Sentences with phrase «recent exhibition period»

The talk will focus on the recent exhibition Period Rooms at the Nieuwe Instituut in Rotterdam, where the historical rooms are engaged in a hallucinatory argument with the «White Cube.»

Not exact matches

Recent exhibitions include System of Objects, The Dakis Joannou Collection Reloaded by Andreas Angelidakis at DESTE Foundation in Athens (co-curator and exhibition architecture), 2013; DO - IT Moscow at Garage, 2014 (exhibition architecture); Crash Pad, A preliminary statement for the 8th Berlin Biennial, 2014 (artist); Every End is A Beginning at National Museum of Contemporary Art Athens, 2014 (artist, co-curator); Fin de Siècle at Swiss Institute / Contemporary Art, New York, 2014 (curator, exhibition architecture); and 1:1 Period Rooms at Het Nieuwe Instituut, Rotterdam, 2015 (artist, curator).

At Birmingham's Ikon Gallery from 10th October 2015 to 17th January 2016, Scroll Down And Keep Scrolling, is the most comprehensive exhibition of Fiona Banner's work to date, re-presenting key early projects alongside recent and unseen works that span a period of 25 years.This exhibition is accompanied by a major new artist's book of the same title.

Curatorially, this kind of reconsideration has already been applied to recent exhibitions like «A Revolutionary Impulse: The Rise of the Russian Avant - Garde,» which covered the period of artistic innovation between 1912 and 1935 and included projects in painting, drawing, sculpture, prints, graphic design and architecture.

Following the critical and widespread popular acclaim of her recent retrospective exhibition at the Institute of Contemporary Art in Philadelphia, this exhibition presents a concise group of works completed during the 1970s — offering an in depth look at Andrade's striking technical and formal explorations from this period.

Various exhibitions of the Sixties in recent years have shown her contribution to painting of this period and now place Boty in the mainstream of British Pop Art.

Recent years have been a period of accelerated growth for Suys, whose work was chosen to hang in 7 OPA National Exhibitions since 2010 and who, in 2013, won Best In Show at the Salon International.

Art and China after 1989: Theater of the World is a major exhibition of contemporary art from China spanning 1989 to 2008, arguably the most transformative period of modern Chinese and recent world history.

The title of the exhibition refers to Powhida's recent solo exhibition at the Aldrich Contemporary Museum of Art where the artist created a fictional retrospective look back from the year 2050 at the Contemporary period of art history.

During this interim time period between the closing of our most recent exhibition and the opening of our upcoming exhibition, Into the Nature, there will be limited programming in the facility.

All artworks on display in our first exhibition are from the period following the year 2000 and provide the visitor with an insight into the diversity and tendencies of recent contemporary painting.

For the patina of the sculpture, I was inspired by a visit to a recent exhibition of bronzes from the Hellenistic period, in the first few centuries BC, at the Getty Museum.

In 2007, after an extended period living and traveling in Japan, Europe and America, Azam became Artist - in - Residence at County Hall Gallery, London, mounting a series of major exhibitions of early and recent work, including the critically acclaimed Anatomica in April 2008.

The exhibition starts with the oldest works, including Dosso Dossi's Psiche abbandonata da Amore (1525) and Antonio Carneo's Aracne tesse la tela (better known as L'Indovina, c. 1660), presented in dialogue with an assortment of books on «magic» from the same period, and ends with works by the most recent generations of contemporary artists — from Christian Marclay to Grazia Toderi, from Markus Schinwald to Clare Strand, Elina Brotherus, Jeppe Hein, Beate Gütschow and Hans Op de Beeck — passing through masters like Gustav Klimt, Giorgio de Chirico, Fernand Léger, Edward Weston, Kurt Schwitters, Yves Klein, Arnulf Reiner, Georg Baselitz, Gerhard Richter, Peter Blake, Christo, Günter Brus, Mimmo Jodice, Gilberto Zorio, Giulio Paolini, Richard Long, Candida Höfer, Giuseppe Penone, Fischli and Weiss and Shirin Neshat, to mention just a few.

This Kent Place Gallery exhibition is a carefully selected timeline, including strong pieces from all periods, reaching back to a few very early works from 1976 and concluding with recent paintings.

The recent exhibition at David Zwirner of twenty - seven blue paintings made by Ad Reinhardt, focusing on the period between 1950 and 1953, was a tour de force on many levels.

On exhibition will be works from the Wells Street Gallery period (1957 - 1959) as well as examples of recent work by a majority of the original artists associated with the -LSB-...]

In an effort to review race politics in the context of Canada's colonial and immigrant policies, the exhibition Limits of Tolerance examines a period in recent history when cultural diversity became Canada's state policy with the 1988 Multiculturalism Act.

