Sentences with phrase «recent curatorial work»

Willard's selected recent curatorial work includes; Unceded Territories: Lawrence Paul Yuxweluptun, Nanitch: Historical BC photography and BUSH gallery as well as the upcoming LandMarks 2017 / Repères 2017.

Willard has worked as a curator in residence with grunt gallery and Kamloops Art Gallery, and her past curatorial projects include Beat Nation: Art, Hip Hop and Aboriginal Culture, a national touring exhibition, CUSTOM MADE (translation) at Kamloops Art Gallery, and select recent curatorial work includes: Nanitch: Historical BC Photography, Unceded Territories: Lawrence Paul Yuxweluptun, as well as LandMarks 2017 / Repères 2017.

For Tuesday Evenings at the Modern, Andria Hickey expands upon her recent curatorial work to explore the shifting nature of the art object from the sanctioned art spaces of galleries and museums to the unyielding context of the public realm.

In addition to his recent curatorial work with the Arts Council Collection, Night in the Museum, Gander's work has been featured in Performa 15, New York; dOCUMENTA (13), Kassel; and ILLUMInations, the 54th International Art Exhibition at the Venice Biennale.

Not exact matches

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

Her curatorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary Africancuratorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary AfricanCuratorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African Art Fair.

Current and recent guest curatorial projects in the Bay Area include Organic Logic, 500 Capp Street; Equilibrium: A Paul Kos Survey, di Rosa; Public Works: Artists» Interventions 1970s — Now, Mills College Art Museum; and Versions: Kristin Lucas and Judy Malloy, Krowswork.

Their work has been shown internationally and they have collaborated in many capacities, including a recent curatorial project with Parlour, a nomadic exhibition series based in New York.

Her curatorial projects at the AGO have included At Work (2010); Sarah Anne Johnson: House on Fire (2009), All Together Now: Recent Toronto Art (2008), Luis Jacob: Habitat (2005 — 2006), Jennifer Steinkamp: Loom (2005), and Present Tense: Kori Newkirk (2005).

she homes in on the very question that has driven much of the curatorial impulse of Take It or Leave It and, further, that led to our decision to present work made over the course of an artist's career, including recent work, whenever possible.2

Voorhies examines recent artistic and curatorial work by Liam Gillick, Thomas Hirschhorn, Carsten Höller, Maria Lind, Apolonija Šušteršič, and others, at such institutions as Documenta, e-flux, Manifesta, and Office for Contemporary Art Norway, and he considers the continued potential of the exhibition as a critical form in a time when the differences between art and entertainment increasingly blur.

Publication A catalog will be published by MoMA PS1 for Greater New York 2010, documenting recent trends, processes, and media explored in the exhibition and featuring work by each of the exhibition's 68 artists and collectives, documenting the installation at MoMA PS1, with an accompanying curatorial essay written by curators Klaus Biesenbach, Connie Butler, and Neville Wakefield.

The accompanying catalogue includes three texts in English and Chinese: a curatorial essay on Wang's artistic practice; a look at the artist's recent work by Gao Shiming; and a text by Wang on contemporary Chinese art.

Recent exhibitions by the London - based artist, often working with what Lindsay Starkweather called the «off - centre recontextualisation of photographs ``, include Health and Strength at Lyon's La Salle de Bains and a contribution to artist John Henry Newton and curator Barnie Page «s online curatorial collaboration Desktop Residency.

The initial curatorial invocation of «personal and collective experiences of race and class» addressed by Simmons's art also flattens the work in a way that feels anathema to his recent subtler, more ambiguous tone, developed with a visible engagement with contemporary art as much as with the symbols of American race relations.

The arrangement is the fruit of curatorial negotiations that began long before the recent thaw in diplomatic relations, said Holly Block, the Bronx Museum's executive director, who has traveled to Cuba and followed the work of artists there for two decades.

Recent exhibitions include Statuesque, City Hall Park, New York; Alexander Calder and Contemporary Art: Form, Balance, Joy, Museum of Contemporary Art, Chicago; At Home / Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Center for Curatorial Studies at Bard College, Annandale - on - Hudson; Two Face, The Ballroom, Marfa (2009); Beg, Borrow and Steal, Rubell Family Collection, Miami (2009); KölnSkulptur 5, Cologne (2009); and Unmonumental: The Object in the 21st Century, The New Museum of Contemporary Art, New York (2007).

