Sentences with phrase «recent generation of artists»

Presented alongside Blame's unique commissions, artefacts and sketchbooks, the inclusion of the sculpture highlights the parallels between Blame's creative approach and that of a more recent generation of artists.

The exhibition showcases approximately 100 never - before - assembled portraits and self - portraits of Duchamp ranging from 1912 to the present, including works by his contemporaries Man Ray, Alfred Stieglitz, Francis Picabia and Florine Stettheimer as well as portraits by a more recent generation of artists, such as Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, Beatrice Wood and Douglas Gordon.

His influence extends through to the most recent generation of artists.

Born and raised south of San Francisco, Norling hails from a recent generation of artists raised on the fun and gun ethos of graffiti and the mark - making of urban street culture; from stickers to wheat - pasted posters, it is from this street aesthetic; one that is in dialogue with Norling's teacher Raymond Saunders, as well as younger artists such as Barry McGee and the late Margaret Kilgallen, that Norling's paintings, sculptures and installations derive much of their impact.

Instead of looking at the already historicized and analyzed period of the 1960s and 1970s, the exhibition highlights how a recent generation of artists use publishing as a productive tool for their practice.

During her time working at the house she has established a pioneering programme that has included Latham's contemporaries and collaborators as well as work by more recent generations of artists.

Not exact matches

His recent role in the blockbuster film «Black Panther» reminds us of the excellence found in the African diaspora and how Howard continues to be a gem that produces the next generation of artist - scholars, humanitarians, scientists, engineers, and doctors.

With recent protests by professional football players in mind, the young Chicago - based artist Samuel Levi Jones has curated this group show, which brings together several artists from different generations whose work meditates on the relationship between power structures and persons of color in America.

Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973

The activities of that era provided a path for the increasingly influential voices and innovative practices of new generations of contemporary artists working today, figures such as Nina Chanel Abney, Mark Bradford, and Adam Pendleton, whose recent publications are also among the best of 2017.

The jury praised «not just his recent successes internationally, but also his artistic influence amongst two generations of artists working in West Africa».

In recent years, Thompson's work has also been exhibited regularly in group exhibitions worldwide, including Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat) at the Museo di Arte Moderna e Contemporanea in Rovereto, Italy, which traveled to the Musée du Quai Branly in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016).

Some present recent work by living artists spanning several generations; others showcase fascinating historical material of varying vintages.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

«Without a doubt, what's driving the high prices in recent years — as with many renaissance markets for certain artists — is the inspiration she's providing to a younger generation,» says Francis Outred, the head of postwar and contemporary art for Christie's Europe.

Their extravagantly installed exhibitions, the artists» free - wheeling individual approaches, and their varied and compelling work have all had a wide - ranging and profound influence on several generations of their students and on many younger artists since then, including such well - known figures as Chris Ware (SAIC 1991 — 93), Sue Williams, Gary Panter, and Amy Sillman — as has been documented in the recent film Hairy Who & the Chicago Imagists.

In April 2015 the Venice Biennale announced that it has awarded El Anatsui the Golden Lion for Lifetime Achievement, a prize that «acknowledges not just his recent successes internationally, but also his artistic influence amongst two generations of artists working in West Africa.».

Whereas the more recent works by the younger generation of artists reconstruct and reinterpret the Modernist ideas and concerns from today's artistic point of view.

The exhibition forms part of a recent acceleration in the artist's exhibiting CV, catalysed by her retirement from a 40 - odd - year teaching career, during which she proved an enduring influence on a generation of practitioners (most directly Rachel Whiteread and Angela de la Cruz, but also artists such as Douglas Gordon, Tacita Dean, Conrad Shawcross and Tomoko Takahashi).

The recent large - scale retrospective of Mike Kelley's work at MoMA PS1 may have something to do with this: Kelley's stage - set - hybrid sculptures and hysterically melodramatic videos have had a widespread influence on an entire generation of artists.

Yet in conjunction with the country's recent economic boom, the international art market has begun to sit up and pay attention: Brazilian galleries have multiplied, institutional attention has intensified and a whole generation of younger artists, along with overlooked figures from a previous generation, has come to wider attention and secured representation, critical coverage and collectors from abroad.

In this groupshow the work of conceptual artists who have their roots in the 1960s and 1970s is combined with recent work of a younger generation.

1984 Dreams and Nightmares, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Crime and Punishment: Reflections of Violence in Contemporary Art, Triton Museum of Art, Santa Clara, CA American Women Artists: Part II: The Recent Generation, Sidney Janis Gallery, New York, NY About Face, Art Museum of South Texas, Corpus Christi, TX Pratt Invitational Alumni: A Multimedia Presentation of Outstanding Pratt Alumni, Pratt Institute and 469 Broome Street Gallery, New York, NY ID, Bette Stoler Gallery, New York, NY Modern Masks, Whitney Museum of American Art at Philip Morris, New York, NY Sculpture Exhibition, Gallery Moos Ltd., Toronto, Ontario, Canada Drawing: Works on Paper From the Past Five Years by Fifty Artists, Barbara Toll Fine Arts, New York, NY Sculptors» Drawings 1910 - 1980, Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY

The recent explosion of the new Urban art movement, the fresh focus on Graffiti and Street art and graffiti has brought in a new generation of young artists like Jean - Michel Basquiat and Keith Haring, who unfortunately did not live long enough to see the success they became.

