Sentences with phrase «recent group exhibitions»
Recent group exhibitions include Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art; In the Holocene, MIT List Visual Arts Center, Cambridge, MA; American Exuberance, Rubell Family Collection, Miami; ILLUMInations, International Pavilion, 54th Venice Biennale; and Secret Societies.
http://davidkordanskygallery.com/
His work has also been featured in the following recent group exhibitions: Tapisseries nomades.
Recent group exhibitions: «Towers of Dub», Thomas Duncan, Los Angeles; «Morphing Overnight», Seventeen, London; «Tomorrow: London», South London Gallery, London; «Postcodes», Sao Paulo, Brazil; «Meet Your Maker», Carl Kostyal, Stockholm; at T293, Naples and Carl Kostyal, London (all 2014).
Other recent group exhibitions include MoMA PS1, American Academy of Arts and Letters, Allegra LaViola Gallery, Janet Kurnatowski Gallery (all NYC), and Non-Objectif Sud (Tulette, France).
Upcoming and recent group exhibitions and screenings include Liverpool Biennale UK (2018); Policy Show, Eastside Projects, Birmingham UK (2017); The Problem of Perspective: Interwoven Histories, Pavilion, Leeds UK (2017); Shades of Opacity cur.
Recent group exhibitions include: Pangea (2014), Saatchi Gallery, London, and Taylor Wessing Photographic Portrait Prize (2014), National Portrait Gallery, London.
Recent Group Exhibitions include Face Value: Portraiture in the Age ofAbstraction, National Portrait Gallery, Washington, DC (upcoming 2014); African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC (2012); Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA traveled to Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH (2012).
Recent group exhibitions include The Event Sculpture, Henry Moore Institute, Leeds (2015); The Human Factor: The Figure in Contemporary Sculpture, Hayward Gallery at Southbank Centre, London (2014); and A Place in Two Dimensions: A Selection from Colección Jumex, Museo Jumex, Mexico City (2013).
Recent group exhibitions include Das Kapital: Blue Chips and Masterpieces, Museum für Moderne Kunst (MMK), Frankfurt am Main, Germany (2007); Sweet Temptations, Kunstverein St. Gallen Kunstmuseum, St. Gallen, Switzerland (2005); and Pale Fire, Galerie Nordenhake, Berlin, Germany (2003).
Recent group exhibitions include; No Now!
Recent group exhibitions include New Pictures of Common Objects, MoMA PS1, New York (2012); March, Sadie Coles, London (2012); The New Public, Museion, Bolzano (2012); Standard operating procedures, Blum and Poe, Los Angeles (2012); and Hasta Mañana, Greene Naftali, New York (2011).
Recent group exhibitions include: Concrete Island at VENUS LA, The Promise of Total Automation at Kunsthalle Wien Austria; a three - person show at London's The Approach Gallery, Triples: Harry Dodge, Evan Holloway and Peter Shelton; Routine Pleasures a show organized by Michael Ned Holte at the MAK Center in Los Angeles; and a group show, Protuberances curated by Jess Arndt and Catherine Taft at LAX Art.
Recent group exhibitions include Künstlerbrüder at Haus der Kunst, Munich, which travelled to the Palais des Beaux Arts, Brussels, as well as shows at Team Gallery, New York; and Sprüth Magers, London.
Recent group exhibitions include Galerie Gabriel Rolt, Amsterdam, Museum Arnhem, Fotomuseum Den Haag, Museum Jan van der Tocht.
Recent group exhibitions include Gagosian Gallery Rome, White Cube London, Emmanuel Perrotin, Paris, and the Schirn Kunsthalle.
Recent group exhibitions include Suddenness and Certainty, Robert Miller Gallery, New York, NY (2012); Woods, Lovely, Dark and Deep, DC Moore Gallery, New York, NY (2012); BAD JOKES, Silas Marder Gallery, Bridgehampton, NY (2012); Pig Party, curated by Gina Beavers, New York, NY (2012); NEW YORK NEW TENDENCENCIES, Marianne Friis Gallery, Copenhagen, Denmark (2012); The Unfunny Show, Small Black Door, Queens, NY (2011).
