Sentences with phrase «recent curatorial projects»
Recent curatorial projects include Before The Internet: Networks and Art at Western Front, Close Encounters: The Next 500 Years (co-curated with Lee - Ann Martin, Steve Loft and Jenny Western), a multi-site exhibition in Winnipeg, and Sakahàn: International Indigenous Art at the National Gallery of Canada (co-curated with Greg Hill and Christine Lalonde).
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Other recent curatorial projects include Beyond the Avant - Garde / Bienal Naïfs do Brasil (SESC Piracicaba, 2012) and the series of radio programmes OIDARADIO Conversationsdeveloped for the 30th São Paulo Bienal with Mobile Radio and Resonance.fm (2012).
Recent curatorial projects include Bottles in Bloom, Dag Hammarskjold Plaza, NY.
Following her graduation from the Royal College of Art in London where she gained an MA in Curating Contemporary Art in 2008, Al Qasimi's recent curatorial projects include major retrospectives Yayoi Kusama: Dot Obsessions (2016 — 2017) as well as 1980 — Today: Exhibitions in the United Arab Emirates, which formed the UAE National Pavilion at the 56th Venice Biennale in 2015 before returning to Sharjah where it was exhibited at the Sharjah Art Foundation's Flying Saucer building in 2016.
Her recent curatorial projects include PLAY / GROUNDS, a series of site specific works installed throughout Toronto's Parkdale neighborhood in 2007.
Recent curatorial projects include «The Conundrum of Imagination», 2017; «An Age of our Own Making», 2016 — 17; «Unlearning the Given: Exercises in Demodernity and Decoloniality», 2016; and «The Incantation of the Disquieting Muse», 2016.
Her recent curatorial projects include «The Unbearable Likeness» by Abdelkader Benchamma at Isabelle van den Eynde gallery, Dubai, «We Can't Be There.
As part of ICI's Curator's Perspective — an itinerant public discussion series featuring national and international curators — Joselina Cruz will speak about her recent curatorial projects.
Her recent curatorial projects include 230 MB / Exhibition Without Objects (EWO) at Khoj International Artists» Association in New Delhi (2013), 136 MB / Exhibition Without Objects at The Drawing Room in Lahore (2012) and Foreclosed.
Recent curatorial projects include Storytellers at LAND in Brooklyn and Mapping Fictions: Daniel Green, William Scott, Roger Swike, and Joe Zaldivar at The Good Luck Gallery in LA.
As part of ICI's Curator's Perspective — an itinerant public discussion series featuring national and international curators — Joselina Cruz will speak about her recent curatorial projects, as well as the contemporary art scene in Manila.
Recent curatorial projects include commissioning «Sketches of Algiers» by Amina Menia for 1:54 Contemporary African Art Fair - Somerset House, London, UK (2013) and Performative Objects at Selma Feriani Gallery in Tunis, Tunisia.
Recent curatorial projects include: (in) complete at TEMP Art Space in New York, NY (2013), 7x8 Curatorial Conversations at Budapest Art Market in Budapest, Hungary (2013), 7x8 Decay at ARTplacc in Tihany, Hungary (2014), Postscript: Correspondent Works at artQ13 in Rome, Italy (2015), and reset at Garis & Hahn, New York (2016).
Recent curatorial projects include Kunstfort Asperen, Acqouy (2011); and Plug In, Van Abbemuseum, Eindhoven (2009).
Prior to joining the museum, her most recent curatorial projects have included The Land Mark Show at the Center for Contemporary Arts, Santa Fe, looking at ecological perspectives by artists located in the Western United States; and Yesterday's Future at the Orange County Great Park Gallery, examining the City of Irvine's idealized master plan of a university and city encapsulated in architect William Pereira's design of UCI's campus.
Her most recent curatorial projects were «Day to - day» at Martos Gallery, NY, «Mythologies» for Visual Aids, NY and «Solitude (s)» at LMAK Gallery, NY.
Recent curatorial projects include: A Kingdom of Hours (co-curated with Robert Leckie) at Gasworks, London (2016); TeresaBurga.
Her recent curatorial projects: (In) visible dreams and streams, Berga Bazars, Riga and CAC, Vilnius (2016); Riga Photography Biennial 2016 Symposium.
