Sentences with phrase «recent exhibition a day»

Not exact matches

Tomorrow (November 15) is the last day to see an exhibition of recent paintings by John Walker at Alexandre Gallery, New York.

The works in the exhibition range from the mid-1970s to the present day, including many recent acquisitions and major installations such as A Minute Ago by Rachel Rose, and Odradek Wall by Liam Gillick.

The exhibition, drawing from Dower's career of over 40 years, and presenting recent paintings hung in counterpoint to selected historic works, including a selection of intricate reliefs that have not been exhibited since exhibitions at the Curwen Gallery, would have been an invitation to reflect on the connections between works from the eighties up to the present day.

For her exhibition at the SCAD Museum of Art, Castillo Deball presents the most recent iteration of the project «To - Day,» which combines historical research about a specific site and a physical form that contains this research, which the artist calls a «fictional character.»

It was the first day of his most recent exhibition, A Life, and as we walked through the collection of works — spanning much of his career from the 1980s to the present day — he said he was tired, but seemed happy, content even.

Although the 2012 retrospective at Tate Modern was rapturously received, bringing with it a renewed reminder of the power of early works such as The Physical Impossibility of Death in the Mind of Someone Living and Mother and Child, Divided, recent exhibitions have been panned — Schizophrenogenesis was condemned for coasting on past glory, while 2012's painting - focused Two Weeks, One Summer received scathing one - star reviews — and there is a nagging sense that these days his art can resemble a factory production line, with endless copies of his popular «spot» paintings churned out in the name of brand recognition.

Ackermann's recent solo exhibitions include: «Nudes and Jacket», Karma, New York (2017); «KLINE RAPE», Hauser & Wirth New York, 22nd Street (2016); «The Aesthetic of Disappearance», Malmö Konsthall, Malmo, Sweden (2016); «Chalkboard Paintings», Hauser & Wirth Zürich (2015); «MEDITATION ON VIOLENCE - HAIR WASH», Sammlung Friedrichshof, Burgenland, Austria and Sammlung Friedrichshof Stadtraum, Vienna, Austria (2014); «Negative Muscle», Hauser & Wirth New York, 69th Street (2013); «Fire by Days», Hauser & Wirth London, Piccadilly (2012); the Museum of Contemporary Art, Miami FL (2012); «Bakos», Ludwig Museum, Budapest, Hungary (2011); and «Rita Ackermann and Harmony Korine: ShadowFux», Swiss Institute, New York NY (2010).

Foster's recent solo exhibitions include Ground, Figure, Sky, Tintype Gallery, London (2017); Popular Insignia, Galleria Acappella, Naples, Italy (2016); Salad Days, Ana Cristea Gallery, New York (2015); and Holy Island, Chandelier Projects, London (2014).

In recent days I have posted on Facebook galleries of photos from recent exhibitions I've just seen, with a brief text which I typically write quickly, just enough to give readers a quick sense of the work.

Recent curated exhibitions include Bani Abidi: An Unforeseen Situation, Nadia Kaabi - Linke: Walk the Line, Pia Camil: Skins and Laercio Redondo: What ends every day.

The images are pulled from his imagination and from the imaginative realm of literature: his recent solo exhibition at the Drawing Center was composed of notebooks in which he makes a drawing every day in response to books he reads over the course of the year — texts that range from Ovid to Patti Smith.

«We have a constant dialogue about art; it's not fashion,» Ms. Pagé said on a recent trip to New York, sipping tea at the Pierre Hotel after spending the day scouring galleries in Chelsea and catching up on museum exhibitions, including Leonard A. Lauder's collection of Cubist art at the Metropolitan Museum of Art, which she said was «fantastique.»

Recent solo exhibitions include: the world just makes me laugh at Berkeley Art Museum, let's start this day again at Contemporary Art Center (Cincinnati), giorni d'oro + notti d'argento at Museo d'Arte Contemporanea di Roma, Seven Magic Mountains organized by Art Production Fund and the Nevada Museum of Art (Nevada), vocabulary of solitude at Museum Boijmans van Beuningen (Rotterdam), i love john giorno at Palais de Tokyo (Paris), artists and poets at Vienna Secession (Vienna), breathe walk die at Rockbund Art Museum (Shanghai), human nature organized by Public Art Fund in Rockefeller Plaza, (New York), we run through a desert on burning feet, all of us are glowing our faces look twisted at Art Institute of Chicago, thank you silence at M - Museum Leuven (Belgium).

