For the most
recent films the artist followed farmers with his camera.
Not exact matches
Recent and upcoming releases include the romance - horror hybrid Spring; the hotly - anticipated The Look Of Silence, Oppenheimer's companion piece to The Act Of Killing; The Connection, a 70's - set true crime epic and European flipside to William Friedkin's The French Connection starring Oscar ® winning Best Actor Jean Dujardin (The
Artist); The Keeping Room, from director Daniel Barber (Harry Brown), based on Julia Hart's acclaimed Black List screenplay, starring Brit Marling, Hailee Steinfeld and Sam Worthington; the multiple Cannes award winning The Tribe,
filmed entirely in Ukrainian Sign Language with a cast of deaf, non-professional actors; and a remastered re-release, in conjunction with Olive Films, of the 1981 disasterpiece Roar, the most dangerous
film ever made, starring Tippi Hedren, Melanie Griffith and a cast of 150 untrained lions, tigers and exotic animals.
On the one hand, his
recent films deliver a compelling intellectual experience to a wider audience than most «intellectual» filmmakers could dream of, and that's an admirable agenda for an
artist with the resources of all Hollywood at his beck and call.
Corsicato compiles footage taken from around Schnabel's home,
recent interviews conducted with family and friends, and an assortment of photographs and
film clips spanning the
artist / director's life in an effort to, if one trusts this documentary's title, provide an intimate portrait of Schnabel's psychology as it was generated from the unusual circumstances of his youth.
Elsewhere on the list are more
recent films and awards season contenders like «The
Artist» from The Weinstein Company and «Tinker, Tailor, Soldier, Spy» from Focus Features.
As Howard, the great John Goodman creates one of the most chilling screen personalities in
recent memory; having spent the last decade energising support parts in Argo, The
Artist, Flight and Inside Llewellyn Davis, the actor gets to dominate a
film with subtle, multi-tiered character work.
One especially unnerving scene places us at a swanky gala dinner that is interrupted by a performance
artist — played, brilliantly, by the actor and stunt coordinator Terry Notary, whose motion - capture work in the
recent «Planet of the Apes»
films serves him ferociously well here.
His
recent role in the blockbuster
film «Black Panther» reminds us of the excellence found in the African diaspora and how Howard continues to be a gem that produces the next generation of
artist - scholars, humanitarians, scientists, engineers, and doctors.
Numerous
recent films share the storytelling values of «The Polka King»; offbeat, dark comedies that raise questions about outsiders finding their way into images of American success (just look at «The Disaster
Artist,» or «I, Tonya»).
The
Artist is the only
film in
recent years that didn't win screenplay.
Andrew Parker looks at three
recent films that openly discuss the nature in which
artists perceive harsh and brutal criticism.
In the conclusion of his interview with fellow director Mick Garris, Friedkin discusses his collaboration with make - up
artist Dick Smith on The Exorcist, and the sensation that
film caused on its release; he also discuss
recent movies and moviemakers he admires, his own work on television, and his passion to create.
Between his
recent foray into the realm of action in (the underrated) Nerve and his upcoming performance as Greg Sestero in his brother's upcoming Tommy Wiseau - focused
film, The Disaster
Artist, he may simply have a hard time turning off his knack for high drama and going back to comedy.
The
film suffers from timing, I suppose, being the most
recent in this lame fairy - tale update trend, which seems to exist only to let Hollywood's VFX
artists loose on properties that are immediately familiar to a global audience.
Whatever it is, this moment sums up this
film (and Malick's
recent output): this is the work of an
artist willing to do the same thing over and over and over again, not because it makes a crowd - pleasing song, because it pleases him.
Hugo, The
Artist, Holy Motors, Argo and Frankenweenie are some of the
recent films that have in their own way acknowledged the power of cinema from different eras.
In any case, with the success of The Disaster
Artist so
recent, the time is perfect for Tommy Wiseau to be back in theaters in a new
film.