Recent curatorial projects include Junction, a series of site sensitive commissions to transform street - side utility boxes and Billboards at Leeds Rail Station involving artists such as Matthew Darbyshire.
Other recent curatorial projects include: After the Final Simplification of Ruins.
Thomas's recent curatorial projects include Ocketopia @ Lesley Heller and the Auxiliary Art Exhibition at Tom's Salon.
Her recent curatorial projects include the exhibition Play, video cubano, which since 2006 has toured to cultural centres in Spain and North America, and the group exhibition Ni a favor ni en contra, sino todo lo contrario at Cátedra de Arte de Conducta.
Drawing on his decades - long association with Jimmie Durham as well as his recent curatorial projects at the Smithsonian's National Museum of the American Indian, Paul Chaat Smith explores the contradiction at the heart of the American national project.
Recent curatorial projects include Where Three Dreams Cross: 150 Years of Photography in India, Pakistan and Bangladesh at the Whitechapel Gallery; Safavids Revisited at the British Museum; How Nations are Made at Cartwright Hall, Bradford and Manor House, Ilkley; Beyond the Page: Miniature as Attitude in Contemporary Art from Pakistan at the Pacific Asia Museum, Pasadena, California; Drawn from Life at Abbot Hall Gallery, Kendal; and the forthcoming Lines of Control: Partition as a Productive Space at the Herbert F. Johnson Museum at Cornell University, NY.
Recent curatorial projects include #callresponse, a series of locally responsive art commissions centering on Indigenous women and artists accompanied by a touring exhibition; Unsettled Sites (2016), a group exhibition at SFU Gallery that highlighted the complexity of belonging and refusal from both settler and Indigenous perspectives; and Cutting Copper: Indigenous Resurgent Practice (2016), a collaboration between grunt gallery and the Morris and Helen Belkin Art Gallery that brought together performance art with a panel of Indigenous theorists and curators for the exhibition Lalakenis / All Directions: A Journey of Truth and Unity by Kwakwaka» wakw artist Beau Dick.
Recent curatorial projects include «New.New York,» Essl Museum, Vienna (2012), «1000 Rainbows,» Lia Chavez, First Things Gallery, New York (2012), and «In the Slipstream,» Wayne Roosa, First Things Gallery, New York (2012).
Recent curatorial projects include A Collection of Slow Events at The Luminary, MO (2017), In Practice: Material Deviance at SculptureCenter, NY (2017), objects are slow events at the Hessel Museum, NY (2016), and Matter to Whom?
His recent curatorial projects include such exhibitions as William Anastasi: Sound Works, 1963 - 2013, All the Things I Know: Robert Barry From 1962 to the Present, and Visible Histories, a show celebrating the 80th anniversary of the American Abstract Artists.
Recent curatorial projects include the retrospective exhibition Jack Tworkov: Against Extremes / Five Decades of Painting, and the new paintings by young painter Brooke Moyse.
Recent curatorial projects include Simile: Lucy Conochie at Studio 1.1, and a forthcoming exhibition with David Beattie and Karl Burke at the Galways Arts Centre in September.
Recent curatorial projects include «Canceled: Alternative Manifestations & Productive Failures» at The Center for Book Arts (New York, NY), «Directly in front of you» at Vox Populi (Philadelphia, PA), «Spirit of the Signal» at Nicole Klagsbrun Gallery (New York, NY), and «Get on the Block» at Camel Art Space (Brooklyn, NY).
Her recent curatorial projects also include Crossroad: A Social Sculpture by the New York - based artist Derrick Adams and, in 2015, Power of People, Power of Place by the Los Angeles - based collective Fallen Fruit.
Her recent curatorial projects in 2016 included a residence in PAOS Gdl, Guadalajara, Adrien Vescovi in IFAL House of France, México DF, and the 30th International Studios Program in the FRAC Pays de la Loire, Carquefou, France.
Recent curatorial projects include collaborations with the Lisson Gallery in London (The Magic of the State, 2013); the Van Abbemuseum in Eindhoven (Lawrence Abu Hamdan, 2013 & 2014); the Stedelijk Museum and Trouw in Amsterdam (Here Today Gone Tomorrow, 2014); and the Kadist Art Foundation in Paris (A Guest without a Host is a Ghost, 2014 — 2015).