Recent curatorial projects includes the Dreaming of Kin, Emmett Till Project, Writing Blackness: Harlem Paris, and If You Build It and The Way Out Is Through, a literary art - book featuring archival and commissioned works from three contemporary women writers.

The newly appointed curator's previous curatorial credits includes «Empire / State: Artists Engaging Globalization,» which she co-curated while enrolled in the Whitney Independent Study Program in 2002, Suzanne McClelland, Found Poems from a Lost Time by Suzanne McClelland, Jasper Johns: Early Prints from the Collections of Jordan D. Schnitzer and his Family Foundation, Postwar British Prints, and Vinland: Recent Work by Cindy Bernard.

Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994 — January 14, 1995 (Catalogue) Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994 Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1994.

Her most recent curatorial endeavor was a two - year curatorial project working with a team of five international curators resulting in the international traveling exhibition titled, 5C5C.

Recent independent curatorial projects include: CORPORATE OCCULT, let's talk about the body baby, NU Performance (2016), which presented works by international artists that dealt with contemporary issues surrounding gender and the body; Art in the Era of Digital Capitalism (2016), a conference considering the tendencies of acceleration and post-2011 institutional alternatives, which included Franco Bifo Beradi as its keynote speaker; and numerous others.

His recent curatorial post was as the Andrew W. Mellon Postdoctoral Curatorial Fellow at the Museum of Contemporary Art Chicago, where his major project aligned three exhibitions around artistic inquiry (Chicago Works: Andrew Yang, MCA Screen: Camille Hennrot's Grosse Fatigue, and Diana Thater: The Sympathetic Imacuratorial post was as the Andrew W. Mellon Postdoctoral Curatorial Fellow at the Museum of Contemporary Art Chicago, where his major project aligned three exhibitions around artistic inquiry (Chicago Works: Andrew Yang, MCA Screen: Camille Hennrot's Grosse Fatigue, and Diana Thater: The Sympathetic ImaCuratorial Fellow at the Museum of Contemporary Art Chicago, where his major project aligned three exhibitions around artistic inquiry (Chicago Works: Andrew Yang, MCA Screen: Camille Hennrot's Grosse Fatigue, and Diana Thater: The Sympathetic Imagination).

A grotesque neologism, the title of «Dereconstruction,» Matthew Higgs's recent curatorial effort for Gladstone Gallery, was — according to the catalogue essay — both «a hybrid term, one that conflates notions of «construction,» «reconstruction,» «deconstruction,» and «destruction,»» and a reference to «The New Reconstructions,» Pace Gallery's 1979 exhibition of work by Lucas Samaras.

Her most recent curatorial project was «Rosemary Mayer: Conceptual Work and Early Fabric Sculptures, 1969 - 1973,» curated with Marie and Max Warsh, on the process - based text work and early fabric sculpture of the founding member of the feminist collective A.IWork and Early Fabric Sculptures, 1969 - 1973,» curated with Marie and Max Warsh, on the process - based text work and early fabric sculpture of the founding member of the feminist collective A.Iwork and early fabric sculpture of the founding member of the feminist collective A.I.R..

If criticism manifests most strongly in the face of what is meant to move us forward as a species, one can only imagine what curator John Cheim was expecting for the onset of his most recent exhibition, The Female Gaze, Part II: Women Look at Men.1 It might be easier, though perhaps a bit militant in this case, to look askance at a man for tackling a women - centric show, or at the canon - grounded lineup, or at the cautionary, simplified curatorial statement [Would we view these works differently if they were made by men?]

His recent curatorial projects include such exhibitions as William Anastasi: Sound Works, 1963 - 2013, All the Things I Know: Robert Barry From 1962 to the Present, and Visible Histories, a show celebrating the 80th anniversary of the American Abstract Artists.

Recent work has been expressed in the form of large - scale installation, practice based and written research, digital prints and participatory and curatorial work including CIVIC at Mission Gallery, Swansea.

