Sentences with phrase «recent important exhibitions»

Alfi's work has been exhibited in Asia and Europe and recent important exhibitions include Melting Memories / Re-reading Landscape, Mooi Indies, ARNDT Singapore, 2014 and Do not Shoot the Painter, UBS Collection exhibition, Galleria d'Arte Moderna, Milan, Italy, 2015.

Not exact matches

Considered one of the most important photographers of his generation, German fine art and fashion photographer Juergen Teller will present a special exhibition of recent work at Photo London 2017...

Exploring concepts of landscape and abstraction with human experience, the exhibition unites sculpture with important recent paintings on aluminium and linen, together with works on paper.

Over the years this space has hosted important exhibitions - both of recent works and also historical surveys - featuring works by artists such as Alighiero e Boetti, Louise Bourgeois, Francesco Clemente, Helmut Federle, Suzan Frecon, Alberto and Augusto Giacometti, Amar Kanwar, Alex Katz, Kimsooja, Yayoi Kusama, Richard Long, Kazimir Malevich, Agnes Martin, Piet Mondrian, Antoine Pevsner, David Rabinowitch, Ad Reinhardt, Robert Ryman, Albert Steiner, Philip Taaffe, and Ian Wilson.

Inspired, in part, by the fact that a number of her most recent and compelling photographs are of children, the exhibition also reflects an important aspect of her creative process: Goldin continually re-edits her work as she adds new images to her oeuvre.

Pace is honored to present an exhibition of recent iPad prints, charcoal drawings and video by David Hockney, one of the most important and celebrated living artists in the world.

After important exhibitions during the most recent editions of the Venice Biennale, Roberto Sebastian Matta returns to Galleria d'Arte Maggiore g.a.m. with a new show in its venue in Bologna.

Ben Brown Fine Arts is extremely proud to present the first Hong Kong exhibition of recent works by internationally renowned Spanish artist Miquel Barceló; widely regarded as one of the most important artists working today.

The gallery's longstanding relationship with many of its artists will be highlighted by focusing on important early solo exhibitions at Art Projects International: Jian - Jun Zhang: Water and Fire (1995); Gwenn Thomas: Recent Work (1996); Il Lee - Line and Form: Drawings 1984 - 1996 (1997); Pouran Jinchi: Recent Paintings (2000).

Leonor Antunes (b. 1972, Lisbon) has risen to prominence in recent years with important solo exhibitions at the Tensta Konsthall, Tensta, Stockholm (2017), San Francisco Museum of Modern Art, San Francisco (2016), New Museum, New York (2015), Museum Serralves, Porto (2011 & 2016), Kunsthalle Basel, Basel (2013) and Museo Nacional Centro de Arte Reina Sofia, Madrid (2011).

MARC STRAUS is proud to present Hermann Nitsch's first solo exhibition at the gallery; it will include recent paintings as well as important historic pieces from his distinguished career of over 55 years.

This exhibition is dedicated to the recent acquisition by the Italian State of two important twentieth century works: Carol Rama's large painting Pittura n. 718 (1954), and Drago da passeggio, a work on paper that architect Carlo Mollino gave Rama.

An inspiring and highly important part of the Gallery's exhibition program, Gallery 2 was formerly located adjacent to the main gallery at the 525 West 24th Street location, prior to the recent opening of separate Gallery 2 space at 544 West 24th Street.

Her constant experimentation with materials and processes has produced in the words of a recent exhibition review, «some of the most important images in art of the late 20th century.»

In the last two years he has become more and more prominent through large group exhibitions, and his recent show of new works (all from 1987) in a temporary gallery at Clayton State College in suburban Atlanta has consolidated his presence as an important and idiosyncratic voice

And it should be noted that the Whitney has, in recent years, presented other important exhibitions of painting; one thinks in particular of those devoted to Richard Diebenkorn, Mark Rothko, Arthur Dove, and Florine Stettheimer.

The exhibition, curated by the art critic Christian Viveros - Faune, brings together a selection of 16 recent works by the artist, based in New York and considered one of the most important emerging Latino artists.

While Emily Carr remains a national icon, she has now begun to be appreciated as an important twentieth - century artist, as witnessed by her inclusion in several recent major exhibitions.