In
recent years, «The
Artist» and «Argo» have both been critical and commercial successes (and not coincidentally, Best Picture Oscar winners), and Disney are clearly hoping that the same kind of success follows for «Saving Mr. Banks,» which examines one of the family friendly company's most beloved
films, 1964's «Mary Poppins,» and their own founder and figurehead, Walt Disney, here played by megastar Tom Hanks.
The main lineup may be lighter on
films that could figure into the Oscar race than in some
recent years; it won't likely have as much of a U.S. awards presence as it did in 2011, when Best Picture nominees «The Tree of Life,» «The
Artist» and «Midnight in Paris» all screened in Cannes, or last year, when «Nebraska,» «Inside Llewyn Davis,» «The Great Beauty,» «Fruitvale Station,» «All Is Lost» and «The Great Gatsby» were part of the program.
Briefly:
Recent best director Oscar winner Michel Hazanavicius, who won for The
Artist, is directing The
Artist star Bérénice Bejo and Annette Bening in his upcoming
film The Search.
No person has been more closely associated with the Academy Awards in
recent decades than Weinstein, who won a best picture Oscar in 1999 for «Shakespeare in Love» and who orchestrated campaigns that resulted in more than 80 statuettes for
films released by the studios he ran, including five best picture Oscars for «Shakespeare in Love,» «The English Patient,» «Chicago,» «The King's Speech» and «The
Artist.»
Although fans of the original project, Wiseau's
film has experienced a sharp increase in popularity thanks to the
recent release of The Disaster
Artist, which chronicles the making of Wiseau's original and stars James Franco.
As Deadline points out, this is the second
recent example of
artists and producers taking dramatic steps to free their
films from any association with the expanding list of Hollywood figures facing sexual harassment allegations.
For more on Wiseau and the upcoming
film The Disaster
Artist, check out his
recent interview with James Franco on «Jimmy Kimmel Live.»
That gave con
artists or carnival barkers like P.T. Barnum — whose spectacular career as the Prince of Humbugs is portrayed by Hugh Jackman in the
recent blockbuster musical
film — a golden opportunity to swoop in to make you feel better while they take your money or steal your soul or your vote.
Wescoat's more
recent series draws upon the same melodramatic theme of «big innocent sad eyes», again drawing from another
artist, made most famous by Tim Burton's
film titled «Big Eyes» — a beautiful
film released 2014, about an
artist's struggle for recognition.
The
artists chosen by von Heyl span a period from a 1928 drawing by Isobel Steele MacKinnon, a Chicago painter who studied in Munich with Hans Hofmann, to a 1968 frottage by Dominick Di Meo, a
recent assemblage by Wuppertal - based musician /
artist Peter Brötzmann,
film posters by Josiah McElheny, a new painting by Molly Zuckerman - Hartung, and much more.
Veteran
artist James Nares's
recent film Street, which has captivated audiences at the Metropolitan Museum of Art, takes the digital aesthetic as far as technology will allow.
This exhibition by Los Angeles - based
artist Mathias Poledna (b. 1965), his third solo show at Galerie Buchholz and his first solo exhibition in Berlin presents his
recent film work, «A Village by the Sea», and a new suite of works on canvas.
Here, a selection of new and
recent paintings set the scene for the premiere of the Russian - born
artist's new animation
film, his largest cinematic venture to date.
Its dynamic programme of temporary exhibitions is both international in outlook and rooted in the region, and in
recent years has regularly included commissioning, acquiring and exhibiting
artist's
film.
While the gallery continues to represent the likes of Dalí, Magritte, Miró, Picasso, Mondrian and Matisse, it also showcases the results of its
recent acquisition programme, which has focused on photography, performance and
film, as well as the work of a broader range of international and female
artists.
Featuring new and
recent works by an intergenerational group of
artists, these solo exhibitions showcase a range of media, including
film, photography, sculpture, paintings and installation.
