Sentences with phrase «recent curatorial»
Also required are a current resume, a 500 - word letter of intent, and a 300 - word text that describes a recent curatorial project that has made an impact on the applicant.
http://museumpublicity.com/
Recent curatorial projects include Before The Internet: Networks and Art at Western Front, Close Encounters: The Next 500 Years (co-curated with Lee - Ann Martin, Steve Loft and Jenny Western), a multi-site exhibition in Winnipeg, and Sakahàn: International Indigenous Art at the National Gallery of Canada (co-curated with Greg Hill and Christine Lalonde).
Other recent curatorial projects include Beyond the Avant - Garde / Bienal Naïfs do Brasil (SESC Piracicaba, 2012) and the series of radio programmes OIDARADIO Conversationsdeveloped for the 30th São Paulo Bienal with Mobile Radio and Resonance.fm (2012).
Ballou's recent curatorial project, Certain Densities, which was exhibited at the George Caleb Bingham Gallery at Mizzou in 2013, received broad press including on the Painting Perceptions and The Painter's Table websites.
On the eve of his most recent curatorial endeavor «Blue Black,» opening at the Pulitzer Arts Foundation on Friday, June 9, Glenn Ligon sits down with Hilarie Sheets to talk about power, spirituality, and the blues.
Recent curatorial projects include Bottles in Bloom, Dag Hammarskjold Plaza, NY.
Following her graduation from the Royal College of Art in London where she gained an MA in Curating Contemporary Art in 2008, Al Qasimi's recent curatorial projects include major retrospectives Yayoi Kusama: Dot Obsessions (2016 — 2017) as well as 1980 — Today: Exhibitions in the United Arab Emirates, which formed the UAE National Pavilion at the 56th Venice Biennale in 2015 before returning to Sharjah where it was exhibited at the Sharjah Art Foundation's Flying Saucer building in 2016.
Also required are a current 250 - word bio, a 500 - word letter of intent, and a 300 - word text that describes a recent curatorial project that has made an impact on the applicant.
Her recent curatorial projects include PLAY / GROUNDS, a series of site specific works installed throughout Toronto's Parkdale neighborhood in 2007.
Recent curatorial projects include «The Conundrum of Imagination», 2017; «An Age of our Own Making», 2016 — 17; «Unlearning the Given: Exercises in Demodernity and Decoloniality», 2016; and «The Incantation of the Disquieting Muse», 2016.
Her recent curatorial projects include «The Unbearable Likeness» by Abdelkader Benchamma at Isabelle van den Eynde gallery, Dubai, «We Can't Be There.
As part of ICI's Curator's Perspective — an itinerant public discussion series featuring national and international curators — Joselina Cruz will speak about her recent curatorial projects.
Her recent curatorial projects include 230 MB / Exhibition Without Objects (EWO) at Khoj International Artists» Association in New Delhi (2013), 136 MB / Exhibition Without Objects at The Drawing Room in Lahore (2012) and Foreclosed.
Recent curatorial projects include Storytellers at LAND in Brooklyn and Mapping Fictions: Daniel Green, William Scott, Roger Swike, and Joe Zaldivar at The Good Luck Gallery in LA.
Recent curatorial highlights include En Mas»: Carnival and Performance Art of the Caribbean, an Emily Hall Tremaine Exhibition Award - winning traveling curatorial project (2014 - present); Up Hill Down Hall, a BMW Tate Live commission for Tate Modern's Turbine Hall (2014); Tide by Side, the opening ceremony of Faena Art's Miami Beach district (2016) and etcetera: a civic ritual for Printemps de Septembre in Toulouse (2017).
As part of ICI's Curator's Perspective — an itinerant public discussion series featuring national and international curators — Joselina Cruz will speak about her recent curatorial projects, as well as the contemporary art scene in Manila.
Recent curatorial projects include commissioning «Sketches of Algiers» by Amina Menia for 1:54 Contemporary African Art Fair - Somerset House, London, UK (2013) and Performative Objects at Selma Feriani Gallery in Tunis, Tunisia.