Important museum exhibitions that explored work being produced and exhibited on both sides of the Atlantic also set the tone for this ongoing dialogue, among them Europa / Amerika (Museum Ludwig, Cologne, 1986) and A Distanced View: One Aspect of Recent Art from Belgium, France, Germany, and Holland (New Museum, New York, 1986).

Instead of including only recent performance art and earlier artist projects with full documentation so viewers could witness the action - based art for themselves, exhibition curator Andrea Grover selected works important to the developing art movement, tracing its course from its roots in the»60s to the present day.

Several of these works highlight recent exhibitions and represent important additions to the Permanent Collection that we are eager to share with our visitors.»

According to Katharina Manchada, the curator of the museum exhibition, it was important to show these recent paintings to contextualize Kusama as a contemporary artist «to remind people that she remains extremely vital as an artist working today, in addition to being a historical figure.»

A veritable feast of exhibitions showcasing Brazilian artists has materialized in major museums around the world in recent months, most prominently the important retrospective of Mira Schendel at Tate Modern (running through January), where over 250 artworks spanning the arc of her career are on view, many for the first time.

You might say that in recent years we've seen a return to the 1940s, since one can find great exhibitions of Cuban art at an array of the city's important museums and galleries, from the Whitney to David Zwirner and many others.

Hoffmann is positioning himself to be a major player in this emerging field of the exhibition - as - exhibition - history: his most recent book Show Time: The 50 Most Influential Exhibitions of Contemporary Art, published by D.A.P., is a useful compendium of the most important museum exhibitions, biennials, and experimental exhibition projects from the late 1980s through today, offering a thorough look at art exhibitions from the past 30 years that have dramatically altered the way artists, curators, and art patrons experience the contemporary Exhibitions of Contemporary Art, published by D.A.P., is a useful compendium of the most important museum exhibitions, biennials, and experimental exhibition projects from the late 1980s through today, offering a thorough look at art exhibitions from the past 30 years that have dramatically altered the way artists, curators, and art patrons experience the contemporary exhibitions, biennials, and experimental exhibition projects from the late 1980s through today, offering a thorough look at art exhibitions from the past 30 years that have dramatically altered the way artists, curators, and art patrons experience the contemporary exhibitions from the past 30 years that have dramatically altered the way artists, curators, and art patrons experience the contemporary exhibition.

Important recent exhibitions include Ley Lines at Devin Borden Gallery, On Tenterhooks at Miller Gallery (St. Louis, MO), Not - not - not Image Objects at Meulensteen Gallery, (New York, NY), and Vista at Socrates Sculpture Park (New York, NY); and her work has been discussed in numerous publications including ArtForum, Art Lies, New York Times, and... might be good.

Serving as an important contribution to recent scholarship on the artist, the extensive exhibition catalogue is anchored by richly detailed plates of the artist's sculptural reliefs and works on paper made primarily between the mid-1950s and early 1970s.

My exhibitions in recent years in the museums; The Bowes, The V&A, The Judges Lodgings Lancaster, The Merseyside Maritime, Lady Lever, The Williamson, Sudley House and in 2011 Platt Hall, Manchester, have interrogated important issues around audiences and are central to my practice.

While Bruguera's most recent work often uses the strategies of social movements and education platforms to address topical matters, this exhibition looks back to Untitled (Havana, 2000) as a crucial work at the turn of the millennium that symbolizes an important shift in Bruguera's oeuvre, as she moved from working primarily with her own body to considering active audience engagement.

His recent installation in the exhibition «Helter Skelter» at the Los Angeles MOCA as well as his contributions to this years «Aperto» in Venice and to the critically acclaimed show «Post Human» in Lausanne have established Paul McCarthy as an important force in contemporary sculpture.

Ms. Mutu, who was born in Kenya, is currently the subject of a solo exhibition at the Brooklyn Museum, and is «considered one of the most important contemporary African artists of recent years.»

Major solo presentations of her work since her death include a touring exhibition of Intra-Venus (1994 - 1997), Hannah Wilke, A Retrospective, which travelled from Nikolaj Contemporary Art Center, Copenhagen, to BildMuseet, Umea, Sweden and Helsinki City Art Museum, Helsinki (1998 - 1999), and an important recent exhibition, Hannah Wilke: Gestures, at the Neuberger Museum of Art, New York (2008).