In Jerry Saltz's recent New York Magazine piece, «Generation Blank,» he expresses some concern about young contemporary artists making «work stuck in a cul - de-sac of aesthetic regress, where everyone is deconstructing the same elements.»

More unexpected is the discovery that an artist so closely identified with abstraction and with enlarging the possibilites for her own and future generations - with what her friend Anthony Caro calls «the onward of art» - should have looked not only to her lived visual experience as a starting point for her work but also to the art of the distant and recent past.

Even as recent years have seen a return to a focus on craft and the object and, sometimes, beauty, it seems that the ultimate triumph of Conceptualism has come in the form of younger generations who embrace the artist's role as that of universal creator.

In recent years Roth's critical reputation has grown, and his restlessness and inventiveness have influenced a new generation of artists.

Morgan Falconer tells the story beginning with Jackson Pollock and the Abstract Expressionists on both sides of the Atlantic, proceeds through postwar abstraction in France, social realism in East Germany, the end of geometric abstraction in Europe, American post-painterly abstraction, the handmade ready - mades of Rauschenberg and Johns, Pop's rise in Britain and the US, painting's confrontations with photography in the 1960s and beyond, the return of expressionism in the 1980s, new approaches to Pop in the 1990s and 2000s, and the continued variety of some of the most recent paintings to be made by a younger, «post-medium» generation of artists.

The recent successes of artists like Viola Davis, Issa Rae and Ava Duvernay are just a foothold in the ladder of accomplishments black women have made throughout the current generations.

Whether you choose to attribute her success to the artistic talent, her bravery or childhood hallucinations, there is no denying that Yayoi Kusama is one of the most era - defining artists of her generation — not the mention that her work is probably the most instantly recognizable of all the pieces in recent history.

His recent exhibitions include The Interview: Red, Red Future, a solo exhibition with the artist MPA that addressed the impending human colonization of Mars; Double Life with artists Jérôme Bel, Wu Tsang, and Haegue Yang that considered possibilities for performance without live bodies; Parallel Practices: Joan Jonas & Gina Pane, which brought together multimedia works by two pioneering female performers based in New York and Paris, respectively; and LaToya Ruby Frazier: WITNESS, which documented, in the artist's own words, of «the rise of globalization and the decline in manufacturing as told through the bodies of three generations of African - American women.»

Representing the new generation of photographers and video artists, «Recent Histories» presented the results of an exhibition series, held at The Walther Collection Project Space in New York from September 2015 through January 2017.

Over recent years, Mark Flood's influence has increasingly been felt in the work of younger generations of American artists.

1987 Seattle Art Museum, Seattle, WA Recent Generations: Native American Art 1910 - 1987, The Heard Museum, Phoenix, AZ New Directions Northwest: Contemporary Native American Art, Portland Art Museum, OR Beyond Blue Mountains: A Traveling Collection of Contemporary Native American Artworks, Washington State Arts Commission, Olympia, WA Contemporary Visions: Fifteen Native American Artists, Read / Stremmel Gallery, San Antonio, TX Native American Art: Our Contemporary Visions, Stremmel Galleries, Reno, NV

The exhibition starts with the oldest works, including Dosso Dossi's Psiche abbandonata da Amore (1525) and Antonio Carneo's Aracne tesse la tela (better known as L'Indovina, c. 1660), presented in dialogue with an assortment of books on «magic» from the same period, and ends with works by the most recent generations of contemporary artists — from Christian Marclay to Grazia Toderi, from Markus Schinwald to Clare Strand, Elina Brotherus, Jeppe Hein, Beate Gütschow and Hans Op de Beeck — passing through masters like Gustav Klimt, Giorgio de Chirico, Fernand Léger, Edward Weston, Kurt Schwitters, Yves Klein, Arnulf Reiner, Georg Baselitz, Gerhard Richter, Peter Blake, Christo, Günter Brus, Mimmo Jodice, Gilberto Zorio, Giulio Paolini, Richard Long, Candida Höfer, Giuseppe Penone, Fischli and Weiss and Shirin Neshat, to mention just a few.

Cyprien Gaillard Born in 1980 in Paris, Gaillard is one of the most internationally renowned and successful artists of the recent generation.

