Sentences with phrase «recent drawings and prints»

A series of recent drawings and prints on view at Pace Gallery in Chelsea offers a glimpse into the secret of his appeal.

Goodman Gallery Cape proudly presents a solo exhibition of new and recent drawings and prints by David Koloane.

Recent drawings and prints turn text and punctuation marks into fleshy deposits on vibrant colored papers.

Not exact matches

«Our attention as solicitors to Mr. David Adeleke aka Davido, has been drawn to statements and comments both on the social, electronic and print media including but not limited to a very recent publication by national daily, wherein various statements credited to the Acting Commissioner of Police, Lagos State, Mr. Edgal Imohimi, insinuating inter alia that our client has a case to answer in the unfortunate demise of one Mr. Tagbo Umeike.

Olsen Cruise Lines will be launching its first TV advertising campaign since 2009, using the distinctive, hand - drawn style and strong brand values of its recent highly - successful print campaign.

Olsen Cruise Lines is launching its first TV advertising campaign since 2009, using the distinctive, hand - drawn style and strong brand values of its recent highly - successful print campaign.

The exhibition includes early geometric light projections, prints and drawings, installations exploring sensory deprivation and seemingly unmodulated fields of colored light, and recent two - dimensional work with holograms.

Pace is honored to present an exhibition of recent iPad prints, charcoal drawings and video by David Hockney, one of the most important and celebrated living artists in the world.

For her second solo exhibition in the gallery, and in Belgium, Louise Bourgeois has made a selection of recent sculptures in fabric, screen prints on vintage cloth and a completely new series of wall hangings, entitled «The Woven Drawings».

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

In a solo exhibition of new drawings, prints and paintings at the Goodman Gallery in Johannesburg, Sam Nhlengethwa pays homage to trumpeter and composer Miles Davis and celebrates the recent 50th anniversary of his groundbreaking album Kind of Blue.

The lovingly compiled exhibition highlights a recent body of paintings and drawings on canvas but also reaches back with prints, drawings and paintings beginning with his arrival in New York in... Read More

Nine of the exhibited drawings are a recent gift to the Parrish Art Museum and were taken from a print project by Riverhouse Editions in Colorado.

The lovingly compiled exhibition highlights a recent body of paintings and drawings on canvas but also reaches back with prints, drawings and paintings beginning with his arrival in New York in the late 70's.

Art historical, political, and historical references are layered deep in images like that of George W. Bush in The Ghost of Liberty: the 2004 drawing is derived from the artist's charcoal drawings Poor George after Philip Guston, which echoed Guston's Nixonian Poor Richard series from 1971, which in turn drew its title from Ben Franklin.32 More recent codices have addressed the global economic collapse: Illegal Alien's Guide to the Concept of Relative Surplus Value; and Escape from Fantasylandia: An Illegal Alien's Survival Guide [see Art in Print Vol.

The selection includes Ritual and Desire, 2009, a rarely - available lithograph by Chris Ofili, and Suicide Sunday, a new letterpress print by Hernan Bas, which draws on the Cambridge rites and traditions that have inspired his most recent body of work.

Innovative New England Printmaking: «First Impressions,» Carlson Gallery University of Bridgeport Bridgeport, CT Contemporary Figure Drawing Minneapolis College of Art and Design Minneapolis, MN Recent Monotypes University Gallery University of Massachusetts Amherst, MA Nine Printmakers and the Working Process Whitney Museum Fairfield County Stamford, CT Boston Arts Festival Boston, MA American Realism, Twentieth Century Drawings and Watercolors traveling exhibition San Francisco Museum of Modern Art San Francisco, CA Prints Recently Acquired Metropolitan Museum of Art New York, NY 15th Anniversary Exhibit Boston Visual Arts Union Gallery Boston, MA

1998 Peter Halley, Paintings of the 90s, Museum Folkwang, Essen, Germany (installation, catalogue) Peter Halley: Small Paintings, Galerie Bruno Bischofberger, Zurich Peter Halley: New Paintings, Jablonka Galerie, Cologne, Germany Mario Diacono Gallery, Boston, MA (booklet) Peter Halley: Painting as Sociogram 1981 — 1997, Kitakyushu Municipal Museum of Art, Kitakyushu, Japan (catalogue) Exploding Cell, Soap Gallery, Kitakyushu, Japan (installation) Paintings and Drawings, Tomio Koyama Gallery, Tokyo Módulo Gallery, Lisbon Ace Gallery, Los Angeles Peter Halley, Recent Prints, Numark Gallery, Washington, DC

Featuring paintings, drawings, prints, photographs and sculpture from the museum's collection made between 1970 and 1979, «Circa 1970» includes recent key gifts of works by McArthur Binion, Robert Blackburn and David Hammons.

