Sentences with phrase «recent modern love»

The positive emotions that come with this kind of meaning - making were exquisitely displayed in a recent Modern Love column, written by beloved children's author Amy Krouse Rosenthal.

Like a recent Modern Love written by Gabrielle Zevin — except her secret to marriage isn't necessarily what you might expect: The Secret to Marriage Is Never Getting Married.

Which is why Mandy Len Catron's most recent Modern Love essay was so gratifying — the University of British Columbia professor and author of the just - released book How to Fall in Love With Anyone, used our renewable marriage contract when moving in with her romantic partner.

Not exact matches

And recent finds in Africa have pushed back the start date for our species» long love affair with the material, hinting that modern human cognition may have developed much earlier than we thought.

Given the nature of more recent events in the world today, this could be a masterful choice by Rockstar to deliver the same Western action - adventure that we all loved from RDR with a modern day relevance that we don't see often enough in video games.

The modern cut for poodles is probably the most suitable for owners who love following recent trends and enjoy watching canine beauty competitions.

Recent group exhibitions include You are Looking At Something That Never Occurred, Zabludovicz Collection, London, Ordinary Pictures, Walker Art Center, Minneapolis, MN, For the Love of Things: Still Life, Albright Knox Art Gallery, Buffalo, NY, and An Ocean of Images: New Photography 2015, Museum of Modern Art, New York.

Group Exhibitions 2018 Stretch / Pulled / Inked, Impact Arts, as part of the Glasgow International, Glasgow (upcoming) Glasshouse, Glasgow Botanic Gardens, Glasgow (upcoming) 2017 Amazing Perplexity, Curated by Nathalie Hoyos, Rainald Schumacher and Alevtina Kakhidze, Residents Group Exhibition of FACE — Artist Residence Program in Kiev 2016 Factually Real Illusions, curated by Lorna McDowell, Cookhouse Gallery Chelsea College of Art, London Semi-Gloss, Semi-Permeable, Glasgow International Festival 2015 International Women's Contemporary Art Forum — A Crossing Section of Art, BankART Studio NYK, Yokohama Finite Project Altered When Open, David Dale Gallery, Glasgow Abstraction from Architecture, Edinburgh Print Studio Hold, Sway, Generator Projects, Dundee 2013 Editionshow, Chert, Berlin You're my wife now, Infernoesque project space, Berlin Every Day, GoMA, Gallery of Modern Art, Glasgow 2012 Tintenfisch, CNEAI =, Paris, organized by Chert & Motto in the frame of Berlin - Paris exchange 2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Times Square Gallery of Hunter College, City University of New York Annuale, Edinburgh 2010 Drinnen & Draussen, Chert, Berlin A man, some chickens and one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Glasgow

His recent exhibitions include HARBOR (Is - tanbul Modern, Istanbul, 2017); boxes of cigarettes and whisky all over the sea, ferâre, my love (Zilberman Gallery, Istanbul, 2016); Istanbul, Passion, Joy, Fury (curators: Hou Hanru, Ceren Erdem, Elena Motisi and Donatella Saroli, MAXXI National 21st Century Arts Museum, Italy, 2015); Mom I'm Going Out to Pour Some Concrete (with Extra-struggle, Studio - X, Istanbul, 2015); Escape from Marmara Sea: The Stelyanos Hrisopu - los (Salt Ulus, Ankara, 2015); Departure Marmara Sea (Bergsen & Bergsen, Istanbul, 2013) and Tin City (Külah, Istanbul, 2013).

Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.

Recent solo exhibitions include LET»S GO Bloomberg SPACE, London, 2013; Sorry I'm Late, firstsite, Colchester, 2012; Kabuki - Performance Year Zero, The Tanks, Tate Modern, London, 2012; LOVE (with Nicholas Byrne), Frieze Projects East, Poplar Baths, London, 2012 and Turnhalle, Kunstverein Freiburg, Freiburg, DE, 2009.

She is the author of numerous essays on modern and contemporary art, including recent writing on Wols, Georg Baselitz, Mark Bradford, Al Loving, Sharon Lockhart, and Frank Stella.

Otto - Knapp's work has also been included in many group exhibitions: Watercolour, Tate Britain, London (2011); The Artist's Institute, New York (2011); I must say that at first it was difficult work, Kunstall, Oslo (2010); Strange and Close, Van Abbe Museum, Eindhoven, 2009; and the 9th International Istanbul Biennial, 2005.Otto - Knapp's recent solo exhibitions include Seascapes, Overduin and Kite, Los Angeles (2013); A light in the moon, Berkeley Art Museum, Berkeley (2011); Voyage Out, greengrassi, London (2011); Many many women, Kunstverein Munich (2010); Present Time Exercise, Modern Art Oxford (2009); Standing anywhere in the space in a relaxed position, Walter Phillips Gallery, Banff (2009); Love in a void (with Jutta Koether), Academy of Fine Arts, Vienna (2006); 50 ft Queenie, Tate Britain, London (2005); and Orange View, Kunstverein Dusseldorf (2003).

Recent and upcoming group exhibitions include «As if in a foreign country» at Galerie nächst St. Stephan Rosemarie Schwarzwäld, Vienna; «Entangled: Threads and Making» at Turner Contemporary, Margate; «Image Support» at Bergen Kunsthall, Bergen; «Love Story» at The Astrup Fearnley Museum of Modern Art, Oslo; «Før og nå til etterpå» at Sørlandets Kunstmuseum, Kristiansand S; «The Cat Show» at White Columns, New York; «Layers» at Rodeo, Istanbul; «Interiors» at Lulu, Mexico City; and «A Disagreeable Object» at Sculpture Center, New York.

Those houses became less common on the site in recent times, as I worried more about house size, the appropriateness of single family dwellings on big suburban lots, and trying to reconcile my love of clean, modern design with my concern about the use of fossil fuels or building materials that can not be maintained in a world made by hand.

Given the nature of more recent events in the world today, this could be a masterful choice by Rockstar to deliver the same Western action - adventure that we all loved from RDR with a modern day relevance that we don't see often enough in video games.