary) and Chicago (Julius Caesar).

Recent exhibitions include D - 17 at Rice University, Houston, TX; Automatic Cities at the Museum of Contemporary Art in San Diego, CA; Currents: Sarah Oppenheimer at the Saint Louis Art Museum, MO; and Inner and Outer Space at the Mattress Factory, in Pittsburgh, PA..

Art Space 98 is proud to present the exhibition: Transformation featuring recent Oil Paintings on canvas by Swiss - born artist Thomas Bühler who lives in New York City and Montauk.

2006 Primitivism Revisited, Sean Kelly Gallery, New York, USA RADAR: Selections from the Collection of Vicki and Kent Logan, Denver Art Museum, Denver, Colorado, USA Alien Nation, Institute of Contemporary Arts, London, England William Hogarth, Musee du Louvre, Paris, France; travelled to Tate Britain, London, England; Caixa Forum, Madrid, Spain Transvideo, Madison Museum of Contemporary Art, Madison, Wisconsin, USA MASCARADA / MASQUERADE, DA2 - Domus Artium 2002, Centro de Arte de Salamanca, Spain DRESSCODE, Historisches und Volkerkundemuseum, St Gallen, Switzerland Space is the Place, Independent Curators International, New York, USA Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico (curated by Julieta González) Pattern Language: Clothing as Communicator, University Art Museum, UC Santa Barbara, California, USA Africa Remix, Moderna Museet, Stockholm, Sweden Acting the Part: Photography as Theatre, National Gallery of Canada Contemporary Commonwealth, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia A Historic Occasion, Artists Making History, MASS MoCA, Massachusetts, USA East Wing Collection No. 7 Culture Bound, Courtauld Institute, Somerset House, London, England Around The World In Eighty Days, Institute of Contemporary Arts and South London Gallery, London, England Photography: Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, USA Artificial Afrika, Gigantic ArtSpace, New York, USA (curated by Vernon Reid and C. Daniel Dawson)

, Frac des Pays de la Loire, Carquefou, France Projects 70 - Jim Hodges, Beatriz Milhazes, Faith Ringgold, Museum of Modern Art, New York, USA Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlington.

Recent artistic work has been seen at Exit Art (Collective / Performative), EIDIA House / Plato's Cave, IV Soldiers, Panoply Performance Laboratory, SCOPE Art Fair (Us vs. Us), Fountain Miami (Grace Exhibition Space survey of Contemporary Visual Performance), Agape Enterprise (Tea Will Be Served), and the New Museum's Festival of Ideas for the New City (Farm City) as well as throughout public spaces in New York City.

Recent notable group exhibitions include; 3 am: Wonder, Paranoia and the Restless Night, The Bluecoat, Liverpool, UK; travelling to various UK destinations (2014 - 2013); Site: Place of Memories, Spaces with Potential, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2013); Labour and Wait, Santa Barbara Museum of Art, California, USA (2013); Além da Vanguarda, Bienal Naifs do Brasil, SESC Piracicaba, São Paulo (2012); Mythologies, Cité Internationale des Arts, Paris (2011) and Textiles Art and the Social Fabric, MUHKA, Museum of Contemporary Art, Antwerp (2009).

Recent solo and group exhibition include Art in General, BRIC Rotunda Gallery, Momenta (all NYC); Samson Projects (Boston, MA); Illinois State Museum (Lockport, IL); Western Exhibitions, University of Illinois (both Chicago, IL); Evanston Art Center (Evanston, IL); SPACES (Cleveland, OH); Urban Institute for Contemporary Arts (Grand Rapids, MI); Art Museum of the University of Memphis (Memphis, TN); and House Gallery (Salt Lake City, UT), among many others.

Jang studied at Chungang University in Seoul; recent solo and group exhibitions include Hidden Track, Space Willing N Dealing, Seoul (2014), The Moments, ONE AND J. GALLERY, Seoul (2012), Encounter, Experience, and Environment, Gilman Barracks, Singapore (2012) and Seoul City Exploration, Seoul Museum of Art, Seoul (2011).

Recent commissioned projects include: a 3 - month - long performative project in the public realm — part of the Art in the Public Space program of the City of Zurich, a series of spatial interventions in a disused flower shop storefront for VOLT (Bergen), and installations for Bunkier Sztuki (Krakow), Marta Herford Museum, MGLC Ljubljana, Kunsthalle Osnabrück, the 53rd October Salon (Belgrade), Stroom (the Hague), «Greater New York» at MoMA PS1 (NYC), Galerija Skuc (Ljubljana), and the 11th Istanbul Biennale.