The exhibition features recent photographs from two series: In the Days of a Dark Safari and The Last Journey of the Dictator Mussunda N'zombo Before the Great Extinction (in 5 acts), as well as a film, titled Havemos de Voltar (We Shall Return).

Born 1987, Gainesville, FL Lives and works in Brooklyn, NY Education 2012 New York Studio School, MFA 2009 Amherst College, BA Selected Solo Exhibitions 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2013 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY Selected Group Exhibitions 2016 Fred Reichman with Eleanor Ray, The Landing, Los Angeles, CA 2015 Feast of Planes, Andrews Gallery, College of William and Mary, Williamsburg, VA The Thing Itself, The Center for Contemporary Art, Bedminster, NJ Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Improvised Showboat # 5, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale, Interstate Projects, Brooklyn, NY City as Subject, Westbeth Gallery, New York, NY BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark, Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon, Adelphi University, Garden City, NY Alumni Exhibition, New York Studio School, New York, NY Dooroomwindow, Steven Harvey Fine Art Projects, New York, NY Gathering Place, No Longer Empty, New York, NY Traces of Omnipresence, 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial, A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY Recent Paintings: Eleanor Ray and Jacob Stilley, New York Studio School, New York, NY

Recent group exhibitions include Brand New Gallery in Milan, City Gallery of Prague, Vigo Gallery in London, and 304 Days in Vancouver, Canada.

Memory, Market and Migratory Transition A multimedia exhibition by Bundith Phunsombatlert Curated by Maymanah Farhat September 19 — October 18, 2015 Being Here Meiling Liu and HsiangLu Meng Presented in collaboration with Residency Unlimited August 14 — September 13, 2015 Some Great Modern Mediums Featuring recent work by Tina Kohlmann Presented in collaboration with Residency Unlimited July 10 — August 9, 2015 How the sphere, having in vain tried words, resorted to deeds Featuring recent work by Constantin Hartenstein, Kate Stone, Tuguldur Yondonjamts and Holly Veselka Presented as part of the Workspace 2015 exhibition series June 12 — July 5, 2015 Threshing Floors Featuring projects by Jules Gimbrone, Essex Olivares, Kabir Carter, Bill Dietz and Mary Walling Blackburn Curated by Natasha Marie Llorens, with Natasha Hoskins May 2 — May 31, 2015 Shifting Impressions Featuring City Souvenirs, a project by Liene Bosquê and Nicole Seisler Curated by Lynnette Miranda March 28 — April 26, 2015 Labor Days A solo exhibition by Michael Pribich Curated by Esperanza Cortes February 21 — March 22, 2015

2008Griffin, Jonathan, Second Life, Frieze, p.120 - 123, 2008 Another End, Vilma Gold, Exhibitions Pick of the Week, Guardian Guide, 5 July, 2008 Thatcher, Jennifer, Greenland Street, Art Review, December, 2008 Cohen, Louise, A Wise Old Bird, The Times Newspaper, 20 October, 2008 Sumpter, Helen, Going Underground, Timeout, London, 11 - 17 July, 2008 Brian Griffith's Liverpool Debut, Art World, November, 2008 Morton, Tom, Bring His Tariff, A Bulletin, A foundation, Issue Two, Autumn, 2008 Life Is a Laugh, Uk Recent Projects, Public Art Review, Issue 37, 2008 Harris, Ed, One Way of Dealing With Tube Delays, Evening Standard, 12 July, 2008 Mind the Gap, And the Panda, Metro, 13 July, 2008 Paws for a Laugh, Metro, 17 July, 2008 Giant Panda Head in Tube Station, BBC News, 13 July, 2008 Day in Pictures, BBC News, 12 July, 2008 Brian Griffiths, Avantgarde Magazine, May, 2008

Published in conjunction with Lévy Gorvy's exhibition of the work, this fully illustrated catalogue features a newly commissioned essay by Michael Bracewell based on a recent interview with the artists, an original poem by Kostas Anagnopoulos, newspaper reviews from the inaugural exhibition at the Sonnabend Gallery, and a facsimile of the postal sculpture A Day in the Life of George & Gilbert, the sculptors (1971).

