Sentences with phrase «recent installations explore»

Andrea Ray is a Brooklyn - based artist whose recent installations explore issues of subjectivity and community through, for example, proposed forms of alternative living and utopian communities.

What / Why: «Score for a Color Field is an exhibition of Floor van de Velde's recent installations exploring light, space, sound and color.

Not exact matches

The exhibition includes early geometric light projections, prints and drawings, installations exploring sensory deprivation and seemingly unmodulated fields of colored light, and recent two - dimensional work with holograms.

3:45 — 4:45 pm Madness of the Present: Abstraction's Radical Possibilities: A conversation between Adam Pendleton and Adrienne Edwards Focusing on Adam Pendleton's art of the past two years, from his installation for the Belgian Pavilion at the 2015 Venice Biennale to his recent suite of paintings entitled Untitled (A Victim of American Democracy), Pendleton and curator Adrienne Edwards explore abstraction as a platform for revolutionary possibilities in art and politics.

PLAYTIME thus follows on from Julien's acclaimed nine screen installation Ten Thousand Waves (2010)- currently on show at MoMA, New York - which offers a response to the Morecambe Bay tragedy of 2004, where twenty - three Chinese cockle pickers were lost at sea, and Western Union: small boats (2007), which explores the perilous voyages of those attempting to cross the Mediterranean from Africa to gain entry into «fortress Europe» a story that has tragically dominated the news headlines once again in recent months.

My recent body of work explores the geopolitical landscape through drawing and sculptural installation.

Recent projects include Another Utopia (2015), a year - long project culminating in an installation and film exploring the squatting and housing co-operative movement of the 70's and 80's in London, and The Potential Space (2014), a film looking at parallels between making utilitarian objects and artistic practice, developed with members of Friends of Cathja, a charity that supports people experiencing mental health issues.

In this exhibition of recent work — including prints, projections, interactive installations, kinetic sculpture, and drawings — Arcangel mixes and matches professional and amateur technologies as he explores the influence and appeal of such media in contemporary society.

Her most recent work explores the relationship between new digital media and performance in multichannel video installations.

It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores, according to the museum.

Presented in conjunction with a three - month residency supported by the Ministry of Culture, Taiwan, the artist will exhibit an installation of recent interactive sculptural works exploring games and space in the Center's Atrium Gallery from November 16 — December 11, 2015, with the opening reception on Saturday, November 21, 6 - 8PM.

Nocturnal Hologram features three recent large - scale sculptural installations that explore the productive space of the dream state and our attempts to understand how thought patterns are created and can be made physically manifest.

Publication A catalog will be published by MoMA PS1 for Greater New York 2010, documenting recent trends, processes, and media explored in the exhibition and featuring work by each of the exhibition's 68 artists and collectives, documenting the installation at MoMA PS1, with an accompanying curatorial essay written by curators Klaus Biesenbach, Connie Butler, and Neville Wakefield.

Opens March 3, 2011 Making Histories: Changing Views of the Collection explores how a museum collection constructs and embodies histories to be reconsidered over time, offering various views into the museum's own history and its collections right up to the present day, through monographic installations of individual works or bodies of work by key artists and designers, thematic surveys, archival research projects, special projects and recent acquisitions.

It includes work spanning the Swiss artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

The work further explores an aspect of his practice started with his recent installations «TOGETHER APART», currently exhibited at Kunstverein Braunschweig, Germany and» STAND OFF» as seen in his solo - show at Plymouth Arts Centre, UK in 2015.

Contemporary Art from the Collection is the most recent installation of these galleries, which are regularly reconfigured and reinstalled to display the Museum's vast collection and to allow visitors to explore the art of today.

It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

In Big Windows: Skin: Portals, Nicola López draws on her recent monumental installation In Gentle Defiance of Gravity and Form at Museum of Contemporary Art Jacksonville, to explore architecture as a metaphor for the human experience on both societal and individual levels.

«Pixel Forest» will be the most comprehensive presentation of Rist's work in New York to date; it spans the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

His recent work includes Storming Times Square, screened on 47 of the LED billboards in Times Square, New York; «Small Data», a solo exhibition at bitforms, New York, and Max Estrella Gallery in Madrid; «Quadratura», a solo exhibition at Espacio Fundación Telefónica in Lima; «Vórtices», an exhibition exploring issues of water and sustainability at the Fundación Canal Isabel II in Madrid; Synaptic Passage, an installation commissioned for the exhibition «Brain: The Inside Story» at the American Museum of Natural History in New York and two installations at the Sundance Film Festival 2011 in Park City, Utah.

He uses installation, sculpture and video to explore modern day industrialization, recent insurgencies throughout the Maghreb and the Middle East, and the inevitability of history repeating itself.

In her most recent project Correspondence 0, which is currently on display at the South London Gallery, she uses archival footage and video installations to explore the history of the Pioneer Health Centre in Peckham.

After the huge success of Julien's installation film TEN THOUSAND WAVES (2010), his most recent video work PLAYTIME explores current issues such as the ambivalent relationship between capital, the contemporary art world and the individual.

Breaker A collection of recent sculpture and installation work by Philadelphia native Maggie Casey, curated by NAPOLEON member Christina P. Day Working at the scale of the body, Breaker explores methods that take materials out of a familiar context by enhancing innate characteristics.

Although known for his outlandish performances and kitschy installations that riff on contemporary art making strategies, in a recent show at The Schumacher Gallery at Westover School, O'Donnell presented a series of small paintings that explored contemporary abstraction.

This catalog brings together Shapiro's early wood reliefs, created between 1978 and 1980, with his recent site - specific installation practice, exploring the ways in which both bodies of work create expansive, joyful moments of discovery and play.