Daniels recent exhibition include Transparent Things at the Kunstverein Freiburg, Germany; Big Minis at the CAPC Bordeaux; Pure, Personal or Abstract at the GAM Contemporary City Museum in Turn; Newspeak: British Art Now, The State Hermitage Museum St. Petersburg and The Saatchi Gallery, London; Twenty - Five, Luhring Augustine, New York; At Home, curated by Mario Testino, Yvon Lambert, New York; Jerwood Contemporary Painters, Jerwood Space, London.

Recent and current exhibitions include The Time Domain, a site specific live work, presented during Liverpool Biennal 2016, co-commissioned between Bluecoat School and Liverpool Biennial; 2015: I reached inside myself through time, commissioned for LIAF, Lofoten International Art Festival, Norway, 2014: PROTOTYPES, Limerick City Gallery of Art, Limerick; A Leisure Complex, Collective, Edinburgh; 2013: INTERZONE, The Box, The Wexner Center, Columbus, Ohio; The Face of Something New, Scriptings, Berlin; A Stew of Universals, ZKU, Berlin; 2012: PRECAST, off - site project, London; INTERZONE, Seamus Ennis Center, Fingal, Co Dublin, 2011: The Eyes of Ayn Rand, Performa 11, New York; Another Construction, Irish Museum of Modern Art, Dublin; Space replaced by volume, Granoff Centre for the Arts, Brown University, Providence, Rhode Island.

Recent exhibitions include Material Art Fair in Mexico City, TBD Gallery in San Francisco and Current Space in Baltimore.

Other recent group shows include Lofoten International Arts Festival (LIAF), Svolvær, Norway; Artspace, Sydney (2015); Wallspace Gallery, New York (2014); Palais de Tokyo, Paris; David Nolan Gallery, New York; Villa Datris, Fondation pour la Sculpture Contemporain, France; Lewis Glucksman Gallery, Cork (2013); EVA International, Limerick (2012); Stephen Friedman Gallery, London; Talbot Rice Gallery, Edinburgh (2011); Scottish National Gallery of Modern Art, Edinburgh (2010); Accademia d'Ungheria, Rome; The Daejeon Museum of Art, South Korea; Bielefelder Kunstverein, Germany; Limerick City Gallery of Art, Ireland; AkkuH, Hengelo, The Netherlands; Centre Culturel Irlandais, Paris; Millennium Court Arts Centre, Portadown, Northern Ireland; SMART Project Space, Amsterdam (2009); Tanya Bonakdar Gallery, New York; Stroom Den Haag (2007).

Recent exhibitions include: Anthropocene Monument, Les Abattoirs, Toulouse (2014); Nothing but remains, Octopus, Gertrude Contemporary Art Spaces, Melbourne, (2014); Weather Permitted (Se o clima for favorável) 9th Bienal do Mercosul, Porto Alegre, Brazil (2013); Mom Am I Barbarian, 13th Istanbul Biennale, Istanbul (2013); Living Amongst the Ruins of the 21st Century; UTS gallery, Sydney (2013); Sinking Islands, Labor Gallery, Mexico City (2012).

Group Exhibitions 2018 Stretch / Pulled / Inked, Impact Arts, as part of the Glasgow International, Glasgow (upcoming) Glasshouse, Glasgow Botanic Gardens, Glasgow (upcoming) 2017 Amazing Perplexity, Curated by Nathalie Hoyos, Rainald Schumacher and Alevtina Kakhidze, Residents Group Exhibition of FACE — Artist Residence Program in Kiev 2016 Factually Real Illusions, curated by Lorna McDowell, Cookhouse Gallery Chelsea College of Art, London Semi-Gloss, Semi-Permeable, Glasgow International Festival 2015 International Women's Contemporary Art Forum — A Crossing Section of Art, BankART Studio NYK, Yokohama Finite Project Altered When Open, David Dale Gallery, Glasgow Abstraction from Architecture, Edinburgh Print Studio Hold, Sway, Generator Projects, Dundee 2013 Editionshow, Chert, Berlin You're my wife now, Infernoesque project space, Berlin Every Day, GoMA, Gallery of Modern Art, Glasgow 2012 Tintenfisch, CNEAI =, Paris, organized by Chert & Motto in the frame of Berlin - Paris exchange 2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Times Square Gallery of Hunter College, City University of New York Annuale, Edinburgh 2010 Drinnen & Draussen, Chert, Berlin A man, some chickens and one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Glasgow

The recent works which will be shown were produced in a Buenos Aires inspired by writer Jorge Luis Borges, a result of the time the artist spent visiting literary spaces — such as the National Library of Argentina or a second hand bookstore, and generally experiencing the city in itself.

