Not exact matches
Human medial temporal - lobe stimulation disrupts both formation and retrieval of
recent memories.
Whether
humans routinely retrieve explicit
memories of
recent meals remains unclear.
Aasif Mandvi hits his (very odd, in fairness) role at about twice the volume and pace of anyone else, Justin Bartha barely figures, Mia Farrow is sweet enough, but doesn't make much of an impact, and Christopher Walken is interestingly restrained, adhering to normal
human punctuation for the first time in
recent memory, but at the same time, hiring Walken to play an average suburban dad is about like hiring Jason Statham for a film where he doesn't punch someone in the face.
Whether or not it is designed as an allegory of modern Russia, no film in
recent memory has examined the growing emptiness of
human relationships with such expressive force as Andrey Zvyagintsev's («Leviathan») Loveless, a heart wrenching drama about a couple on the brink of divorce whose emotional neglect of their son leads to devastating...
Along with a quite moving faith in the commonweal and in the indomitability of the noble
human spirit — a throughline in the cinema of Collet - Serra, who always puts his protagonists through the wringer — The Commuter is blessed with some of the deftest setpieces in
recent pop cinema
memory, including one brisk, brutal close - quarters dust - up that recalls Richard Fleischer's The Narrow Margin.
Recent years have seen an explosion of new research into the
human brain, cognition,
memory, information processing, and learning.
A
recent research on
human memory links sleep and
memory in a powerful co-relationship.
From
recent location - specific series such as The Hotan Project (2012 - 13) made in the Xinjiang province of China, his first London series titled Half Street (2013), as well as
recent trips to make work in the UAE and Greenland, Liu has also created an automated painting machine entitled Weight of Insomnia (2016), which translates a digital video feed of traffic streams and
human movement in real time into a new body of paintings tracing time,
memory and behaviour.
Through
recent installations that include filmed performances, where projections of the «ghosted»
human body wash over sculptural elements, the artist attempts to create an alienating / disorienting illusory effect that reflects an increasing loss of the corporeal gesture in the every day, the infinite attempt at calibrating the body to technology, as well as the entrapment of the
human psyche within it; manipulating and playing with
memory, space and time.
In
recent works, Heng's focus has been on the issues of history,
memory, communication and
human relationships in urban conditions.
Her
recent group exhibitions include, Amassing Force - 2017 Wang Shikuo Award: Today Art Museum Exhibition of Nominated Contemporary Artists, Today Art Museum, Beijing, China (2017); China, Art of Movement, Annecy International Animation Film Festival, Musée - Château d'Annecy, Annecy, France (2017); Holland Animation Film Festival, Utrecht, Netherlands (2017);
Memory and Contemporaneity.China Art Today, Collateral Event of the 57th Venice Biennale, Giardini Arsenale, Italy (2017); Reciprocal Enlightenment, CAFA Art Museum, Beijing (2017); Fire Within: A New Generation of Chinese Women, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI (2016); Animaux Biennale, Museum of Contemporary Art Shanghai, China (2016); 4th Jakarta Contemporary Ceramics Biennale, National Gallery of Indonesia, Indonesia (2016); Tradition and Innovation: The
Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin, Madison, WI (2015); China 8 - Contemporary Art from China on the Rhine and Ruhr, Germany (2015); Busan Biennale, South Korea (2014); Caissa Rising Arting, Today Art Museum, Beijing, China (2014), and The Start of a Long Journey, CAFA Art Museum, Beijing, China (2014).
In case you missed President Obama's first long discussion of
human - driven global warming in
recent memory, which came near the end of his news conference on Wednesday, here's the brunt of it, as summarized on Twitter by Will Oremus of Slate (found via Stephen Lacey):