Sentences with phrase «recent installations as»

This volume accompanies the first large museum survey of her work, and features new and recent installations as well as a range of work from the past 15 years.

Not exact matches

RAPTOR ™ is ideally suited to both industrial and municipal applications in Australasia, with its most recent global installations, such as Del Monte Philippines, demonstrating its potential for similar applications here.
There is little doubt that Arsenal are the team in form as we prepare for the latest installation of the local rivalry between us and Tottenham, who may have started the current season well, but have gone off the rails a bit in recent weeks.
As promised, here is the first installation of travel outfits from my recent trip to Dublin.
The most recent installation is called Aunt Dimity and the Family Tree — and was described in BookPage as «cozy and charming as a cup of Earl Grey.»
As Hawaii's first LEED - EBOM Silver resort, Hyatt Regency Maui's list of leading environmental initiatives include LEED - EBOM certification maintenance by the resort's own Green Team; sustainability and recycling tactics supporting renewable energy and recycling; the recent installation of one of the largest photovoltaic solar panel systems in Hawaii that significantly reducing the resort's carbon footprint; and a new sustainability tour for guests to learn about environmental initiatives on site.
The Armory Show (New York) features over 200 international galleries and shows both 20th and 21st century artworks in a primary gallery show as well as several areas of the show that feature more specific themes such as 20th century work, recent work from emerging artists, and large - scale installation artworks.
For the past quarter century, primarily with his paintings but also, as a recent exhibition title put it, «other stuff,» like photographs, videos, sculptures, and installations, he has been getting black figures onto museum walls.
On a recent Thursday, as the Whitney Museum revved into gear for the opening of its Frank Stella retrospective, the artist Rachel Rose flopped onto the carpet in front of the video installation she'd been tinkering with all week.
Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.
The first part, MANIC / LOVE, featured Wolfson's most recent large scale animatronic installation Colored sculpture (2016), whose red hair, freckles, and boyish look draw associations with such literary and pop cultural characters as Huckleberry Finn and Howdy Doody.
Recent sculptural installations, such as Cracks in the Clouds (2010) at New York's Seagram Building and At Least They Died Together (2014) at the Brant Foundation, Greenwich, CT, imbue the spare language of Minimalism with emotional depth.
3:45 — 4:45 pm Madness of the Present: Abstraction's Radical Possibilities: A conversation between Adam Pendleton and Adrienne Edwards Focusing on Adam Pendleton's art of the past two years, from his installation for the Belgian Pavilion at the 2015 Venice Biennale to his recent suite of paintings entitled Untitled (A Victim of American Democracy), Pendleton and curator Adrienne Edwards explore abstraction as a platform for revolutionary possibilities in art and politics.
During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will reflect on her new works, including her recent show at Massachusetts Museum of Contemporary Art, «As Above So Below,» a large - scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected installations.
It ranges from Four Posters (1984) through celebrated performances such as Museum Highlights (1989), Inaugural Speech (1997), Official Welcome (2001/2003), and her audio installations for the Austrian pavilion at the 45th Biennale di Venezia in 1993, to recent works such as Men on the Line (2012).
This exhibition, arranged as an installation, includes works created during a recent residency in Puebla, Mexico.
Beyond the focus on the pathological and therapeutic aspects of art, this exhibition attempts to reflect the depth of her trajectory and also her contemporaneity, by showing recent installations, such asI'm Here, but Nothing (2000), as well as others created specifically for the occasion, such as Infinity Mirrored Room — Filled with the Brilliance of Life (2011).
The works in the exhibition range from the mid-1970s to the present day, including many recent acquisitions and major installations such as A Minute Ago by Rachel Rose, and Odradek Wall by Liam Gillick.
In the upstairs gallery, Suga is presenting more recent installations, such as Ido no gensoku — A (1994), a tower of paraffin blocks on a steel plate, as well as a wide range of small wall - mounted assemblages.
The work, titled «Free» is a site - specific installation and was inspired by Rubell's recent visit to Savannah as well as a broad range of ideas from communion and the Annunciation to Le Corbusier's church at Ronchamp, artists Mark Rothko and Donald Judd, and Ha...