Recent group exhibitions include Focus Beijing, De Heus - Zomer Collection, Museum Boijmans Van Beuningen, Rotterdam (2014); the groundbreaking show ON OFF: China's Young Artists in Concept and Practice, Ullens Center for Contemporary Art, Beijing (2013), a comprehensive survey of the generation of Chinese artists born at the end of the Cultural Revolution and at the dawn of the country's era of reform; as well as the 2013 California - Pacific Triennial, Orange County Museum of Art, Newport Beach, CA, showcasing the most innovative art produced throughout the PacifArtists in Concept and Practice, Ullens Center for Contemporary Art, Beijing (2013), a comprehensive survey of the generation of Chinese artists born at the end of the Cultural Revolution and at the dawn of the country's era of reform; as well as the 2013 California - Pacific Triennial, Orange County Museum of Art, Newport Beach, CA, showcasing the most innovative art produced throughout the Pacifartists born at the end of the Cultural Revolution and at the dawn of the country's era of reform; as well as the 2013 California - Pacific Triennial, Orange County Museum of Art, Newport Beach, CA, showcasing the most innovative art produced throughout the Pacific rim.

Women House's 39 artists come from four continents; they span from historic figures such as Claude Cahun to a young generation: Mexican artist Pia Camil, Iranian Nazgol Ansarinia, Portuguese Joana Vasconcelos, German Isa Melsheimer or the French Laure Tixierand Elsa Sahal... Some of the names are already famous (Louise Bourgeois, Niki de Saint Phalle, Martha Rosler, Mona Hatoum, Cindy Sherman, Rachel Whiteread), others are the subject of recent rediscoveries connected to a rereading of the History of Art in terms of gender parity (Birgit Jürgenssen, Ana Vieira, Laetitia Parente, Heidi Bucher).

Speech / Acts brings together new and recent works by a generation of artists influenced by black experimental poetry.

Polaridad Complementaria: Recent Works from Cuba introduces North America to a new generation of influential artists from Cuba.

In recent years, clay has moulded back into the realm of contemporary art as new generations of artists reshape this tactile medium in exciting directions.

He also applauds Mr. Karpman, describing him as «an avid, astute and passionate collector of advanced post-war international contemporary art: Mr. Karpman has broad - ranging interests in the art of recent times that encompass a divergent melange of international and Canadian artists of consequence, such as Anish Kapoor, Joseph Beuys and the Fluxus movement, the challenging, ground - breaking work of Feminist legend, Carolee Sncheemann, American Joan Jonas, the minimalist art of Richard Serra, pop artist Robert Rauschenberg and generations of Canadian artists.

Given its resonance with artists of recent generations, this genre of work has become an increasingly integral component of strategies surrounding collections of contemporary art.

MIT Press» recent publication of October Files explores Mary Kelly's prolific artistic career, addressing such themes as labor, war, trauma, and the politics of care, while emphasizing the artist's sustained engagement with histories of feminism and generations of feminists.

International Water Sculpture Competition, Davis McClain Galleries, Houston A Celebration of American Women Artists, Part 2: The Recent Generation, Sidney Janis Gallery, New York.

This acquisition period provides a rich source of recent painting from Ireland and the exhibition will include examples of works by both younger - generation and more senior artists.

Other projects planned for the 2018 Spring Season include an exhibition by immigrant and first generation young artists organized by writer and recent citizen to the U.S. Ingrid Rojas Contreras, a print performance by artists Sergio de la Torre and Chris Tregiarri, and an evening of performances organized by poet and musician Sandra Garcia Rivera.

American Women Artists, Part II: The Recent Generation, Sidney Janis Gallery, New York, USA Beauties and Beasts, Pratt Manhattan Center Gallery, New York, USA Three Painters, Three Decades: Lee Krasner, Joan Mitchell, Pat Steir, The Harcus Gallery, Boston, USA Fauna, Flora, Etc, Barbara Mathes Gallery, New York, USA Vision and Conscience, University Art Gallery, State University of New York, Binghamton, USA Highlights: Selections from the BankAmerica Corporation Art Collection, Bank of America World Headquarters, San Francisco, USA Four Painters: Pat Steir, Sean Scully, Robert Mangold, Robert S Zakanitch, McIntosh / Drysdale Gallery, Houston, USA Content: A Contemporary Focus 1974 — 1984, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, USA Dowd Fine Arts Center Gallery, State University of New York, Cortland, USA, The New Culture: Women Artists of the Seventies, traveled to Turman Gallery, IN; State University, Terre Haute, IN; Emily H Davis Gallery, The University of Akron, Akron, OH.

Recent exhibitions include; Post Digital, No End Gallery, Johannesburg, South Africa; Trace Programme, Aspirational Living, Nottingham, UK: Fre $ hco in collaboration with Millington Marriott, WAH Gallery, London, UK; A British Art Show, Meyohas, New York, USA; A SMALL GROUP SHOW OF AMERICAN AND BRITISH ARTISTS, Space Space Gallery, Tokyo, Japan; The Generation Game, The Midas Touch, Hat Factory, Luton, UK