Recent curatorial projects include: (in) complete at TEMP Art Space in New York, NY (2013), 7x8 Curatorial Conversations at Budapest Art Market in Budapest, Hungary (2013), 7x8 Decay at ARTplacc in Tihany, Hungary (2014), Postscript: Correspondent Works at artQ13 in Rome, Italy (2015), and reset at Garis & Hahn, New York (2016).
Recent curatorial projects include Kunstfort Asperen, Acqouy (2011); and Plug In, Van Abbemuseum, Eindhoven (2009).
His recent curatorial endeavors include shows at Cell Project Space, London, and Aspen Museum of Contemporary Art.
Prior to joining the museum, her most recent curatorial projects have included The Land Mark Show at the Center for Contemporary Arts, Santa Fe, looking at ecological perspectives by artists located in the Western United States; and Yesterday's Future at the Orange County Great Park Gallery, examining the City of Irvine's idealized master plan of a university and city encapsulated in architect William Pereira's design of UCI's campus.
Fiber, as the ICA's website attests, may be «the first exhibition in 40 years to examine the development of abstraction and dimensionality in fiber art from the mid-twentieth century through to the present,» but it also speaks to a broader interest in this type of work evidenced by recent curatorial and scholarly projects, including Elissa Auther's String, Felt, Thread: The Hierarchy of Art and Craft in America (Minneapolis: University of Minnesota Press, 2009)(click here for review); Thread Lines, a group exhibition curated by Joanna Kleinberg Romanow at the Drawing Center in New York (2014); and Richard Tuttles's installation I Don't Know.
Her most recent curatorial projects were «Day to - day» at Martos Gallery, NY, «Mythologies» for Visual Aids, NY and «Solitude (s)» at LMAK Gallery, NY.
Recent curatorial projects include: A Kingdom of Hours (co-curated with Robert Leckie) at Gasworks, London (2016); TeresaBurga.
Her recent curatorial projects: (In) visible dreams and streams, Berga Bazars, Riga and CAC, Vilnius (2016); Riga Photography Biennial 2016 Symposium.
Her most recent curatorial endeavor was a site - specific installation and performance by artists ULAY and JAŠA, marking ULAY's first New York performance in 30 years.
Recent curatorial projects include Junction, a series of site sensitive commissions to transform street - side utility boxes and Billboards at Leeds Rail Station involving artists such as Matthew Darbyshire.
Other recent curatorial projects include: After the Final Simplification of Ruins.
Recent curatorial credits include group show Anguish and Enthusiasm: What Do You Do With Your Revolution Once You've Got It?
Maintaining a process - based, collaborative approach to working with artists, her recent curatorial...
KA's most recent curatorial action has been the establishment of exhibition space CAMP (Centre for Art on Migration Politics) inside Trampoline House in Nørrebro, Copenhagen, Denmark.
Thomas's recent curatorial projects include Ocketopia @ Lesley Heller and the Auxiliary Art Exhibition at Tom's Salon.
Her recent curatorial projects include the exhibition Play, video cubano, which since 2006 has toured to cultural centres in Spain and North America, and the group exhibition Ni a favor ni en contra, sino todo lo contrario at Cátedra de Arte de Conducta.
Drawing on his decades - long association with Jimmie Durham as well as his recent curatorial projects at the Smithsonian's National Museum of the American Indian, Paul Chaat Smith explores the contradiction at the heart of the American national project.
Recent curatorial projects include Where Three Dreams Cross: 150 Years of Photography in India, Pakistan and Bangladesh at the Whitechapel Gallery; Safavids Revisited at the British Museum; How Nations are Made at Cartwright Hall, Bradford and Manor House, Ilkley; Beyond the Page: Miniature as Attitude in Contemporary Art from Pakistan at the Pacific Asia Museum, Pasadena, California; Drawn from Life at Abbot Hall Gallery, Kendal; and the forthcoming Lines of Control: Partition as a Productive Space at the Herbert F. Johnson Museum at Cornell University, NY.