Based in Berlin, Thomas Scheibitz's recent notable exhibitions include ONE - Time Pad originating at MMK, Museum für Modern Kunst, Frankfurt Am Main and traveled to Baltic Center for Contemporary Art, 2012 - 2013 (solo); Thomas Scheibitz: Lineage ONE / Stilleben & Statistics, Jarla Partilager, Berlin, 2011 - 2012 (solo); Thomas Scheibitz: Il flume e le sue fonti / The River and its Source, Collezione Maramotti, Reggio Emilia, Italy, 2011 (solo); Surveyor: An exhibition of human exploration, observation, and construction of the landscape, organized by Curator Heather Pesanti, Albright - Knox Art Gallery, Buffalo, NY, 2011 (group); If Not in This Period Of Time - Contemporary German Painting1998 - 2010, Museu de Arte de São Paulo, Brazil, 2010 - 2011 (group); A moving plan B - chapter ONE, Selected by Thomas Scheibitz, The Drawing Room, London, 2010 (group); Der ungefegte Raum, Galerie im Taxispalais, Innsbruck, Austria, 2010 (solo); among others.

Over recent years several exhibitions have thrown a spotlight on Eastern European work, for instance Ostalgia (2011) at the New Museum in New York; Les Promesses du Passé (2010) at Centres Georges Pompidou in Paris which focussed on the utopian dimension of much Eastern European art during the socialist period; and Modernikon (2011) organised by the Fondazione Sandretto in Turin and Venice, presenting a survey of contemporary Russian work.

The most recent period of the MCA's history from the mid-1990s to today features materials from exhibitions of H. C. Westermann, William Kentridge, and Andy Warhol, among others.

This acquisition period provides a rich source of recent painting from Ireland and the exhibition will include examples of works by both younger - generation and more senior artists.

Waddington Galleries are delighted to announce an exhibition of recent bronzes by Barry Flanagan, spanning the period of 2001 — 2008.

The exhibit, which the art website Hyperallergic described as «perhaps the most important exhibition New York has seen in recent years,» highlights the work of Black women during a period of tremendous cultural and sociopolitical upheaval.

«Healing and Loving» exhibition in Tokyo will be the first time showcasing her previous works in addition to the recent works she produces during this residency period.

Instead of looking at the already historicized and analyzed period of the 1960s and 1970s, the exhibition highlights how a recent generation of artists use publishing as a productive tool for their practice.

Thematically bookended by Form Phases 4, 1954, and a 16 - mm film from Breer's mature period, Fuji, 1974, the recent exhibition «Between Cinema and Fixed Imagery»

On exhibition will be works from the Wells Street Gallery period (1957 - 1959) as well as examples of recent work by a majority of the original artists associated with the gallery including: painters Richard Bogart, Ernest Dieringer, Judith Dolnick, Robert Naktin, Ronald Slowinski, Naomi Tatum, Gerald van de Wiele, Donald Vlack, sculptor John Chamberlain, and photographer Aaron Siskind.

Scroll Down And Keep Scrolling is the most comprehensive exhibition of Fiona Banner's work to date, re-presenting key early projects alongside recent and unseen works that span a period of 25 years.

The exhibition features key works from all periods of the artist's career, including seldom - seen early works and more recent large - scale installations as well as a new series of outdoor sculptures created especially for the Hayward.

Many paintings of the analytic period which were included in recent exhibitions have been varnished, and in almost every instance it was possible to spot them immediately on entering the relevant galleries, without even going up to them.

In addition, recent exhibitions — at LAMOCA in Los Angeles, the Guggenheim New York, and the Centre Pompidou in Paris — have recognized Chicago's output during that period as significant contributions to the direction and focus of Minimalism and, in particular, the sub-genre known as the Finish Fetish movement.

Rather than taking the form of a traditional retrospective, the exhibition offers a historical overview of her work from a contemporary vantage point, interspersing more recent video pieces among key artworks from all periods of her career.

The gallery presents an exhibition of Marthe Wéry (1930 - 2005), with a rarely displayed collection of works: starting with an interesting set from the 70s, or the so - called «lignées» period, until his most recent work of liquid paint layers directly overlaid on the canvas itself, revealing unexpected features.

The exhibition inaugurated today at QMA Gallery at Katara brings together a fascinating selection of sculptures and drawings from different periods of Serra's fifty - year career, including works from the seminal One Ton Prop (House of Cards) of 1969, on rare loan from the Museum of Modern Art in New York, alongside his more recent work (Double Torqued Ellipse III, 1999), to present the main stages in the development of his work.

oddly shaped rock 2015/2016 is a book made during the recent residency period at MMCA Changdong in Seoul, printed in an edition for the Tique exhibition.

The title of the exhibition refers to Powhida's recent solo exhibition at the Aldrich, for which he presented a fictional retrospective from the year 2050, looking back at the Contemporary period of art history, which he posits will have been over for about 25 years by then.

The exhibition features a historical overview of the artist's work, showing more recent video work among the key pieces from different period of the artist's career.

The exhibition, which has been realized by the Kunstmuseum, will after its presentation in Bonn be shown at the Perth Institute of Contemporary Arts in Australia and includes works from all creative periods as well as recent works specially made for the show.

Coupled with the publication of Mel Gooding's 2011 monograph, Bowling's exhibition of 1970's poured paintings at Tate Britain (2012/13, curated by Courtney J. Martin) and the pioneering recent texts by Kobena Mercer, Kellie Jones and Dorothy C. Rowe in various publications, all have served to heighten interest in this period and these pioneering works.