Instead of including only recent performance art and earlier artist projects with full documentation so viewers could witness the action - based art for themselves, exhibition curator Andrea Grover selected works important to the developing art movement, tracing its course from its roots in the»60s to the present day.

Presented as a chronological overview, the exhibition will trace Hockney's development from his student days in 1961, through to his iconic works of the 1960s and 1970s, and on to his recent success at the Royal Academy and beyond.

In the recent exhibition «Everyday, a color,» resident artist Leah Rosenberg painted the gallery a different hue each day over the course of 50 days, inspired by colors found in the surrounding environs.

The exhibition follows a spate of international activities: «Tomorrow is Another Day,» Bradford's solo exhibition in the U.S. pavilion at the 2017 Venice Biennale; «Pickett's Charge,» the 360 - degree installation composed of eight paintings that opened at the Smithsonian's Hirshhorn Museum in November; and in recent weeks, the installation of a 32 - panel, site - specific work at the new U.S. embassy in London that incorporates the entire U.S. Constitution.

Recent solo exhibitions include Founded, Zoo Art Fair, London, (2009); Big Well Nada, Nada Art Fair, Miami, (2008); Carbon Footprint, Galerie Laurent Godin, Paris, (2008); Bountiful, LAXART, Los Angeles, (2008); Day was to Fall as Night was to Break, Daniel Reich Gallery, New York (2006).

Great American Nude # 2 was shown in the travelling exhibition entitled Recent Painting USA: The Figure, put on by MoMA, which also arranged a study day devoted to Pop Art in the same year.

«Remains of the Day,» a solo exhibition by Richard Mosse featuring wartime and abandoned wreckage photographs from the artist's recent «Fall» series, will be on view at SCAD's Hong Kong location.

For his first exhibition at White Cube in 2009, Zhang Huan created an installation and series of paintings based on a renowned survivor of the recent earthquake in the Sichuan Province of China, a pig that lived, trapped, for 49 days after the quake, surviving on rainwater, rotten wood and a small amount of foraged feed.

Published in conjunction with Lévy Gorvy's exhibition of the work, this fully illustrated catalog features a newly commissioned essay by Michael Bracewell based on a recent interview with the artists, an original poem by Kostas Anagnopoulos, newspaper reviews from the Sonnabend exhibition and a facsimile of the postal sculpture A Day in the Life of George & Gilbert, the Sculptors (1971).

Recent group exhibitions include: Voyage, Berjamin & Gomide, São Paulo (2017); Nuit Américaine, Office Baroque, Brussels (2014); Folk Devil, David Zwirner New York (2013); British Art Show 7: In the Days of the Comet, Hayward Gallery, London and touring (2010 - 11); Rude Britannia: British Comic Art, Tate Britain, London (2010).

The exhibition premieres new commissions and presents recent works by Carnal Torpor, Compass Group, Cody Critcheloe, Jeremiah Day, Detroit Tree of Heaven Woodshop, Design 99, Scott Hocking, Kerry James Marshall, Greely Myatt, Marjetica Potrc, Julika Rudelius, Artur Silva, Deb Sokolow, and Whoop Dee Doo.

In conjunction with a recent exhibition at the Brooklyn Museum, The Keith Haring Foundation began the laudable project of digitizing a page - a-day from the artist's journals to the social media platform, Tumblr (the uploading continues to this day, with new entries uploaded here every 24 hours).

Several exhibitions in recent years have played up this connection, re-positioning the artist as a modern - day heir of the Renaissance and Baroque.

The Festival is a «one of a kind» project developed between FCR and OCAD U that features a juried exhibition of art by OCAD U students and recent graduates and a set of dynamic events that are programmed exclusively for the festival during the six - day event.

PDN selects Michael Nichols» photograph for their photo of the day, and discusses his recent publication A Wild Life, and the associated exhibition at the Philadelphia Museum of Art.