His work has been exhibited and published widely, with recent exhibitions at the Aperture Foundation in New York City; Royal Nonesuch Gallery in Oakland, California; Filter Space in Chicago; the University Art Gallery at University of California, San Diego; the Urban Arts Space at Ohio State University in Columbus; the Austin Center for Photography; and the Center for Photography at Woodstock, to name a few.

Group exhibitions and collaborative projects in recent years are Llocs comuns, Can Felipa Arts Visual, Barcelona, ES (2014); Systems Thinking from the Inside, 21st Century, Chisenhale Gallery, London; Total Vitality (by Julia Tcharfas), Bold Tendencies, London; Recent Work by Artists, Auto Italia, London; A Space Base, for Instance, [space], London (all 2013); The Biopolitical City (by Tim Ivison), Architectural Association, London; Summer School: The Eltham Open curated by Alex Ross, Gerald Moore Gallery, London; (On) Accordance, or-bits.com; ROCRO, MACRO, Rome IT; Echo - System, Helsinki World Design Capital, commissioned by the British Council (all 2012); For Inclusion in the Syllabi, Pigeon Wing, London; Rules of Engagement, Angus - Hughes, London; (Architecture in Words Only), Hilary Crisp, London (all 2011); New Wight Biennial: New Romance, UCLA Department of Art, Los Angeles US; Counter Constructs, Auto - Italia South East, London; No Soul For Sale, Panel discussion with members of The Suburban, Vox Populi, and Auto - Italia South East at Tate Modern, London; Utopia and Nature, Residency ASFA, Crete, Greece (all recent years are Llocs comuns, Can Felipa Arts Visual, Barcelona, ES (2014); Systems Thinking from the Inside, 21st Century, Chisenhale Gallery, London; Total Vitality (by Julia Tcharfas), Bold Tendencies, London; Recent Work by Artists, Auto Italia, London; A Space Base, for Instance, [space], London (all 2013); The Biopolitical City (by Tim Ivison), Architectural Association, London; Summer School: The Eltham Open curated by Alex Ross, Gerald Moore Gallery, London; (On) Accordance, or-bits.com; ROCRO, MACRO, Rome IT; Echo - System, Helsinki World Design Capital, commissioned by the British Council (all 2012); For Inclusion in the Syllabi, Pigeon Wing, London; Rules of Engagement, Angus - Hughes, London; (Architecture in Words Only), Hilary Crisp, London (all 2011); New Wight Biennial: New Romance, UCLA Department of Art, Los Angeles US; Counter Constructs, Auto - Italia South East, London; No Soul For Sale, Panel discussion with members of The Suburban, Vox Populi, and Auto - Italia South East at Tate Modern, London; Utopia and Nature, Residency ASFA, Crete, Greece (all Recent Work by Artists, Auto Italia, London; A Space Base, for Instance, [space], London (all 2013); The Biopolitical City (by Tim Ivison), Architectural Association, London; Summer School: The Eltham Open curated by Alex Ross, Gerald Moore Gallery, London; (On) Accordance, or-bits.com; ROCRO, MACRO, Rome IT; Echo - System, Helsinki World Design Capital, commissioned by the British Council (all 2012); For Inclusion in the Syllabi, Pigeon Wing, London; Rules of Engagement, Angus - Hughes, London; (Architecture in Words Only), Hilary Crisp, London (all 2011); New Wight Biennial: New Romance, UCLA Department of Art, Los Angeles US; Counter Constructs, Auto - Italia South East, London; No Soul For Sale, Panel discussion with members of The Suburban, Vox Populi, and Auto - Italia South East at Tate Modern, London; Utopia and Nature, Residency ASFA, Crete, Greece (all 2Space Base, for Instance, [space], London (all 2013); The Biopolitical City (by Tim Ivison), Architectural Association, London; Summer School: The Eltham Open curated by Alex Ross, Gerald Moore Gallery, London; (On) Accordance, or-bits.com; ROCRO, MACRO, Rome IT; Echo - System, Helsinki World Design Capital, commissioned by the British Council (all 2012); For Inclusion in the Syllabi, Pigeon Wing, London; Rules of Engagement, Angus - Hughes, London; (Architecture in Words Only), Hilary Crisp, London (all 2011); New Wight Biennial: New Romance, UCLA Department of Art, Los Angeles US; Counter Constructs, Auto - Italia South East, London; No Soul For Sale, Panel discussion with members of The Suburban, Vox Populi, and Auto - Italia South East at Tate Modern, London; Utopia and Nature, Residency ASFA, Crete, Greece (all 2space], London (all 2013); The Biopolitical City (by Tim Ivison), Architectural Association, London; Summer School: The Eltham Open curated by Alex Ross, Gerald Moore Gallery, London; (On) Accordance, or-bits.com; ROCRO, MACRO, Rome IT; Echo - System, Helsinki World Design Capital, commissioned by the British Council (all 2012); For Inclusion in the Syllabi, Pigeon Wing, London; Rules of Engagement, Angus - Hughes, London; (Architecture in Words Only), Hilary Crisp, London (all 2011); New Wight Biennial: New Romance, UCLA Department of Art, Los Angeles US; Counter Constructs, Auto - Italia South East, London; No Soul For Sale, Panel discussion with members of The Suburban, Vox Populi, and Auto - Italia South East at Tate Modern, London; Utopia and Nature, Residency ASFA, Crete, Greece (all 2010).

