Sentences with phrase «recent exhibition made»

In the Essl Museum's most recent exhibition Made in Austria, these traits are communicated by a private collector's taste of contemporary artwork, with an attempt to enlighten the visitor on what it is that makes Austrian postwar art culturally specific.

In the Essl Museum's most recent exhibition Made in Austria, these traits are communicated by a private collector's taste of contemporary artwork, with -LSB-...]

Not exact matches

At a recent 30th anniversary Final Fantasy art exhibition in Tokyo, Final Fantasy 7 remake director Tetsuya Nomura made a surprise appearance, and brought with him a bunch of new exclusive screenshots from the game itself.

To speculate on the psychological implications of Jim Dine's 15 - year obsession with uninhabited bathrooms (11 monumental oil paintings of robes made up the bulk of his recent exhibition at the Pace Gallery in New York), is to ponder on Dine's personal identity.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

In an illuminating interview with Barbara Takenaga, which is included in the catalogue accompanying her exhibition of New Paintings at DC Moore Gallery (September 5 — October 5, 2013), Robert Kushner makes an observation that goes to the heart of a question that I want to raise about the artist's recent work:

Still, she's never left her past entirely behind, which is what makes this exhibition of old and recent works so fascinating.

This resplendent monograph, which accompanies the exhibition yet is intended to endure long beyond it, reveals both the overt themes and the more ambiguous substructures of Otero's oeuvre to date, from his early still lifes and famous «skins» — paintings made of fragments and scraps of oil paint culled from previously painted images — to his more recent «transfers» and innovative sculptural work in porcelain and steel or iron.

Mark Mothersbaugh joins exhibition curator Adam Lerner, Director, Museum of Contemporary Art Denver, in this wide - ranging conversation focusing on the artist's career in both music and visual art, from his early, pre-DEVO decals to his recent music - making machines.

This first solo presentation of Stevi's work in a public institution brings together recent paintings and drawings alongside a body of new work made especially for the exhibition.

On the occasion of Made in USA, his recent exhibition at Miami's Ascaso Gallery, Janet Batet pondered the enigmatic, inviting character of Larraz's vision and his art.

Other recent group exhibitions include Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth, Los Angeles (2016); Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York (2017); and Where We Are: Selections from the Whitney's Collection, 1900 - 1960, Whitney Museum of American Art, New York (2017).

2006 USA Today, Royal Academy of Arts, London, UK Youth of Today, Schirn Kunsthalle, Frankfurt, Germany Constant Disturbance, Centro Cultural Español, Curated by Gean Moreno, Miami, FL Bring it on, Monique Meloche Gallery, Chicago, IL Transformer, Traveling exhibition of contemporary artworks from the West Collection, Main Line Art Center, Haverford, PA Nominally Figured, Recent Acquisitions in Contemporary Art, Fogg Art Museum Harvard University, Boston, MA Making Do, Yale University School of Art, New Haven, CT

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will reflect on her new works, including her recent show at Massachusetts Museum of Contemporary Art, «As Above So Below,» a large - scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected installations.

In her recent wall - drawings, the largest of which to date will be made at Tate Britain especially for the exhibition, Riley eschews paint and colour, weaving intricate compositions entirely using line.

Among a selection of her small scale collage paintings, you'll see three fabric - based modular books she made for her recent exhibition at the State Silk Museum in Tbilisi, Georgia.

For her second solo exhibition in the gallery, and in Belgium, Louise Bourgeois has made a selection of recent sculptures in fabric, screen prints on vintage cloth and a completely new series of wall hangings, entitled «The Woven Drawings».

This exhibition will bring together a large body of Ulay's early Polaroid works from the 1970s, the iconic video works made in collaboration with Marina Abramović in the late 1970s and 1980s, as well as his more recent projects.

This presentation follows the artist's recent major European survey, All I Have Learned and Forgotten Again, that was on view in 2013 at Lille Métropole, musée d'art moderne, d'art contemporain et d'art brut in Villeneuve d'Ascq, France, before it traveled to the Camden Arts Centre in London, making it the first solo exhibition of his work in the city.