Recent important travelling exhibitions include Virginia Woolf: an exhibition inspired by her writings, touring from Tate St. Ives, UK to Pallant House Gallery Chichester, UK and Fitzwilliam Museum, Cambridge, UK (2018); Michelle Stuart: Drawn From Nature touring from Djanogly Art Gallery, Lakeside Arts Centre, Nottingham, UK to the Parrish Art Museum, Watermill, NY, and the Santa Barbara Museum of Art, CA (2013 — 2014); and Apparitions: Frottages and Rubbings from 1860 to Now, Hammer Museum, Los Angeles, CA and the Menil Collection, Houston, TX (2015 — 2016).

Organized around specific exhibitions, publications, and organizations as models, the Conference brings together important recent projects that are grounded in the creative use or repurposing of existing structures and conventional idioms, yet still retain a productive — or at least dynamic — relationship to institutions.

New Suns is Kahlil Joseph's first solo museum exhibition in Europe, showing a selection of his most important films in recent years.

Pamela has been a close friend and supporter of Tate, contributing significantly to our recent Soul of a Nation exhibition and championing the work of African - American artists who are very important to Tate.

I think Wolfgang Tillmans» work Italian Coastal Guard Flying Rescue Mission off Lampedusa (2008) is very important, and the most recent work added to the Collection for this exhibitions.

In addition to those projects, she also co-organized the 2014 Ullens Center for Contemporary Art exhibition «Art Post-Internet,» which is widely regarded as one of the most far - reaching and important recent surveys of digital art.

Butlin notes that the show is «one of the most fascinating of recent exhibitions of the works of J.M.W. Turner, one that reveals a whole new aspect of his vision... covering all Turner's career but with a relatively new selection of works and an important new group of sketches... Not surprisingly, colour permeates this exhibition, save in Turner's earliest works, where effects of light make do... The paradox of Turner's career is also stressed, his reliance on engravings to widen his appeal to the public and the care with which he chose his engravers...»

During recent trips to my favorite art gallery and an amazing museum exhibition, I was reminded of how important an artwork's display is to the overall effect of the art.

Yet, even with all of the recent interest in the legacy of So Cal art, we have not seen a major exhibition showcasing this important movement.

A bit about Jamea Richmond - Edwards: Given her recent inclusion in the Katzen Museum's «Art and Social Justice» exhibition, as well as the fact that her works are in very important public collections (in the US and Dakar), it is not surprising to find Jamea Richmond - Edwards listed among the 10 Female Artists of Color on the Rise (The Root, 2016) and 40 Black Artists You Should Know (Huff Post, 2013).

Amongst his most important and recent solo exhibitions are: Hortus / Corpus at Kröller - Müller Museum in Otterlo in the Netherlands (2011) and The Years of the Hour Blue at the Kunsthistorisches Museum in Vienna (2011).

Important exhibitions curated or co-curated by him in recent years include «Post-Material» (2000, Beijing), «Manufacturing in China» (2002, New York), «The 2nd Seoul International New Media Art Biennale» (2002, Seoul), «The 50th Venice Biennale — Chinese Pavilion» (2003, Venice), «The 7th International Art Biennale in Parma, Italy» (2004, Parma) and «The 26th Sao Paulo Biennale — Chinese Pavilion» (2004, Sao Paulo).

The building played an important role with regard to art in Milan, as shown by the great success of the exhibition of recent years that have included Claude Monet, Pablo Picasso and other painters and sculptors.

The Retreival carries forward the momentum of important recent exhibitions including The Black Woman is God at SOMArts Cultural Center, When and Where I Enter, Angela Hennessy's solo exhibition at Southern Exposure, and Hinkle's solo exhibition Who Among Us... at San Francisco's Museum of the African Diaspora (2015 - 16) and The Evanesced at Los Angeles» California African American Museum (2017).

Arcangel's work has appeared in numerous important group exhibitions and has attracted international attention in recent years.

The exhibition includes historic early works, featuring one of the most important neons Kosuth ever made, «Five Fives (to Donald Judd)» [blue], (1965), alongside more recent works such as his «Camus Illuminated» series (2013).

As one of the leading figures in the Hong Kong art community, she has also coordinated / curated several important exhibitions including the Microwave International Media Art Festival 2001 and the recent Digital Delight at the Macau Museum of Art.

The exhibition features recent paintings of New York City and Maine alongside important canvases that mark major developments in Jacquette's oeuvre over the last thirty - five years.