«Through three video installations — Grand Paris Texas, Movie Mountain (Méliès), and the premiere of their most recent film, Giant — Hubbard / Birchler frame the traces that filmmaking leaves behind in physical places as well as in people's psyches,» writes A+C contributor Nancy Zastudil.
Attempting to recreate the show's installation with as much fidelity to the original as possible (akin to what the Barnes Foundation pulled off in Philadelphia), the new exhibition — titled «When Attitudes Become Form: Bern 1969 / Venice 2013» — promises an audacious engagment with the relatively recent past in a city in love with history.
Employment opportunities offered to our recent BFA grads include working as an artist's assistant, starting their own design / build firm, art handling and preparing, development assistant at the Rothko Chapel, web design, display design and installation, curating exhibitions, assisting with commercial photo and film shoots, interning at the Contemporary Arts Museum, Houston, and teaching, just to name a few.
A lot, apparently, as is demonstrated in the most recent installation of testosterone - tinged excess at the New Museum.
As one stands between Pyramids of Light (2002/2003), Blue Pacific (1975) and In Search of Moby Dick No. 3, Fata Morgana in Search of Moby Dick (1976), the gallery has a striking similarity to Dan Flavin and James Turrell's light installations at the recent Light Show at the Hayward Gallery.
In recent years he has presented a number of elaborate scenarios for galleries in which he performs music in physically restrictive conditions; often the residue of these actions might be left as a sculptural installation.
Charlie Clarke, Ron Mueck's long - time exhibition manager, is in conversation with the Modern's Senior Curator, Andrea Karnes as they discuss the work and career of Ron Mueck, from his first acclaimed sculpture, Dead Dad, to his most recent installation of 100 giant skulls, Mass, with a particular focus on the works in the Modern's exhibition Ron Mueck.
Rojas has had multiple solo exhibitions in recent years, including major installations at the Rose Art Museum at Brandeis University and the Ulrich Museum of Art at Wichita State University, as well as gallery exhibitions in Chicago, London, Los Angeles, New York, London, and San Francisco.
1998 Peter Halley, Paintings of the 90s, Museum Folkwang, Essen, Germany (installation, catalogue) Peter Halley: Small Paintings, Galerie Bruno Bischofberger, Zurich Peter Halley: New Paintings, Jablonka Galerie, Cologne, Germany Mario Diacono Gallery, Boston, MA (booklet) Peter Halley: Painting as Sociogram 1981 — 1997, Kitakyushu Municipal Museum of Art, Kitakyushu, Japan (catalogue) Exploding Cell, Soap Gallery, Kitakyushu, Japan (installation) Paintings and Drawings, Tomio Koyama Gallery, Tokyo Módulo Gallery, Lisbon Ace Gallery, Los Angeles Peter Halley, Recent Prints, Numark Gallery, Washington, DC
With recent acquisitions a concerted effort has been made to acquire works in new and experimental media, such as Bill Viola's video The Quintet of Remembrance (2000) and Michal Rovner's video installation Tfila (2004).
Formerly predominantly screen based, Verkade's recent body of work is unfolding into a diverse materiality of sorts and has made way for sculptural elements to support and situate her video works as part of space - intrusive installations.
As video ergo sum, a new retrospective at the Jeu de Paume in Paris, tracks Campus's investigation of the self from early interactive installations into recent «videographs» of landscapes, key mid-career works are concurrently featured in circa 1987 at Cristin Tierney Gallery in New York.
Works such as Bully (2010), which is a method acting class that re-enacts one man's experience of being bullied, or the more recent Fear and Loathing (2014) are present in the show together with previous pieces such as the video installation Secrets and Lies (2009) in which a group of men and women, anonymously describe intensely personal experiences wearing masks.
Exhibits of her work have included an entire exhibited dedicated to artwork with her as muse, including numerous self portraits at Rox Gallery as well a recent performance art installation at The Hole Gallery, Natalie White For Equal Rights.
Recent commissions include an artwork installation for the San Diego International Airport Terminal 2 revitalization, which will be unveiled in late 2013 as well as a commission for the new San Diego Public Library.
Recent stints as a resident in Spaces World Art Program and a Mary L. Nohl Fellow resulted in permanent, public installations of bronze plaques that commemorate their own legitimacy; a further iteration of this project was included in the 2014 Whitney Biennial.
