Sentences with phrase «recent aesthetic choices»

This week, Aggelos is joined by Co-Founder of The Dungeon Crawler Network, Thais to discuss some of the recent aesthetic choices that Intrepid Studios have revealed in recent posts in the official Discord as well as going over our mailbag!

Not exact matches

Kindly and almost unbearably intellectual and autodidactic, Seligman listens as Joe lays out the narrative of her sexual awakening, budding promiscuity, and compulsion, the two often digressing into literary, musical, and fly - fishing references that provides Joe's story a contour, unfolding (as in much von Trier's recent work) in discrete chapters marked by their own title cards and sets of aesthetic choices.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

«time / frame,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, January 25 — July 28, 2002 «Fifty Years of Supporting the New: The Charles H Carpenter Jr Collection,» Aldrich Museum of Contemporary Art, Ridgefield, CT, September 22 — December 31, 2002 «In the Spirit of Martin: The Living Legacy of Dr Martin Luther King Jr,» Smithsonian Institution Traveling Exhibition Service (organizer), Charles H Wright Museum of African American History, Detroit, MI, January 12 — August 4, 2002; traveled to Bass Museum of Art, Miami Beach, FL, September 7 — December 1, 2002; Frederick R Weisman Art Museum, Minneapolis, MN, January 19 — April 6, 2003; International Gallery, Smithsonian Institution, Washington, D.C., May 15 — July 27, 2003; Memphis Brooks Museum of Art, Memphis, TN, August 30 — November 9, 2003; and Montgomery Museum of Fine Arts, AL, January 3 — March 28, 2004; catalogue «LIFE DEATH LOVE HATE PLEASURE PAIN: Selected works from the MCA Permanent Collection,» Museum of Contemporary Art, Chicago, IL, 2002 «Structures of Difference,» curated by Nicholas Baume, Wadsworth Atheneum, Hartford, CT, 2002 «Drawings of Choice from a New York Collection,» Krannert Art Museum, University of Illinois at Urbana - Champaign, Champaign, IL, curated by Joself Helfenstein: traveled to Arkansas Arts Center, Little Rock, AR; Georgia Museum of Art, Athens, GA; Bowdoin College Museum of Art, Brunswick, ME; Cincinnati Art Museum, Cincinnati, OH «Recent Acquisitions,» Fonds Régional d'Art Contemporain, Reims, France, 2002 «Pushing Aesthetic Boundaries: Contemporary Prints,» Gallery M, New York, NY, 2002 «Charles H Carpenter, Jr Collection: Fifty Years of Supporting the New,» Aldrich Museum of Contemporary Art, Ridgefield, CT, 2002 «New York, New Work, Now!