Group Exhibitions 2018 Stretch / Pulled / Inked, Impact Arts, as part of the Glasgow International, Glasgow (upcoming) Glasshouse, Glasgow Botanic Gardens, Glasgow (upcoming) 2017 Amazing Perplexity, Curated by Nathalie Hoyos, Rainald Schumacher and Alevtina Kakhidze, Residents Group Exhibition of FACE — Artist Residence Program in Kiev 2016 Factually Real Illusions, curated by Lorna McDowell, Cookhouse Gallery Chelsea College of Art, London Semi-Gloss, Semi-Permeable, Glasgow International Festival 2015 International Women's Contemporary Art Forum — A Crossing Section of Art, BankART Studio NYK, Yokohama Finite Project Altered When Open, David Dale Gallery, Glasgow Abstraction from Architecture, Edinburgh Print Studio Hold, Sway, Generator Projects, Dundee 2013 Editionshow, Chert, Berlin You're my wife now, Infernoesque project space, Berlin Every Day, GoMA, Gallery of Modern Art, Glasgow 2012 Tintenfisch, CNEAI =, Paris, organized by Chert & Motto in the frame of Berlin - Paris exchange 2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Times Square Gallery of Hunter College, City University of New York Annuale, Edinburgh 2010 Drinnen & Draussen, Chert, Berlin A man, some chickens and one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Glasgow

Chong was selected to receive the Independent Vision Award for the recent exhibitions he has curated and co-curated in a range of venues nationally and internationally, including Bruce Nauman: Days (MoMA, 2010); Brinkmanship: Park Chan - Kyong and Sean Snyder (REDCAT, 2010) with Clara Kim; Haegue Yang: Integrity of the Insider (Walker Art Center, 2009 — 10); Tetsumi Kudo: Garden of Metamorphosis (Walker Art Center, 2008 - 9); Brave New Worlds (Walker Art Center, 2007) with Yasmil Raymond; and the 2006 Busan Biennial.

Sanders's recent projects as a curator include organizing a ten - day continuous screening installation, ITWAN, as part of the exhibition Film Programme at IPS International Project Space, Birmingham (UK), presented in November 2010.

In recent days, the artists and center staffers have been hanging the show, «Art of the State: A Juried Exhibition of Colorado,» preparing for Thursday's opening, which fills more than 10,000 square feet of gallery space in the museum.

His work has also been represented in the recent group shows: Paper Exhibition, Artists Space, New York, NY (2009); The Future As Disruption, The Kitchen, New York, NY (2008); Le Centre pour l'Image Contemporaine, Saint Gervais, Geneva, Switzerland (2008); Grow Your Own, Palais de Tokyo, Paris, France (2007); Busan Biennale 2006, Busan, South Korea (2006); Intouchable (l' Idea transparence), Centre National d'Art Contemporain — Villa Arson, Nice, France (2006); Day Labor, PS1 / MOMA, New York, NY (2005); Vanishing Point, The Wexner Center for the Arts, Wexner, OH (2005).

ODETTA presents OPENING DAY Recent works by Joe Amrhein, Rob de Oude, Enrico Gomez, Markus Linnenbrink May 30 - June 29, 2014 Opening Reception Saturday May 31, 6 - 8 pm This exhibition celebrates the opening of ODETTA gallery and Bushwick Open Studios... Continue reading →

His recent solo exhibitions include these are the days (Arthouse, Austin), Real Arcadia (LüttgenMeijer, Berlin), Now is Early (VOID, Derry), Long After Tonight (Kavi Gupta, Chicago and Ziehersmith, New York), [un] promised land (Attitudes espace d'arts contemporains, Geneva), Lost in the Rhythm (Temple Bar Gallery, Dublin), and Pills to Purge Melancholy (Collective, Edinburgh).