The gallery, highly regarded for its intellectual rigor, represents an international roster of
artists who work primarily in photography, video,
film, and text, although a
recent show featured paintings for the first time.
2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international
artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish
artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting
Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish
Artists, Bergen Academy of Art and Design Norway Visiting
Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish
Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar
Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015
Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education
Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo
Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature
film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish
But, since the Berlin wall came down, the city has exerted a magnetic pull on British
artists, especially those whose work is unconfined by language (though rising
film star Sam Riley, who stars in the
recent film adaptation of Brighton Rock, is a Berlin resident).
Employment opportunities offered to our
recent BFA grads include working as an
artist's assistant, starting their own design / build firm, art handling and preparing, development assistant at the Rothko Chapel, web design, display design and installation, curating exhibitions, assisting with commercial photo and
film shoots, interning at the Contemporary Arts Museum, Houston, and teaching, just to name a few.
By far the most stunning of its six inaugural shows is Cities of Gold and Mirrors, a
film by the young French
artist and
recent recipient of the Prix Marcel Duchamp, Cyprien Gaillard.
This Thursday, June 13th, at 8 PM, we're presenting three short
films by Marfa - based
artist and filmmaker Steve Holzer, including his most
recent «All You Need to Know About Supervision».
The atmospheric townhouse was designed by Soane himself, and houses an impressive collection of Egyptian, Greek, and Roman antiquities — ancient works, yes, but ones that have proven an inspiration to contemporary
artists like Fiona Tan, who made a haunting
recent film about the museum, and others.
Beginning her work primarily in
film, in
recent years her versatile, multidisciplinary work has seen Foerster collaborating on everything from writing a science fiction novel with fellow
artist Philippe Parreno to working with rock singer Alain Bashung on set design and collaborating with fashion house Balenciaga on a Paris exhibition.
Their extravagantly installed exhibitions, the
artists» free - wheeling individual approaches, and their varied and compelling work have all had a wide - ranging and profound influence on several generations of their students and on many younger
artists since then, including such well - known figures as Chris Ware (SAIC 1991 — 93), Sue Williams, Gary Panter, and Amy Sillman — as has been documented in the
recent film Hairy Who & the Chicago Imagists.
Featuring new and
recent works by a diverse group of
artists, these solo exhibitions showcase a range of media including
film, photography, sculpture, paintings and installation.
An
artist who in
recent years has been investigating the African roots of American music by reconstructing and photographing historic sites in New York City where this cultural interchange was exemplified, Stan Douglas amps up that approach at David Zwirner this month with a new
film set at Columbia Records's 30th Street studio in the»70s, replete with obsessively researched period details.
Nawi just opened a show of Danish collective SUPERFLEX's
recent film Kwassa Kwassa (2015), and is preparing for upcoming shows at PAMM with British
artist Haroon Mirza and Jamaican painter and sculptor John Dunkley, who was active in Kingston in the 1930s and»40s.
For his exhibition at the Broad MSU, Sendor will debut new paintings and drawings alongside a selection of works extending from «Delicates,» the
artist's
recent solo exhibition at Sperone Westwater in New York, including FENOMENO, the
artist's first
film.
The American
artist Christian Marclay is showing The Clock, one of those anthologies of
film clips so prevalent in
recent years, this time featuring clocks, watches and movie characters reacting to both.
Come September, Stuart Comer, who is currently the
film curator at the Tate Modern, will be assuming the new role of chief curator of media and performance art at MoMA, an institution that's seen a considerable amount of success with its
recent performance art initiatives like Marina Abramovic's «The
Artist Is Present,» among others.
Canonical works by Umberto Boccioni, Fernand Léger, and Naum Gabo begin a race through the century that concludes with
recent photography and video, gathering up along the way
artists as disparate as Jackson Pollock (seen at work on
film) and Joseph Beuys, Walter Sickert and Richard Hamilton, Ed Ruscha and Rodney Graham.
This will be a great opportunity to admire the
artist's
recent paintings and some new works, including an animated
film.