Everything is going to be alright, Elizabeth Cherry Gallery, curated by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox Art Gallery, Buffalo, New York, USA Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave Prints v. 2.0, Elias Fine Art, Allston, Massachusetts, USA New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias Fine Art, Boston, USA Glee: Painting Now, The Aldrich Museum of Contemporary Art, Ridgefield, CT Palm Beach Institute of Contemporary Art, Organized by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image Painting, Banff Centre for the Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Staton)

In this exhibition of recent work — including prints, projections, interactive installations, kinetic sculpture, and drawings — Arcangel mixes and matches professional and amateur technologies as he explores the influence and appeal of such media in contemporary society.

Curatorially, this kind of reconsideration has already been applied to recent exhibitions like «A Revolutionary Impulse: The Rise of the Russian Avant - Garde,» which covered the period of artistic innovation between 1912 and 1935 and included projects in painting, drawing, sculpture, prints, graphic design and architecture.

His more recent works, which include print making, painting and installations, still draw on this theme of everyday objects and their changing nature in society and artistic practice, using their pre-defined contextual symbolism as a way to make an audience re-think what we see, and what we know.

His recent 12 - year retrospective at the Aldrich Museum in Connecticut included scrapbooks and quadrille notebooks, charts and drawings, prints and stamps that he has collected, glass and plastic fragments, teetering piles of books, stuffed birds and bears and overalls and lab coats hanging on hooks.

The occasion for the show is FAMSF's recent acquisition of 62 sculptures, paintings, drawings, ingenious, emotionally charged assemblages, quilts from Gee's Bend, and prints based on them, by 22 Southern - born, late - 19th and 20th century, African American artists.

It contains your recent paintings and prints from Ilya's drawings from the 70s.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

Lubaina Himid (1974, Zanzibar) is an artist whose work includes paintings, prints, drawings and installations, and is the most recent winner Continue reading →

This recent discovery of Johnson's work is significant as the vast majority of Johnson's oeuvre - more than one thousand paintings, drawings and prints - was given to the National Museum of American Art (NMAA), Washington, DC by the Harmon Foundation in 1967 when the foundation was being terminated.

This video, as well as other works that will be on view, continues Sillman's recent use of inkjet prints based upon her drawings to explore notions of seriality and machine processes.

The show will feature paintings (including Incoming Tide shown above courtesy of Oil & Water Gallery), drawings and prints from recent projects and adventures and these will be accompanied by a selection of small bronze figures by distinguished sculptor Frank Magnus - Hirshfield.

2000 Art of Our Century, Part II, The Appleton Museum of Art, Ocala, FL Michael Rosenfeld Gallery: The First Decade, Michael Rosenfeld Gallery, New York, NY Die Sammlung Erling Neby im Arithmeum (Geometric Constructivist Art from the Collection of Erling Neby), Bonn University, Bonn, Germany Drawn Across the Century: Highlights from the Dillard Collection of Art on Paper, Weatherspoon Art Gallery, University of North Carolina at Greensboro, Greensboro, NC In Depth: Recent Acquisitions in Prints, Whitney Museum of American Art, New York, NY Pasted Pictures: Collage and Abstraction in the Twentieth Century, Knoedler & Company, New York, NY 2000 Collector's Show, Arkansas Art Center, Little Rock, AR

Whereas the sculptures are based on central characters from his recent films and include papier - mâché heads and multi-faced masks composed from printed steel, the drawings and dioramas depict these new players standing besides figures from the artist's earlier repertoire, as if posing for a group portrait of his ever - expanding roster of protagonists past and present.

Organized in collaboration with London's Tate Britain and the Metropolitan Museum of New York, the exhibition celebrates the artist's 80th birthday, retracing his entire career through more than 160 works (paintings, photographs, engravings, video installations, drawings and printed works), including his most iconic paintings — swimming pools, double portraits and monumental landscapes — and some of his most recent creations.

This catalogue of outstanding paintings, sculptures, drawings and prints from Edward R. Broida's recent gift of 175 contemporary works from his collection to The Museum of Modern Art reflects a wide range of artistic approaches.

6 May — 30 July 2017 This exhibition brings together new and recent works by London - based artist Jessie Flood Paddock, with the Oak Tree series of sculptures, drawings and prints by the celebrated 20th century sculptor, the late Kenneth Armitage.