Chabet's recent installation, 10,000 Paintings I Must Paint Before I Die (2009), shown in April at Mag: net Gallery — an artist - run space in Quezon City — was very much a reflection on the history of Modernism, but with a conceptual edge unique to the artist.

Curated by Michael Rooks «Teaching an Old Dog New Tricks; Recent Developments in Painting» Den Frie Udstillingsbygning, Copenhagen, Denmark «HyperSurface», OVADA, Oxford, UK «Schil / Ders», De Constant Rebecqueplein (DCR), The Hague, Netherlands «HyperSurface», Rod Barton Invites, London «Parallax», Fieldgate Gallery, London 2007 «Existencias», Museo De Arte Contemporaneo De Castilla Y Leon, Leon, Spain «Design for Living», Initial Access, Wolverhampton, England «Raumwelten», Kunsthalle Arnstadt, Arnstadt, Germany «Odd Spaces», Galerie Møller Witt, Aarhus, Denmark Artist Intervention, Commissioned by Vienna Art Week and the City of Vienna, Austria 2006 Recent Acquisitions, Hamburger Banhof, Berlin, Germany «The City is Not a Tree» Alon Segev Gallery, Tel - Aviv, Israel «Slider» Cell Projects, London 2005 «Ian Monroe and Emma Stibbon: Utopian Architecture», Upstairs Berlin, Germany «Infrastructure» Studio Voltaire, London «Winterzauber» Upstairs Berlin, Germany 2004 «Edge of the Real», The Whitechapel, London «Selected Sculpture» MW Projects, London «Cinderella» Trailer Projects, London «Contra Pop» Vamiali's Gallery, Athens, Greece 2003 «Bag Lady» Cell Projects, London «Reduced» Century Gallery, London «Debris» Martinez Gallery, Brooklyn «Godzilla» Trailer Projects, London Saatchi Gallery, County Hall, London «The Queen Mum Show» One in the Other Gallery, London «Chockerfuckinblocked» Jeffery Charles Gallery, London «RSVP» 5 Cork Street, London 2002 «Present» Hammer Sidi Gallery, London «The Way to Happiness» VTO Gallery, London «Trailer Presents» Trailer Projects, London «Lend us # 100m» 21 Dingley Road, London

1:54 African Contemporary Art Fair, Afronova, Somerset House, London, UK 1:54 African Contemporary Art Fair, Afronova, Pioneer Works, New York, USA Studio Bamako, European Month Of Photography, Kehrer Gallery, Berlin, Germany Recent Histories, New Photography from Africa, The Walther Collection Project Space, New York, USA L'Autre Continent, Artistes, Femmes, Africaines, Muséum du Havre, Le Havre, France Photo Biennale, Cities and Memory, Brandts, Odense, Denmark KIN, HANGAR Centro de Investigação Artística, Lisbon, Portugal

His recent exhibitions include Rubell family Collection / Contemporary Arts Foundation, Miami, USA; Esse Space, Beijing, China; 798 Art Zone, Beijing, China; National Art Museum of China, Beijing, China; Chinese Cultural Centre of Greater Toronto, Toronto, Canada; Italy - China Art Biennale, Italy; Duolun Museum of Modern Art, Shanghai, China; Museum of Contemporary Art, Beijing, China; Royal City Art Museum, Beijing, China.

Some of her projects have involved optimizing the use of space, how it is constructed and regulated, and in recent times she has been developing projects that coexist with and make up the city itself.

Recent works include: Bobby Niven's «Bothy Project» whereby he has created perfectly realised spaces for other artists to work and live in; Aaron Williamson's anarchic performance art often displays a politicised and progressive sensibility towards disability and is typically presented to an unsuspecting public as with his current «Demonstrating the World» mobile stage set; Ruth Ewan explores how the past connects to the present, with her recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and conRecent works include: Bobby Niven's «Bothy Project» whereby he has created perfectly realised spaces for other artists to work and live in; Aaron Williamson's anarchic performance art often displays a politicised and progressive sensibility towards disability and is typically presented to an unsuspecting public as with his current «Demonstrating the World» mobile stage set; Ruth Ewan explores how the past connects to the present, with her recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and conrecent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and confound.