Recent curatorial projects include #callresponse, a series of locally responsive art commissions centering on Indigenous women and artists accompanied by a touring exhibition; Unsettled Sites (2016), a group exhibition at SFU Gallery that highlighted the complexity of belonging and refusal from both settler and Indigenous perspectives; and Cutting Copper: Indigenous Resurgent Practice (2016), a collaboration between grunt gallery and the Morris and Helen Belkin Art Gallery that brought together performance art with a panel of Indigenous theorists and curators for the exhibition Lalakenis / All Directions: A Journey of Truth and Unity by Kwakwaka» wakw artist Beau Dick.
Having first encountered Swiss artist Philippe Decrauzat through his Komakino, 2006 — a Joy Division — inspired «wall decal» installed in «War on 45 / My Mirrors Are Painted Black (For You),» Banks Violette's recent curatorial endeavor at Bortolami Dayan — I approached his concurrent New York solo debut at the Swiss Institute — Contemporary Art with trepidation.
Recent curatorial collaborations include: Parallel Collisions: 12th Adelaide Biennial of Australian Art, with Natasha Bullock at the Art Gallery of South Australia (2012); City Within the City, Artsonje Centre, South Korea with Gertrude Contemporary, Melbourne (2011 — 13); and 21:100:100 - one hundred sound works by one hundred artists from the twenty - first century with the Melbourne International Arts Festival and MONA / FOMA (2008 — 09).
Recent curatorial projects include «New.New York,» Essl Museum, Vienna (2012), «1000 Rainbows,» Lia Chavez, First Things Gallery, New York (2012), and «In the Slipstream,» Wayne Roosa, First Things Gallery, New York (2012).
Recent curatorial projects include A Collection of Slow Events at The Luminary, MO (2017), In Practice: Material Deviance at SculptureCenter, NY (2017), objects are slow events at the Hessel Museum, NY (2016), and Matter to Whom?
Radicalizing the style of «Bloodflames Revisited,» his recent curatorial adventure at Paul Kasmin, Bui here constructs a space, which foregrounds the gallery, setting the works of art in the background.
His most recent curatorial project was «Provisional Painting» at Stuart Shave / Modern Art in London.
His recent curatorial projects include such exhibitions as William Anastasi: Sound Works, 1963 - 2013, All the Things I Know: Robert Barry From 1962 to the Present, and Visible Histories, a show celebrating the 80th anniversary of the American Abstract Artists.
Recent curatorial projects include the retrospective exhibition Jack Tworkov: Against Extremes / Five Decades of Painting, and the new paintings by young painter Brooke Moyse.
Her most recent curatorial project was «Rosemary Mayer: Conceptual Work and Early Fabric Sculptures, 1969 - 1973,» curated with Marie and Max Warsh, on the process - based text work and early fabric sculpture of the founding member of the feminist collective A.I.R..
A grotesque neologism, the title of «Dereconstruction,» Matthew Higgs's recent curatorial effort for Gladstone Gallery, was — according to the catalogue essay — both «a hybrid term, one that conflates notions of «construction,» «reconstruction,» «deconstruction,» and «destruction,»» and a reference to «The New Reconstructions,» Pace Gallery's 1979 exhibition of work by Lucas Samaras.
Recent curatorial projects include Simile: Lucy Conochie at Studio 1.1, and a forthcoming exhibition with David Beattie and Karl Burke at the Galways Arts Centre in September.
Recent curatorial projects include «Canceled: Alternative Manifestations & Productive Failures» at The Center for Book Arts (New York, NY), «Directly in front of you» at Vox Populi (Philadelphia, PA), «Spirit of the Signal» at Nicole Klagsbrun Gallery (New York, NY), and «Get on the Block» at Camel Art Space (Brooklyn, NY).
Her recent curatorial projects also include Crossroad: A Social Sculpture by the New York - based artist Derrick Adams and, in 2015, Power of People, Power of Place by the Los Angeles - based collective Fallen Fruit.
Her recent curatorial projects in 2016 included a residence in PAOS Gdl, Guadalajara, Adrien Vescovi in IFAL House of France, México DF, and the 30th International Studios Program in the FRAC Pays de la Loire, Carquefou, France.