Sentences with phrase «recent drawing practice»

Not exact matches

Townsleygallery told us, «I have always loved drawing and painting since I was young but haven't had the confidence to really explore this beyond practicing at home; recent holidays in Cornwall inspired me to paint some of the scenery to hang on my walls at home... this had led to commissions and I am slowly taking this forward.

It's a question hospitals have wrestled with in recent years as their business practices and tax benefits have drawn increasing scrutiny from the IRS.

The practice has always raised ethical concerns, but a recent junket to the Gulf Coast is drawing more critical attention than usual because the funding originated with BP.

As you've referenced in the case of the game's plot, and I touched on initially, Dig 2 draws upon established games, including of course, past games in the SteamWorld franchise as well as established gameplay practices that have made recent 2D platformers like Shovel Knight so incredibly successful.

He draws from a history of radical art practices from Soviet avant - garde figures such as Rodchenko and Malevich, to more recent contemporary American artists Jimmie Durham and David Hammons.

Louisa Chambers recent practice responds to ongoing research into depiction and visual perception on two dimensional surfaces (more specifically, concentrating on the mediums of drawing, collage and painting).

While Boyce's early work addressed issues of race and gender in Britain, her more recent practice uses improvisation, installation, sound and performance to draw attention to and celebrate cultural difference.

Cridler uses drawing as a practice of «noticing,» and this directly informs her recent work, in which the steel wire or rod becomes a line of inquiry into form, content, and the potential of narrative.

His more recent works, which include print making, painting and installations, still draw on this theme of everyday objects and their changing nature in society and artistic practice, using their pre-defined contextual symbolism as a way to make an audience re-think what we see, and what we know.

It comprises a visual index of technical drawings, designs and photographs relating to recent projects and research trips offering an insight into the processes and ideas that underscore his practice.

PROGRAM Monday, April 25, 2016 2 PM: Reception at the BAI 3 — 6 PM: «Medium in Permanent Flux» Introduction to the history of recent drawing by Jan - Philipp Fruehsorge M.A. «Since the 1960s until most recently drawing, unlike any other artistic medium, has been continuosly undergoing a transformation process which led to a radically new view and defintion of its functions and practices.

The exhibition will feature recent and new works by a selection of contemporary arts who draw from Ellsworth Kelly's enduring legacy in their varied practices.

Like all previous editions of Traces, the current exhibition sets out to map contemporary practice in the field of drawing in Israel; to outline directions and inclinations, while emphasizing the conceptual and thematic transformations that occurred in this dynamic — traditional, yet constantly renewing — medium in recent years; and to sustain a dialogue with the previous biennials.

An introductory essay by Christian Rattemeyer, Associate Curator of Drawings at the Museum of Modern Art, New York, offers an engaging overview of recent and current drawing practice.

In recent years, Marcel Dzama (born 1974) has expanded his widely acclaimed drawing practice to incorporate theatrical realizations of his magical, myth - laden cosmology in three - dimensional dioramas and films.

A snapshot of contemporary drawing practices, the exhibition includes more than 200 new and recent works on paper by leading international artists, including the Still Life with Screen and Heart (2016) by David Haines.

With a foreword written by Paul Morris, longtime gallerist and supporter of Crumb's practice, and a cover specifically designed by the artist for its release, Art & Beauty Magazine: Drawings by R. Crumb guides the reader through the twenty - year history of Crumb's magazine, from the earliest images of the 1990s to the most recent drawings completed Drawings by R. Crumb guides the reader through the twenty - year history of Crumb's magazine, from the earliest images of the 1990s to the most recent drawings completed drawings completed in 2016.

This suite of new works provides an intimate counterpart to FAILE's recent large - scale explorations of religious motifs while drawing out less obvious threads in their practice, from subtle gradations of color and pattern to a conscious removal of clear identities in order to explore archetypical structures beneath.

His first solo exhibition was a Sanchez Cotán in Trondheim, Norway in 2009 and recent projects include The devil finds work for idle hands at Toomey Tourell Fine Art, San Francisco (2012) and Drawology: drawing as phenomenology at the Bonington Gallery Nottingham, and the co-curation of A Machine Aesthetic at Gallery North, Northumbria University, The Gallery, The Arts University Bournemouth, University of Lincoln, Norwich University of the Arts (2013 - 2014) where eleven contemporary artists were invited to explore the various manifestations, uses and influences of different aspects of mechanisation within their practice.

series expands upon Martinez's recent practice of utilizing enlarged silkscreens of small Sharpie drawings as a starting point for large - scale works on canvas.

Wim Waelput draws on his experience of organizing Dekyndt's recent solo exhibition at KIOSK in Ghent in the Spring of 2010; he particularly focuses on Carousel, a new site - specific installation developed for KIOSK, as a resource for understanding the dimension of time in her practice as a whole.

Among the first critical art historical examinations of Haendel's conceptual drawing practice, «Karl Haendel: Knight's Heritage» narrates four illuminating moments in the artist's career that show how the operations, effects, and reception of appropriation art have changed in recent decades.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

The artist's first major solo exhibition in Canada, Backdrop surveys Anderson's practice in depth, presenting new and recent paintings alongside previously unseen sculptures and photographs in addition to large - scale drawings.

The exhibition also includes Al - Hadid's most recent panels that effectively merge her sculpture practice with her drawing technique.

