A grotesque neologism, the title of «Dereconstruction,» Matthew Higgs's
recent curatorial effort for Gladstone Gallery, was — according to the catalogue essay — both «a hybrid term, one that conflates notions of «construction,» «reconstruction,» «deconstruction,» and «destruction,»» and a reference to «The New Reconstructions,» Pace Gallery's 1979 exhibition of work by Lucas Samaras.
This year, Maura Reilly has published
Curatorial Activism: Towards an Ethics of Curating, a handbook of new curatorial strategies, based on pioneering examples of innovative recent efforts to offset racial and gender disparities in the
Curatorial Activism: Towards an Ethics of Curating, a handbook of new
curatorial strategies, based on pioneering examples of innovative recent efforts to offset racial and gender disparities in the
curatorial strategies, based on pioneering examples of innovative
recent efforts to offset racial and gender disparities in the art world.