Recent solo exhibitions include NUDS (Museo Diego Rivera Anahuacalli, Coyacan, Mexico, 2012), Spirit of Ewe (Two Rooms, Auckland, New Zealand, 2011) and NUDS CYCLADIC (Museum of Cycladic Art, Athens, 2010) and recent group exhibitions include Modern British Sculpture (Royal Academy of Arts, London, 2011), British Art Show 7: In the Days of the Comet (Nottingham Contemporary; Hayward Gallery, London; Tramway, Glasgow; Plymouth Museum, 2010 - 11) and The Surreal House (Barbican Art Gallery, London, Recent solo exhibitions include NUDS (Museo Diego Rivera Anahuacalli, Coyacan, Mexico, 2012), Spirit of Ewe (Two Rooms, Auckland, New Zealand, 2011) and NUDS CYCLADIC (Museum of Cycladic Art, Athens, 2010) and recent group exhibitions include Modern British Sculpture (Royal Academy of Arts, London, 2011), British Art Show 7: In the Days of the Comet (Nottingham Contemporary; Hayward Gallery, London; Tramway, Glasgow; Plymouth Museum, 2010 - 11) and The Surreal House (Barbican Art Gallery, London, recent group exhibitions include Modern British Sculpture (Royal Academy of Arts, London, 2011), British Art Show 7: In the Days of the Comet (Nottingham Contemporary; Hayward Gallery, London; Tramway, Glasgow; Plymouth Museum, 2010 - 11) and The Surreal House (Barbican Art Gallery, London, 2010).

The most comprehensive survey of the artist's work to date, the exhibition includes early work Oo Fifi, Five Days in Claude Monet's Gardens (1992), which breaks footage into the primary colors of video (RGB), as well as the recent work Life is a Time - Based Medium (2015), in which the architecture of the gallery converges with the Galtaji Temple in Jaipur, India, and is populated with monkeys.

Recent solo exhibitions include Two Days after Forever, Cyprus Pavilion at the 56th Venice Biennale; Stories from the Lives of My Friends, Point Center for Contemporary Art, Nicosia, Cyprus and Chercher le Garçon, MAC / VAL, Vitry - sur - Seine, France (all 2015); as well as solo and group exhibitions at CCA Wattis (2012); Centre Pompidou (2012) and Kunsthalle Zürich (2010).

Fresh from his solo exhibition at the Parasol Unit Foundation in London (on view until February 17th, 2012), Jannis Kounellis met with ARTPULSE to discuss his most recent projects and the most significant moments of his outstanding career, from the early days of Arte Povera to his relationship with painting and performance art, and why, after almost 50 years, communication is still the main driving force behind his work.

Recent exhibitions include Thomas Albdorf, General View; Theo Simpson, THE LAND OF THE DAY BEFORE; Marton Perlaki, Elemer; and Gregory Halpern, ZZYZX.

Recent solo exhibitions include «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» the Dia Center for the Arts, New York (2002); «Bruce Nauman: Mapping the Studio,» Museum für Gegenwartkunst, Basel, Switzerland (2002); «Bruce Nauman: Theaters of Experience,» Deutsche Guggenheim, Berlin, Germany (2003); «Bruce Nauman: Make Me Think Me,» Tate Liverpool, England (2006); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum & Pacific Film Archive (2007); «Bruce Nauman: Dead Shot Dan,» Contemporary Art Museum St. Louis, MO (2009); and «Notations / Bruce Nauman: Days and Giorni,» Philadelphia Museum of Art (2009).

We are pleased to announce our Summer 2018 exhibition which brings together recent projects by six female artists: Pia Camil, E.V. Day, Sarah Lucas, Wangechi Mutu, Ebony G. Patterson and Alyson Shotz.

The exhibition premieres new commissions and presents recent works by Carnal Torpor, Compass Group, Cody Critcheloe, Jeremiah Day, Detroit Tree of Heaven Woodshop, Design 99, Scott Hocking, Kerry James Marshall, Greely Myatt, Marjetica Potrč, Julika Rudelius, Artur Silva, Deb Sokolow, and Whoop Dee Doo.

Recent solo exhibitions and projects include: East of Eden, Galerie Guido W. Baudach, Berlin (2016); Snow White and the Huntsman, José Garcia, Mexico City (2016); Couples, Studiolo, Milan (2015); Honey Moon, Swiss Institute New York (2015), Where Is The Love, ExoExo, Paris (2015); Days at Sea, Carl Kostyal, London (2015); Little Mermaid, Art Parcours, Basel (2015); Closer, Galerie Guido W. Baudach, Berlin (2014); Coney Island, S.A.L.T.S., Basel (2014).