«In her most
recent work, Genzken confronts one of the prime calamities of sculpture in the present: a terror that emerges from both the universal equivalence and exchangeability of all objects and materials and the simultaneous impossibility of imbuing any transgressive definition of sculpture with priorities or criteria of selection, of choice, let alone judgment (be it artisanal skills, choice of objects or materials, or the
analytical intelligence to identify the specific structure of a contextualized readymade).
Recent work by Litterman, Harvard's Gernot Wagner, and Kent Daniel of Columbia takes a more modern
analytical approach to calculating the social cost of carbon.