BOOKSHELF To further explore contemporary African art, consider recent volumes that document the field, such as «Contemporary African Art Since 1980,» which is co-edited by Okwui Enwezor and Chika Okeke - Agulu, «The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists,» which accompanied a traveling exhibition, and «Making Africa: A Continent of Contemporary Design.»

I didn't make my most recent trip to Tokyo to see or write about a Gerhard Richter exhibition.

The fourth floor of the exhibition will feature a number of large - scale works by Bayrle, including his monumental Flugzeug (Airplane)(1984), presented alongside his recent kinetic sculptures made of repurposed automobile parts repeatedly reciting the rosary, as in his much - celebrated inclusion in dOCUMENTA 13 (2012).

Recent individual exhibitions include: Where Hope and History Rhyme, Rutherford House, Victoria University of Wellington, 2012; Whakawhanangatanga - Making Familial Connections, Northart Gallery, Auckland, 2012; John Miller — Photographer, Nathan Homestead, Manurewa, Auckland, 2012; and Wha Tekau Tau, The Struggle Endures, Pierre Peeters Gallery, Auckland, 2011.

Mana Contemporary is pleased to present GLE at Mana, an exhibition of limited - edition prints selected from Lichtenstein's most recent collaborations made in his studio, Gary Lichtenstein Editions (GLE).

This exhibition celebrates recent acquisitions to the collection of UCLA's Grunwald Center for the Graphic Arts and honors the many donors and supporters who have made possible the growth of this distinguished archive.

Sly and obliquely, but also unmistakably, another Hockney show currently available in London, this time at Annely Juda Fine Art, the artist's regular dealer, casts doubt on the proposition the Royal Academy exhibition of his recent portraits seems determined to put forward, which is that nothing can match a figurative painting made when directly confronting the subject, with no technology to modify -LSB-...]

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

The Victoria Miro Gallery is pleased to present an exhibition of photographs by Isaac Julien which were made in collaboration with Hare and Hound Press during Julien's recent residency at...

Recent group exhibitions include Esma» / Listen at Beirut Art Center (2016); Bitter Sweet Symphony, Untilthen, Paris (2016), Paris, Co-Workers, Bétonsalon, Paris (2015); Some Artists» Artists at Marian Goodman Gallery, New York (2014); The Artist's Institute, New York, NY (2014); Art of Its Own Making at The Pulitzer Foundation for the Arts, St. Louis, MI (2014); The String and the Mirror, Lisa Cooley, New York, NY (2013); Alchemical, Steven Kasher Gallery, New York, NY (2013); and Sound Spill, Zabludowicz Collection, New York, NY (2013).

With the two recent exhibition of work currently on view from the eighties — is it only twenty or thirty years later that we can really think about whatever was made then?

In addition to the new works in the show, Richter has punctuated and augmented the exhibition with a selection of paintings on canvas, glass and photographs made over the last 15 years — including his «Abstraktes Bild» and «Farben» paintings — which inform and re-contextualize his more recent pieces.

More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LAX > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It project.

More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LA > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It project.

Below is a transcript of our exchange, which touches upon the personal influences on his exhibitions, making album artwork for minimal synth musicians, and his recent move to Zetten.

Recent notable group exhibitions include; «BODY / PLAY / POLITICS», Yokohama Museum of Art, Yokohama, Japan (2016); «720», Singapore International Festival of Arts, Gardens by the Bay, Singapore (2016); «Summer Exhibition 2016», Royal Academy, London; «Making and Unmaking», Curated By Duro Olowu, Camden Arts Centre, London; «Arts + Foods.

Alongside these dramatic architectural interventions, the exhibition includes drawings made with India ink on reflective gold - chromed panels from Fernández's most recent series, Golden.