Recent group exhibitions include Latino Redux, University of North Texas Art Gallery, Denton, TX and Texas Dialogues: Scenic Overlook, Blue Star Art Space, San Antonio, TX, both in 2000.
Recent group exhibitions include 8th Havana Biennial, Centro de Arte Contemporáneo Wilfredo Lam (2003); 1st Singapore Biennial (2006); The Hours, Irish Museum of Modern Art, Dublin, and Museum of Contemporary Art, Sydney (2006 - 07); Territorios, 52nd Venice Biennial (2007); Dia Artists» Web Projects, Dia Art Foundation, New York (2007).
Recent group exhibitions include the American Academy of Arts and Letters, Leubsdorf Art Gallery / Hunter College, Gallery Janet Kournatowski (all NYC), Sydney Non Objective (Australia), and Rogaland Kunstmuseum (Norway).
Recent group exhibitions include: Fresh Paint, Messums Wiltshire, Salisbury, 2018; Lost in the Woods, The Square Gallery London, London, 2016; Rén (L'Homme), Centre Artasia Paris, Paris, 2016; Bath Open Art Prize 2016, 44AD Artspace, Bath, 2016; Opia, SÍM Gallery, Reykjavík, 2016.
Recent group exhibitions include Scissors Cut Paper Wrap Stone, CCA Derry - Londonderry (2016); Generación 2016, La Casa Encendida, Madrid (2016); Hotfixes, Avalanche, London (2015); Bienal Leandre Cristòfol, Centre d'Art La Panera, Lleida (2015); The Cabinet of beauty and culture, Houserules, London (2015) and Futurs Abandonats, Fabra i Coats Centre d'Art, Barcelona (2014), among others.
Recent group exhibitions includeStranger than Fiction at the Santa Barbara Museum of Art, Santa Barbara, CA; Opening Ceremonyat Morgan Lehman Gallery, New York; and Else, curated by Derrick Adams, at Tilton Gallery, New York, all in 2010.
His work has been included in recent group exhibitions at Tartu Art Museum, Estonia; Brooklyn; Hathaway David Contemporary, Atlanta; ODETTA, Brooklyn; RichMix, London; Georgian National Museum, Tbilisi; Recent solo exhibitions include «Studies For Unintended Archeology», The Vazquez Building, Brooklyn; «Borderlines», The Lodge Gallery, New York; «Urban Identities», Kunstraub99, Cologne.
Recent Group exhibitions include Coming Out, Walker Art Gallery, Liverpool, 2017; Dogsy Ma Bone for Tate Exchange, Liverpool Biennial Tour, London 2016; Diorama: Invention of Illusion, Schirn Kunsthalle, Frankfurt, Germany, 2017; Room, Mead Gallery, University of Warwick, Coventry, UK, 2017; Dogsy Ma Bone for Touchstone, Rochdale, UK, 2017; and Room, Sadie Coles HQ, London, 2017.
Recent group exhibitions include; America is Hard to See, Whitney Museum of American Art, New York (2015); 56th International Art Exhibition — All the World's Futures, Venice Biennale, Venice, Italy (2015); A Different Kind of Order, The ICP Triennial, International Center of Photography, New York, USA (2013); Land Marks, The Metropolitan Museum of Art, New York, USA (2013); Statuesque, Nasher Sculptural Center, Dallas, Texas, USA (2011); Contemporary Galleries: 1980 — Now, MOMA, New York, USA (2011); Whitney Biennial, Whitney Museum of American Art, New York, USA (2010); 7th Gwangju Biennale, Gwangju, South Korea (2008); and After - Nature, The New Museum, New York, USA (2008).
His works had been included in recent group exhibitions at The 7th Beijing Biennale, China; Georgian National Gallery, Tbilisi; David & Schweitzer Contemporary, Brooklyn, US; Tbilisi History Museum, Georgia; Arsenal, Kiev, Ukraine; Tartu Art Museum, Estonia.
He has been included in recent group exhibitions at, Powrplnt, Motel Gallery (Brooklyn, NY) and LAUNCH F18 (New York, NY).