Four recent video - installations will be presented alongside a selection of her photographic work exploring or questioning the polarity between still and moving, broken and continuous, fleeting and fixed or captured.

Johnson himself is known for his photography, films, sculptures and installations that often draw on the identities of black figures from recent history such as Don King and Sun Ra, as well exploring his own upbringing.

Key works include Andrew Erdos's Texture of a Ghost (2011), a 6 x 8 foot room featuring hand - blown glass sculptures and a video installation; Josiah McElheny's Landscape Model for Total Reflective Abstraction (I)(2004); Luke Jerram's E. coli (2010), which explores the tension between scientific objectivity and cultural perceptions of viruses, diseases, and bacteria; twelve snow globes by Walter Martin and Paloma Muñoz from the Travelers series; three stained glass light boxes by Judith Schaechter; and a recent body of work by Czech Republic - based artist Karen LaMonte that highlights the role of the kimono in Japanese culture.

«Nocturnal Hologram» features three recent large - scale sculptural installations that explore the...

In recent years, Urs Fischer has been exploring the genres of classical art history (still lifes, portraits, nudes, landscapes, and interiors) at the intersection with everyday life in cast sculptures and assemblages, paintings, digital montages, spatial installations, mutating or kinetic objects, and texts.

While Mullican has had recent press for his large and fascinating drawing installation at the Venice Biennale this year, Mai 36 presented an understated yet impressive selection of works including a selection of 9 gouache on handmade paper works exploring some of the most fundamental elements to Mullican's work.

Recent works include: Bobby Niven's «Bothy Project» whereby he has created perfectly realised spaces for other artists to work and live in; Aaron Williamson's anarchic performance art often displays a politicised and progressive sensibility towards disability and is typically presented to an unsuspecting public as with his current «Demonstrating the World» mobile stage set; Ruth Ewan explores how the past connects to the present, with her recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and conRecent works include: Bobby Niven's «Bothy Project» whereby he has created perfectly realised spaces for other artists to work and live in; Aaron Williamson's anarchic performance art often displays a politicised and progressive sensibility towards disability and is typically presented to an unsuspecting public as with his current «Demonstrating the World» mobile stage set; Ruth Ewan explores how the past connects to the present, with her recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and conrecent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and confound.

Recent sound installations include ANT / LIFE / ART / WORK, listening in to the sound world of thatching ants, and Memory Like Water, exploring the flow and malleability of memory.

This catalogue brings together Shapiro's early wood reliefs, created between 1978 and 1980, with his recent site - specific installation practice, exploring the ways in which both bodies of work create expansive, joyful moments of discovery and play.

Whose beginning is not, nor end can not be presents new and recent works that explore recurring themes and new subject matter through a wide range of media including film, drawing, installation and performance.

Furthest Boundless: In a major, new mixed media installation complemented by a series of recent paintings, Toronto artist Nicole Collins delves into the emotional territory of loss as she explores the human struggle between grief and acceptance, gravity and grace.

In a major, new mixed media installation complemented by a series of recent paintings, Toronto artist Nicole Collins delves into the emotional territory of loss as she explores the human struggle between grief and acceptance, gravity and grace.

Curator Sabine Breitwieser of the Generali Foundation includes early Conceptualist photographs and drawings, documentation of»70s feminist performances, and recent video installations, in which Piper explores issues of race and African - American experience.

The most recent presentation, Tales of Our Time (2016 — 17), was a group exhibition that included a robot - operated installation of monumental scale, a public tea gathering in an indoor garden setting, and immersive video works to explore and challenge the notion of place.

Recent audio - visual installation works include «Ten Thousand Waves» (2010), which was shot in China and recently exhibited at Museum of Modern Art, as well as «Playtime» (2014), an ambitious new body of work exploring the dramatic and nuanced subject of capital starring an international roster of actors.

Since his debut film, Intervista (Finding the Words)(1998), to his recent installations that explore spatial and temporal manipulations of music, Anri Sala has developed a widely acclaimed multimedia practice founded in the interplay of images, sound and architectural space.

In recent installations, he revisits this archive, pairing images of Jackson with photographs of Ghana where Gray maintains a studio, exploring the diasporic dislocations and cultural connections which link the US to West Africa.

The contributions also consider such specific works as Kelly's Interim (1984 — 1989), the subject of a special issue of October; Gloria Patri (1992), an installation conceived in response to the first Gulf War; The Ballad of Kastriot Rexhepi (2001), an extensive project including a 200 - foot narrative executed in the medium of compressed lint and the performance of a musical score by Michael Nyman; and two recent works, Love Songs (2005 - 2007), which explores the role of memory in feminist politics, and Mimus (2012), a triptych that parodies the House Un-American Activities Committee's 1962 investigation of the pacifist group, Women Strike for Peace.

Claire Ashley (Scottish, born 1971) earned her BA in 1993 from Grays School of Art, Aberdeen, Scotland and an MFA (Painting and Drawing) from The School of the Art Institute of Chicago (1995)... As seen in this exhibition at 808 Gallery, Ashley's recent work explores inflatable objects as painting, sculpture, installation, and performance costume.

A recent Culture Talk with Lorna Simpson explored the concept for «Cloudscape» her 2004 video installation featuring Adkins.

It will include work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

Defiant of genre and dismissive of easy conventions of taste, Blackwell's recent series of transformed plastic bags known as Neveruses (or «never uses») have additionally made their way into collaborative installations, photographs, performances, and dance projects that further explore the limitless potential of the material.

Best known for her immersive installations and public projects that explore the various historical and psychological implications of the genre of landscape, Teresita Fernández's most recent exhibition at Lehmann Maupin, Fire (America), debuts a 16 - foot glazed ceramic wall panel depicting a nocturnal landscape engulfed in flames, as well as a new series of abstract landscapes made from burned paper.