Cain's work has been included in many museum group exhibitions in recent years, including: Variations: Conversations in and around Abstract Painting, the Los Angeles County Museum of Art, Los Angeles, CA (2014); Now - ism: Abstraction Today, Pizzuti Collection, Columbus, OH (2014); Outside The Lines, Contemporary Arts Museum, Houston, TX (2013); Painting in Place, Los Angeles Nomadic Division, Los Angeles, CA (2013); PAINT THINGS: beyond the stretcher, deCordova Sculpture Park and Museum, Lincoln, MA (2013); Made in L.A., Hammer Museum, Los Angeles, CA (2012); and Gold, Imperial Belvedere Palace Museum, Vienna, Austria (2012).

John Walker: Recent Paintings, the current exhibition at the Alexandre Gallery, features seven large pictures as well as numerous smaller ones, including more than a dozen compact oils made on discarded Bingo cards, which the artist found in the former grange hall that became his studio in Seal Point on the coast of Maine.

Santa Monica, CA - 18th Street Arts Center, Southern California's largest artist residency program, is thrilled to announce that 5 of its recent commissioned Artist Lab artists have been included in the 2018 Made in L.A. biennial exhibition at the...

The exhibition will include the recognizable — one of Mr. Hammons's basketball hoop chandeliers and his tarp paintings — and the more recent, like a 2014 tangerine - tinted sculpture made of glass, wood, nails and acrylic, titled «Orange Is the New Black.»

Dorothea Rockburne's recent exhibition, Drawing Which Makes Itself, ran at the Museum of Modern Art in New York from September 21, 2013 — February 2, 2014.

He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among other artists, as well as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.

Also, previously, the major retrospectives at the Whitney had showcased only recent developments in abstraction; in the case of the New Image show, figurative art made its way into the exhibition.

This summer New Art Exchange in Nottingham, UK, presented Dub Versions, a solo exhibition of Anderson's new and recent paintings paired with related source materials to illustrate the artist's uniquely forensic approach to image - making.

In 1981, shortly after «Women Artists» made its grand tour of the US, Germaine Greer defined women's careers in art since the Renaissance as The Obstacle Race.12 Recent exhibitions in the US and Europe offer a chance to assess whether Greer's phrase still applies.

Composed of works from the museum's collection made since 2000, including several recent acquisitions and works on view for the first time, the exhibition explores the prevailing correlations between the personal, the intimate, and the individual; constructions of identity, history, and culture; the instability of materials; and strategies to rediscover or recover the past.

Other recent solo and group exhibitions include Dorothea Rockburne: Indication Drawings From the Drawing Which Makes Itself series, 1973 from October 1 — November 16, 2013 — at Jill Newhouse Gallery, Pliage / Fold at Gagosian Gallery Paris, February 28 — April 29, 2014, and Abstract Drawing at the Drawing Room Gallery February 20 — April 19, 2014.

Recent highlights of group exhibitions include Women of Abstract Expressionism (Denver Art Museum, and tour, 2016 — 2017); Abstract Expressionism (Royal Academy of Arts, London, and tour, 2016 — 2017) Matisse and American Art (The Montclair Art Museum, NJ, 2017); and Making Space: Women Artists and Abstraction (The Museum of Modern Art, New York, 2017).

Recent major exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian Gallery, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Helen Frankenthaler: Composing with Color: Paintings 1962 — 1963 (Gagosian Gallery, NY, 2014); Giving Up One's Mark: Helen Frankenthaler in the 1960s and 1970s (Albright - Knox Art Gallery, Buffalo, NY, in cooperation with the Helen Frankenthaler Foundation, 2014 — 2015); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum at Brandeis University, 2015); Line into Color, Color into Line: Helen Frankenthaler, Paintings, 1962 — 1987 (Gagosian Gallery, Beverly Hills, 2016); As in Nature: Helen Frankenthaler Paintings and No Rules: Helen Frankenthaler Woodcuts (The Clark Art Institute, Williamstown, MA, 2017); and Helen Frankenthaler: After Abstract Expressionism, 1959 — 1962 (Gagosian Gallery, Paris, 2017).