For her first solo museum exhibition in Los Angeles, Leigh presents a selection of recent ceramics and a site - specific installation, as well as a public program related to her ongoing research and work in public engagement.
In this exhibition of recent work — including prints, projections, interactive installations, kinetic sculpture, and drawings — Arcangel mixes and matches professional and amateur technologies as he explores the influence and appeal of such media in contemporary society.
His more recent works, which include print making, painting and installations, still draw on this theme of everyday objects and their changing nature in society and artistic practice, using their pre-defined contextual symbolism as a way to make an audience re-think what we see, and what we know.
Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans, and critical texts from the time, as well as an expansive account of recent exhibition history.
The exhibition brings together historic works, installations or photo - compositions, many of which have never been shown in Europe before, paintings, and drawings from the 1980s - 1990s, as well as major recent installations.
For his 12 × 12 exhibition, Russell presents a site - specific installation of the most recent installment of Trypps, a series of seven films that the artist describes as «an ongoing study in trance, travel, and psychedelic ethnography.»
Some recent examples include: Milwaukee Art Museum 2010 where Gates invited a gospel choir into the galleries to sing songs adapted from inscriptions on pots by the famous 19th century slave and potter «Dave Drake»; the Whitney Biennial, 2010 when the Sculpture Court was transformed with an architectural installation functioning as communal gathering space for performances, social engagement, and contemplation.
In her exhibition Game Mechanics, Beckman presents the film installation You the Better (1983/2015) and her most recent film Tension Building (2016) as well as drawings.
Recent works include the three - screen installation The Unfinished Conversation (2012), a moving portrait of the cultural theorist Stuart Hall's life and work; Peripeteia (2012), an imagined drama visualising the lives of individuals included in two 16th century portraits by Albrecht Dürer and Mnemosyne (2010) which exposes the experience of migrants in the UK, questioning the notion of Britain as a promised land by revealing the realities of economic hardship and casual racism.
Recent installations have allowed Issa, who also writes fiction and essays as part of her practice, to investigate historical works of art through poetic, written descriptions and varied interpretative forms.
Recent projects by Da Corte have been immersive installations that play with the malleability of time, the fluidity of space, and the design of cinematic narratives as an invisible and plastic architecture.
Following its installation in Berkeley, Jim Campbell / MATRIX 208 Memory Array will travel to SITE Santa Fe from March 27 to June 13, 2004, and subsequently tour as part of a jointly produced exhibition of new and recent work by the artist.
Recent exhibitions presented by the school include Drawing from the Archive: Analysis as Design (with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Drawing Ambience: Alvin Boyarsky and the Architectural Association (co ‑ organized by Museum of Art Rhode Island School of Design, Providence and the Mildred Lane Kemper Art Museum at Washington University in St. Louis, with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Paul Rudolph: Lower Manhattan Expressway (presented with The Drawing Center, New York), Lessons from Modernism (presented with the Institute for Sustainable Design, with generous support from the Stavros Niarchos Foundation), Massimo Scolari: The Representation of Architecture, 1967 - 2012 (organized by the Yale School of Architecture with additional support provided by the Graham Foundation for Advanced Studies in the Fine Arts, the Turner Foundation, and by Elise Jaffe + Jeffrey Brown), Bernhard Hoesli: Collages, Alternativas / Alternatives XIII Spanish Biennial of Architecture and Urbanism (co-presented with the Spanish Biennial of Architecture and Urbanism and presented in association with Archtober, Architecture and Design Month New York City, October 2016) and John Hejduk Works / Jan Palach Memorial (installation presented in conjunction with the New York City Department of Transportation's Arterventions Program).
The exhibition will include Doug Aitken's recent monumental video installation Interiors (2002); large - scale photographs from Fischli / Weiss Airport series (1988 - 1998); Atomium Phi (2004), a light - based sculpture by Carsten Höller; preparatory materials (storyboards, photographs, notes and drawings) for Chris Marker's legendary 1962 film La Jetée; Bruce Nauman's celebrated Green Light Corridor (1970); a large photography and sound installation, Sleep (1999), by Ugo Rondinone; as well as preparatory materials for Ed Ruscha and Lawrence Weiner's 1978 book, Hard Light.
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