Recent group exhibitions include Between here and there: Modern and Contemporary Art in the Permanent Collection, Miami Art Museum, Miami (2010); Radical Nature: Art and Architecture for a Changing Planet, 1969 - 2009, Barbican Art Gallery, London (2009 - 2010); Wanås 2009: Footprints, Wanås Foundation, Knislinge; Fari Mondi / / Making Worlds, 53d Biennale de Venezia, Venice (all 2009); and Psycho Buildings: Architecture by Artists, the Hayward Gallery, London (2008).
Recent group exhibitions include Double Vision: Contemporary Art From Japan, Moscow Museum of Modern Art, Haifa Museum of Art (2012); Aichi Triennale 2013, Aichi Arts Center (2013); Roppongi Crossing 2013: OUT OF DOUBT, Mori Art Museum (2013).
Recent group exhibitions in New York have been staged at Trestle and Life on Mars galleries.
Recent group exhibitions and performances include Score, MARCO, Vigo ES; FAX, KARST, Plymouth UK (2014); Fig. 5, David Roberts Art Foundation, London; Footnotes, CAC, Vilnius LT (both 2013); We will disappear you, curated by Adam Carr, Frutta, Rome IT; Supplica per un» appendice, Villa Romana, Florence IT; In the Belly of the Whale (ACT III), curated by Rosie Cooper and Ariella Yedgar, Montehermoso, Victoria - Gasteiz ES (all 2012); In the Belly of the Whale, Cartel, London (2011); Childhood night, Barbican Gallery, London and Perfect Courses and Shimmering Obstacles, Tate Britain, London (both 2010).
Recent group exhibitions include Universes in Universes, Gwangju Biennale 2016, South Korea; Not New Now, Marrakech Biennale 6; GLOBALE: Infosphere, ZKM Karlsruhe; Rencontres de Bamako, 10th African Biennale of Photography, Bamako; The Freedom Principle, Experiments in Art and Music, 1965 to Now, Museum of Contemporary Art Chicago.
Recent group exhibitions include The World As A Stage (2007), Tate Modern, London, and ICA Boston (2008); Gasoline Rainbows (2007), Contemporary Art Gallery, Vancouver (2007); Classified Materials (2005), Vancouver Art Gallery; and Intertidal: Vancouver Art & Artists (2005), MuHKA, Antwerp.
Her solo exhibitions include «Mare Nostrum,» Francesca Antonini Gallery, Rome, Italy (2016) and recent group exhibitions include «Saxa Loquuntur Stones Speak,» El Museo de Los Sures, Brooklyn, NY (2015); «In Conversation II, From the Museum Collection,» Tel Aviv Museum, Israel (2015); «Of Average Means,» Human Resources, Los Angeles, CA (2015); «Sextant,» NurtureArt, Brooklyn, NY (2015); «Two Different Ways To Do Two Different Things,» Kristen Lorello Gallery, NY (2015); and «Kamil,» Pseudo Empire, Brooklyn, NY (2014).
His solo exhibitions include «Potential Difference,» Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014) and recent group exhibitions include «Paracosm», Norte Maar, Brooklyn, NY (2016); «50 Years of RISD Glass: Material», Providence Art and Design Film Festival, RI (2016); SIKKA Art Fair, Dubai (2016); «Perched in the Eye of a Tornado,» Ying Space, Beijing (2015); «Art of the Fellowship,» Museum of American Glass at WheatonArts, NJ (2015); Pioneer Works Artist in Residence, Brooklyn, NY (2014); and «Come Together: Surviving Sandy,» Brooklyn, NY (2013).
Recent group exhibitions include «Ladies Knight,» World Chess Hall of Fame and Museum, Saint Louis, MO (2016); and «Time + Space (Beginnings),» Bemis Center For Contemporary Arts, Omaha, NE (2016).
Recent group exhibitions includeOrdinary Pictures at Walker Art Center, Minneapolis, USA; In Girum Imus Nocte et Consumimir Igni at Museo Jumex, Mexico City, Mexico; and Prototypology at Gagosian Gallery, Rome, Italy.
Recent solo exhibitions include NUDS (Museo Diego Rivera Anahuacalli, Coyacan, Mexico, 2012), Spirit of Ewe (Two Rooms, Auckland, New Zealand, 2011) and NUDS CYCLADIC (Museum of Cycladic Art, Athens, 2010) and recent group exhibitions include Modern British Sculpture (Royal Academy of Arts, London, 2011), British Art Show 7: In the Days of the Comet (Nottingham Contemporary; Hayward Gallery, London; Tramway, Glasgow; Plymouth Museum, 2010 - 11) and The Surreal House (Barbican Art Gallery, London, 2010).