His practice ranges from site - specic ephemeral installations to drawing and video, with a recent focus on spaces just outside the home — the garden, the backyard, and other domesticated landscapes.

Nina will present her work from the early period, important works such as Sold Down the River, a 1995 performance in Liverpool, described as «A Post Betrayal Intervention for a Post Industrial City» and her contemporary socially engaged practice including a protest intervention at the Turner Prize drawing attention to how recent terror legislation contravenes human rights.

In conversation with artist Liam Gillick, Craig - Martin discusses a number of works in the exhibition and the shifts in technology over recent decades that have shaped his choice of subject matter and drawing practice.

In recent projects Schlitz expands her drawing practice directly on the present walls and ceilings (2016 Brooklyn Art Space, 2017 Galerie Oberwelt Stuttgart, 2017 Galerie der Stadt Kirchheim).

Five films from 2009 to 2016 representing the artist's cross-platform thinking will be shown in the gallery, drawing from a diverse range of approaches in her artistic practice, from her intensely haptic works that involve fluids and stains of all sorts, to her more recent ruminations on film and memory.

It is not a survey of recent drawings but it seeks to function like a glass prism, that separates visible light into its colour spectrum, and reveals some of the constituent parts of contemporary drawing practice.

So there's a good chance that this retrospective exhibition, which includes some 230 works spanning the past forty years — from childhood drawings to recent installations, videos to wall paintings — will reveal both the problems linked to the «musealization» of artistic practice and the Berlin - based artist's doubts regarding formal categorization.

Topics circulating through the group include: an interest in the archive and documentation, the use of storytelling and theatricality, the delights of obsessive drawing practices, examinations into troubling recent history, spiritual openness and exploration, and commitment to craftsmanship.

For the 2017 presentation, SAIC alumna and artist Sadie Woods (MFA 2016) continued her curatorial practice to organize this exhibition of artists from SAIC's recent graduating classes, with backgrounds spanning SAIC's Painting and Drawing, Sculpture, Fiber, Art and Technology, Film, Video, New Media, Photography, and Performance departments, among others.

It was traditionally assumed that Spanish artists did not draw, but recent research has demonstrated that drawing was in fact central to artistic practice in Spain.

While he has become known for his prolific drawings with their distinctive palette of muted colors, in recent years, the artist has expanded his practice to encompass sculpture, painting, film, and dioramas.

The exhibition features new and recent works by five New York - based contemporary artists who draw upon Ellsworth Kelly's legacy in their varied practices.

Illuminating unknown aspects of the ground breaking artist's practice, Morris Louis: Unveiled presents more than 25 works, including several large - scale paintings and a number of rarely seen drawings that comprise a recent gift to the BMA from the artist's widow's estate.

Well - known for prolific drawings that incorporate diverse influences into his own visual language, Dzama has expanded his practice in recent years to encompass sculpture, painting, film, costume design, and dioramas.

The model succeeds in drawing out relations between recent practices across various axes, rather than along a single binary.

They drew attention to a recent report from Carbon Trade Watch, entitled The Carbon Neutral Myth, which compares carbon offsetting to the practice of the medieval church selling «indulgences» to absolve sinners.

It draws on recent studies to summarise the prospective gains and challenges associated with investing in a green economy and outlines a way forward to prioritise policy reforms, with a specific section on how to turn strategies and practices challenges into opportunities.

Recent ideas for reform have drawn on diverse sources, including the Carnegie Report, 6 as well as newly proposed recommendations for «best practices» in legal education7 and highly publicized accounts of changes in law school curricula at elite schools like Harvard.8 Like several earlier proposals, 9 these reform efforts concentrate on law schools» failure to deal systematically with training for legal practice, as well as on these schools» haphazard approach to teaching legal ethics.

The recent Ark Group master class on LPM, by Steven B. Levy of Lexician and Patrick Lamb of the Valorem Law Group, was a good overview of the topic, with Steven drawing on his experiences at Microsoft and from his book, with Patrick providing a law firm perspective based on the approach in his daily practice.

In this article, Tom Whitehead draws attention to two recent cases concerning freezing orders which contain helpful guidance on matters of practice and procedure likely to be of interest to practitioners asked to obtain or resist such orders.

Emily's talk was infused with practical examples from recent cases and how the duty to consult can apply in practice, drawing on her wealth of experience of advising public authorities.

J. 575, 578 (2011)(suggesting that «law librarians with recent practice experience» can «draw on their experience in a contemporary legal research practice setting to enhance their instruction»)(citing Nolan L. Wright, Standing at the Gates: A New Law Librarian Wonders About the Future Role of the Profession in Legal Research Education, 27 Legal Reference Services Q. 305, 332 — 33 (2008)-RRB-.

Mr. Rynowecer said the data was collected before the crisis of recent data breeches making headlines of late and this practice area will continue to draw legal focus.

Building on an ecological model that explains multiple levels of influence on psychological development, 16 and a recently proposed biodevelopmental framework that offers an integrated, science - based approach to coordinated, early childhood policy making and practice across sectors, 17 this technical report presents an EBD framework that draws on a recent report from the Center on the Developing Child at Harvard University to help physicians and policy makers think about how early childhood adversity can lead to lifelong impairments in learning, behavior, and both physical and mental health.1, 6

Best Practices: How can close relationships researchers draw from recent discussions of best practices to improve their science?