Not exact matches
When I started hearing more about the most
recent Bond
film «Skyfall» I broke out my
notes and started looking at finally completing the series.
Collette's most
recent outings (Little Miss Sunshine, In Her Shoes, The Last Shot) have been fairly disappointing (due to the
films rather than her performances), and it's interesting to
note that she was in the thriller Like Minds right after this.
Given Idris Elba's
recent observation about the glass ceiling faced by black actors in England, it's nice to see
films like this being made (although it should be
noted that although it's an English - Nigerian co-production, it was
filmed in Nigeria at writer Biyi Bandele's request).
As Julie Kirgo points out in her liner
notes essay for the
recent Twilight Time Blu - ray release of the
film, The Crimson Kimono can perhaps be best understood as a romance between its two male leads: detectives Joe Kojaku (James Shigeta) and Charlie Bancroft (Glenn Corbett).
Like the
recent Capote, the
film chooses to focus on one specific event in its subject's career, rather than stumbling through a condensed Cliff's
Notes version of his entire life.
As the report
noted, the original «Terminator» and «Die Hard»
films in the 1980s were rated R, but their most
recent sequels were rated PG - 13, even though the updates actually contained more violent acts than their predecessors.
Nevertheless, they once again got cut from the final cut of the movie — though it is worth
noting that the Sisterhood of the Traveling Pants gag (a riff on a similar Cocoon gag from the first
film) did make it into a
recent trailer.
Fandango did
note, however, that a
recent survey found 57 percent of fans claim they would be more interested in seeing a
film if it gets an Oscar nomination, so it's possible Wonder Woman would have gained more traction on digital and home video had it been recognized by the Academy.
In a
recent article on Tarkovsky, Julian Graffy
notes that the Russian journal Kinovedcheskie zapiski (Notes in Cinema Analysis) asked 27 critics from around the world to list the twentieth century's 12 best films «from the point of view of history» and «from the point of view of film criticism&ra
notes that the Russian journal Kinovedcheskie zapiski (
Notes in Cinema Analysis) asked 27 critics from around the world to list the twentieth century's 12 best films «from the point of view of history» and «from the point of view of film criticism&ra
Notes in Cinema Analysis) asked 27 critics from around the world to list the twentieth century's 12 best
films «from the point of view of history» and «from the point of view of
film criticism».
It's unclear which part of the state the
film will target, although it's worth
noting that Emmett - Furla Films is the same company behind such
recent New Orleans - shot features as «Fire with Fire» and «Lay the Favorite,» both starring Bruce Willis; «Freelancers,» starring Robert de Niro and Forest Whitaker; and the just - wrapped «Broken City,» starring Mark Wahlberg and Russell Crowe.
Note: This lecture was a presentation of the park
film «Restoring Balance: Santa Cruz Island,» which focuses on a
recent effort to save the island fox, reestablish bald eagles, eliminate non-native feral pigs, and relocate golden eagles as part of an island - wide restoration project.
The exhibition surveys the scope of Jonas Mekas oeuvre from the 1950s to the present, and will include the celebrated earlier
films Diaries,
Notes & Sketches a.k.a. Walden 1964 - 1968, Lost, Lost, Lost 1949 - 1963, He Stands in a Desert Counting the Seconds of his Life 1969 - 1963 edited 1976, Reminiscences of a Journey to Lithuania 1971 - 1972, As I Was Moving Ahead I Saw Brief Glimpses of Beauty 2000, Biographical Quartet 1992 and one of the most
recent films A Letter From Greenpoint 2004.
The exhibition will include Doug Aitken's
recent monumental video installation Interiors (2002); large - scale photographs from Fischli / Weiss Airport series (1988 - 1998); Atomium Phi (2004), a light - based sculpture by Carsten Höller; preparatory materials (storyboards, photographs,
notes and drawings) for Chris Marker's legendary 1962
film La Jetée; Bruce Nauman's celebrated Green Light Corridor (1970); a large photography and sound installation, Sleep (1999), by Ugo Rondinone; as well as preparatory materials for Ed Ruscha and Lawrence Weiner's 1978 book, Hard Light.