Radicalizing the style of «Bloodflames Revisited,» his recent curatorial adventure at Paul Kasmin, Bui here constructs a space, which foregrounds the gallery, setting the works of art in the background.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

Recent curatorial collaborations include: Parallel Collisions: 12th Adelaide Biennial of Australian Art, with Natasha Bullock at the Art Gallery of South Australia (2012); City Within the City, Artsonje Centre, South Korea with Gertrude Contemporary, Melbourne (2011 — 13); and 21:100:100 - one hundred sound works by one hundred artists from the twenty - first century with the Melbourne International Arts Festival and MONA / FOMA (2008 — 09).

Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex University 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.

Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex Univ. 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.

Maintaining a process - based, collaborative approach to working with artists, her recent curatorial...

In a young city such as Los Angeles, archaeology can take many forms: Small's idiosyncratic museology, Gala Porras - Kim's reappraisal of unattributed objects from the ethnographic Fowler Museum or even the curatorial work of Moshayedi and Walker in excavating little - known art from Los Angeles's recent past.

The Belgian curatorial collective's Alberto García del Castillo has invited artist Carles Congost and creative duo Sarah & Charles to the space to exhibit their recent video works exploring the «blurry almost - kitsch atmosphere on the border between «I did not want to do that» and «this is actually how I see it»».

Fiber, as the ICA's website attests, may be «the first exhibition in 40 years to examine the development of abstraction and dimensionality in fiber art from the mid-twentieth century through to the present,» but it also speaks to a broader interest in this type of work evidenced by recent curatorial and scholarly projects, including Elissa Auther's String, Felt, Thread: The Hierarchy of Art and Craft in America (Minneapolis: University of Minnesota Press, 2009)(click here for review); Thread Lines, a group exhibition curated by Joanna Kleinberg Romanow at the Drawing Center in New York (2014); and Richard Tuttles's installation I Don't Know.

Recent curatorial projects include: (in) complete at TEMP Art Space in New York, NY (2013), 7x8 Curatorial Conversations at Budapest Art Market in Budapest, Hungary (2013), 7x8 Decay at ARTplacc in Tihany, Hungary (2014), Postscript: Correspondent Works at artQ13 in Rome, Italy (2015), and reset at Garis & Hahn, New Yocuratorial projects include: (in) complete at TEMP Art Space in New York, NY (2013), 7x8 Curatorial Conversations at Budapest Art Market in Budapest, Hungary (2013), 7x8 Decay at ARTplacc in Tihany, Hungary (2014), Postscript: Correspondent Works at artQ13 in Rome, Italy (2015), and reset at Garis & Hahn, New YoCuratorial Conversations at Budapest Art Market in Budapest, Hungary (2013), 7x8 Decay at ARTplacc in Tihany, Hungary (2014), Postscript: Correspondent Works at artQ13 in Rome, Italy (2015), and reset at Garis & Hahn, New York (2016).

In light of the recent decision by the Museum of Modern Art, New York to hire a consulting curator to help with «the strengthening of its holdings» in black art, this closed door session addressed the idea of «progress» made by ethnic specific institutions and the nature of curatorial work within these institutions in today's social and cultural conditions.

Shum, too, came to Schnabel only in the recent past, after joining the Glass House in her curatorial role and observing closely the artist's work.

john mcEnroe by leanne haase goebel Mar 2013 An abandoned mining area above the town of Ward, Colorado, inspired John McEnroe's most recent body of work, Half Life, currently on view at Robischon Gallery in Denver, in a solo show thematically connected with four other artist's solo shows, under the curatorial title: «Object Nature.»

An abandoned mining area above the town of Ward, Colorado, inspired John McEnroe's most recent body of work, Half Life, currently on view at Robischon Gallery in Denver, in a solo show thematically connected with four other artist's solo shows, under the curatorial title: «Object Nature.»

Following a winter of discovery, we will showcase work by artists new to our program alongside artists who have come to define the gallery's curatorial voice in recent exhibitions.

Her recent curatorial projects include PLAY / GROUNDS, a series of site specific works installed throughout Toronto's Parkdale neighborhood in 2007.