This exhibition brings together new and recent works by London - based artist Jessie Flood Paddock, with the Oak Tree series of sculptures, drawings and prints by the celebrated 20th century sculptor, the late Kenneth Armitage.

Minneapolis Institute of Arts, Minn., It's New / It's Now: Recent Gifts of Contemporary Prints and Drawings, July 14 — Sept. 1.

In Johanna Winters» recent exhibition, Culling the Herd, the works were installed in such a way that evoked the comfortable space of a backyard clothing line where the prints are hung with clips and seemingly cheerful in color, drawing in the viewer.

In recent works, Sillman has explored seriality and machine formats, using inkjet - printed canvasses generated from her drawings.

Kossoff's most recent US exhibitions were Drawn to Painting: Leon Kossoff - Drawings and Prints after Nicholas Poussin on view at the Los Angeles County Museum of Art in 2001; After Nicolas Poussin: New Etchings by Leon Kossoff traveled to The Metropolitan Museum of Art and the J. Paul Getty Museum, Los Angeles in 2000; and, Leon Kossoff: Recent Paintings and Drawings at Mitchell - Innes &recent US exhibitions were Drawn to Painting: Leon Kossoff - Drawings and Prints after Nicholas Poussin on view at the Los Angeles County Museum of Art in 2001; After Nicolas Poussin: New Etchings by Leon Kossoff traveled to The Metropolitan Museum of Art and the J. Paul Getty Museum, Los Angeles in 2000; and, Leon Kossoff: Recent Paintings and Drawings at Mitchell - Innes &Recent Paintings and Drawings at Mitchell - Innes & Nash.

DUEL: Recent Work by Shannon Finnegan»11 features a collection of drawings, site - specific installations, limited - edition prints, and hand - crafted zines.

At S.M.A.K. Dirk Zoete is showing new and recent work — drawings, objects and prints — in a varying display that is midway between an exhibition and a temporary artist's studio.

The exhibition features roughly 100 works, including paintings, prints, photography, drawings, and sculptural installations, as well as the artist's recent, striking neon reliefs.

Concept / Image / Object: Recent Gifts for the Lannan Foundation, Department of Prints and Drawings, Kovler Gallery, The Art Institute of Chicago, December 6, 1997 — May 7, 1998 From the Collection of Trustees and Friends of Roanoke College, Olin Gallery, Roanoke College, Salem, Virginia, October 26 — November 21, 1997 Thresholds: Limits of Perception, Curated by Denis Pelli and Ana Maria Torres, Eighth Floor Gallery, New York, October 14 — 25, 1997 (Included a day - long symposium, Theories of Vision, on October 17 at the New York University Cantor Film Center.)

Recent exhibitions which featured his work were Paper Trails: San Francisco Abstract Expressionist Prints, Drawings, and Watercolors in 1993 and Singular Impressions: the Monotype in America in 1997.

1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, AspDrawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspdrawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, AspDrawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CO..

As reported by Robin Pogrebin in a recent New York Times article, the Museum of Modern Art is planning a move that would have been unthinkable just a few years ago: reinstalling its permanent collection outside of the museum's traditional hierarchy, which placed painting and sculpture at the top of the pyramid, with drawing, prints, photographs, and illustrated books playing supporting roles, and film, performance, digital media, architecture, and design as outliers of varying importance.

Ranging across Jasper Johns's entire career — from his breakthrough paintings of the 1950's, which paved the way for the subsequent development of pop art and minimalism, Jasper Johns has had numerous museum retrospectives throughout his career, including paintings, drawings, prints as well as a host of other themes; recent highlights include the landmark 1997 exhibition» «Jasper Johns: A Retrospective» at the Museum of Modern Art, curated by Kirk Varnedoe and the breathtaking 2008 «Jasper Johns: Gray» at the Art Institute of Chicago and The Metropolitan Museum of Art.

In Their Studios, Polk Museum of Art, Lakeland, USA Gray to Black, Danese Gallery, New York, USA The 181th Annual, National Academy, New York, USA At Home: Recent Acquisitions, Madison Museum of Contemporary Art, Madison, USA Twice Drawn, Tang Teaching Museum, Skidmore College, Saratoga Springs, USA More And Less: Post-Minimal Prints and Drawings, Milwaukee Art Museum, And Less: Post-Minimal Prints and Drawings, Milwaukee Art Museum, and Drawings, Milwaukee Art Museum, USA