Her recent curatorial projects include a series of evening of performances at Delfina Foundation, UK; «Puppetmaster» by Adrian Lee at DJART Biennal, Algeria; «Djazaïr» (with Ali MacGilp) at John Jones Art Art, UK; «Intervening Space: From the Intimate to the World» at The Mosaic Rooms, UK; «Sketches of Algiers 1» by Amina Menia at 1:54 Contemporary African Art Fair, UK.
Recent curatorial projects include Cally Spooner's And you were wonderful, on stage, at the National Academy Museum, New York, during Performa 13 (2013), with Charles Aubin; and Deliquesce, Jonathan Viner, London (2012), with Emma Astner.
Her recent curatorial projects include The Life of Others.
Her most recent curatorial projects include: Campos de Ensueños: The Photography of Antonio Arredondo Juarez and Ricardo Palavecino for Channing Peake and Betteravia Galleries in Santa Barbara County and Welcome to the Anthropocene for Gallery 110 in Seattle, WA.
Her recent curatorial projects include Ebony G. Patterson: Dead Treez, Ray Yoshida's Museum of Extraordinary Values, and This Must Be The Place, an exhibition series exploring the relationship between artists and their formative places.
Her recent curatorial projects include Drift — an exploration of urban and suburban landscapes (2011), and In Spite of it All (2012).
Some of her recent curatorial projects include: Isaac Julien.
Recent curatorial projects include Every Time A Ear di Soun — a documenta 14 Radio Program, SAVVY Contemporary, 2017; The Conundrum of Imagination, Leopold Museum Vienna / Wienerfestwochen, 2017; An Age of our Own Making in Holbæk, MCA Roskilde and Kunsthal Charlottenborg Copenhagen, 2016 - 17; Unlearning the Given: Exercises in Demodernity and Decoloniality, SAVVY Contemporary, 2016; The Incantation of the Disquieting Muse, SAVVY Contemporary, 2016.
Recent curatorial projects have focused on the intersection of information, data and art, in particular the digital transformation of books and libraries, including: Once upon a Time, There Was the End at Center for Book Arts (New York, NY); Data Deluge at Ballroom Marfa (Marfa, TX); and Library Science at Artspace (New Haven, CT).
Recent curatorial projects include: A Chronicle of Interventions (co-curated with Shoair Mavlian), Tate Modern, London; Josephine Baker and Le Corbusier in Rio - A Transatlantic Affair, (co-curated with Carlos Maria Romero), Museum of Art of Rio, Rio de Janeiro, Brazil; A Journal of the Plague Year.
Among Bouthillier's recent curatorial projects are: How to Remain Human (2015, co-curated with Megan Lykins Reich); free movement power nomenclature pressure weight (2015), Tony Lewis's first solo museum exhibition; Wild Permutations (2015), a solo exhibition of Canadian photographer Jessica Eaton; and Xavier Cha: abduct, commissioned in partnership with Frieze Film, to open at MOCA Cleveland in 2016.
Recent curatorial projects include object» hood, co-curated with Inna Babaeva, Lesley Heller Workspace, New York, NY (2015); and Diphthong, co-curated with Stephen Maine, Shirley Fiterman Art Center, New York, NY (2015).
Other recent curatorial projects by Mosquera include the Liverpool Biennial International 2006 and the Panorama da Arte Brasileira Contemporanea (Sao Paulo, Rio de Janeiro, Recife, Vigo, 2003 - 2004).
Recent curatorial projects include «Dreaming of Kin» (2016) with artist Tiona McClodden and the «Emmett Till Project» (2015), a digital commemoration of the 1955 murder and trial of Emmett Louis Till.
Recent curatorial projects includes the Dreaming of Kin, Emmett Till Project, Writing Blackness: Harlem Paris, and If You Build It and The Way Out Is Through, a literary art - book featuring archival and commissioned works from three contemporary women writers.
Other recent curatorial projects include the second Guangzhou Triennale where he co-curated Beyond: An Extraordinary Space of Experimentation for Modernization; Go Inside, the 3rd Tirana Biennale (Tirana, Albania, 2005); Out of Sight, organized by the De Appel Foundation (Amsterdam, Netherlands, 2005); Nuit Blanche 2004 (Paris, 2004); and A L'Ouest Du Sud De L'Est / A L'Est Du Sud De L'Ouest (Villa Arson, Nice, 2004).