Recent group exhibitions include: Being Boring, Living Art Museum, Reykjavik, Iceland (2016), L'Hospice des Mille - Cuisses, CAN, Neuchâtel, Switzerland (2015), Works on Paper by Sculptors, The Royal Academy of Arts, London, UK (2015), Hairy Plotter and the Polygrapher's Tones, Toves, Copenhagen, Danmark (2015), Reliability of Recognition, BolteLang, Zürich, Switzerland (2015).
Recent group exhibitions include: Kunsthaus Hamburg, Hamburg (2015); MoMA P.S. 1, New York (2014); Hayward Gallery, London (2014); Wellcome Collection, London (2014); 10th Gwangju Biennale, Gwangju, Korea (2014); and 55th Venice Bienniale, Venice (2013).
Recent group exhibitions and performances include Deadpan and Disco, Centrale Fies, Dro IT (2014); Narcissistic Tendencies, NEST, Den Haag NL; Accident with Red Car, Art13, London with Yeo Workshop, Singapore; Apathy is Not My Friend, Chapter House Lane, Melbourne AU; Educating Artists?
They have had solo exhibitions at 47 Canal (New York, USA), Mathew Gallery (Berlin, Germany), Republikha Art Gallery (Quezon City, Philippines), and Green Papaya Art Projects (Quezon City, Philippines), as well as participated in recent group exhibitions at the Kunstverein in Dusseldorf and the Künstlerhaus in Bremen.
His most recent group exhibitions are Un Fixed Homeland at Aljira, A Center for Contemporary Art, NJ and Manifesting Monuments at Fitzwilliam Museum, Cambridge, UK.
Current and recent group exhibitions include Selections from the Marciano Collection, Marciano Art Foundation, Los Angeles (2018); Prospect.4: The Lotus in Spite of the Swamp, Prospect New Orleans (2017); Good Dreams, Bad Dreams: American Mythologies, Aïshti Foundation, Beirut (2016); America Is Hard To See, Whitney Museum of American Art, New York (2015); Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York (2014); and ILLUMInations, International Pavilion, 54th Venice Biennale (2011).
Recent group exhibitions include SiteLab8, a collaboration with Wangechi Mutu, at SITE Santa Fe, New Mexico (2015); Misappropriations: Recent Acquisitions at Orange County Museum of Art, Newport Beach, California (2015); Laugh - In: Art, Comedy, Performance at Museum of Contemporary Art San Diego, California (2015); Until, Until, Until at Performa 15, New York (2015); Le Biennale de Montréal (2014); Shanghai Biennale (2014); and The Shadows Took Shape at the Studio Museum in Harlem (2013).
Morris» work has been featured in solo exhibitions at Gallery 76 and the Diamond Club, and in several recent group exhibitions in Toronto and New York.
Recent group exhibitions include the Museum of Contemporary Art (Krakow), Witte de With (Rotterdam) and the 10th Istanbul Biennial.
Recent group exhibitions include 3a Bienal de Montevideo, Montevideo, Eigenheim Galerie, Weimar, Instituto Tomie Ohtake, Galeria Athena Contemporânea, Rio de Janeiro, Museu da Lingua Portuguesa, São Paulo, and Instituto Tomie Ohtake, São Paulo.
Current and recent group exhibitions include Seth Siegelaub: Beyond Conceptual Art, Stedelijk Museum, Amsterdam; to expose, to show, to demonstrate, to inform, to offer, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna; Wohnungsfrage, Haus der Kulturen der Welt, Berlin; Take me (I'm yours), Monnaie de Paris; and All the World's Futures, 56th Venice Biennial (all 2015).
Recent group exhibitions include It Could Be a Community, KV Leipzig, Germany (2017), Gwangju Biennale, Gwangju, Ny Show # 3, Ny Space, Manchester; Liturgie, Centre Tchèque, Paris; Telepathy or Esperanto, Futura, Prague; and Subversive Tactics, The Czech Center New York (all 2015).