What / Why: «Score for a Color Field is an exhibition of Floor van de Velde's
recent installations exploring light, space, sound and color.
Andrea Ray is a Brooklyn - based artist whose
recent installations explore issues of subjectivity and community through, for example, proposed forms of alternative living and utopian communities.
Not exact matches
The exhibition includes early geometric light projections, prints and drawings,
installations exploring sensory deprivation and seemingly unmodulated fields of colored light, and
recent two - dimensional work with holograms.
3:45 — 4:45 pm Madness of the Present: Abstraction's Radical Possibilities: A conversation between Adam Pendleton and Adrienne Edwards Focusing on Adam Pendleton's art of the past two years, from his
installation for the Belgian Pavilion at the 2015 Venice Biennale to his
recent suite of paintings entitled Untitled (A Victim of American Democracy), Pendleton and curator Adrienne Edwards
explore abstraction as a platform for revolutionary possibilities in art and politics.
PLAYTIME thus follows on from Julien's acclaimed nine screen
installation Ten Thousand Waves (2010)- currently on show at MoMA, New York - which offers a response to the Morecambe Bay tragedy of 2004, where twenty - three Chinese cockle pickers were lost at sea, and Western Union: small boats (2007), which
explores the perilous voyages of those attempting to cross the Mediterranean from Africa to gain entry into «fortress Europe» a story that has tragically dominated the news headlines once again in
recent months.
My
recent body of work
explores the geopolitical landscape through drawing and sculptural
installation.
Recent projects include Another Utopia (2015), a year - long project culminating in an
installation and film
exploring the squatting and housing co-operative movement of the 70's and 80's in London, and The Potential Space (2014), a film looking at parallels between making utilitarian objects and artistic practice, developed with members of Friends of Cathja, a charity that supports people experiencing mental health issues.
In this exhibition of
recent work — including prints, projections, interactive
installations, kinetic sculpture, and drawings — Arcangel mixes and matches professional and amateur technologies as he
explores the influence and appeal of such media in contemporary society.
Her most
recent work
explores the relationship between new digital media and performance in multichannel video
installations.
It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which
explore the representation of the female body in popular culture, to her
recent expansive video
installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores, according to the museum.
Presented in conjunction with a three - month residency supported by the Ministry of Culture, Taiwan, the artist will exhibit an
installation of
recent interactive sculptural works
exploring games and space in the Center's Atrium Gallery from November 16 — December 11, 2015, with the opening reception on Saturday, November 21, 6 - 8PM.
Nocturnal Hologram features three
recent large - scale sculptural
installations that
explore the productive space of the dream state and our attempts to understand how thought patterns are created and can be made physically manifest.
Publication A catalog will be published by MoMA PS1 for Greater New York 2010, documenting
recent trends, processes, and media
explored in the exhibition and featuring work by each of the exhibition's 68 artists and collectives, documenting the
installation at MoMA PS1, with an accompanying curatorial essay written by curators Klaus Biesenbach, Connie Butler, and Neville Wakefield.
Opens March 3, 2011 Making Histories: Changing Views of the Collection
explores how a museum collection constructs and embodies histories to be reconsidered over time, offering various views into the museum's own history and its collections right up to the present day, through monographic
installations of individual works or bodies of work by key artists and designers, thematic surveys, archival research projects, special projects and
recent acquisitions.
It includes work spanning the Swiss artist's entire career, from her early single - channel videos of the 1980s, which
explore the representation of the female body in popular culture, to her
recent expansive video
installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.
The work further
explores an aspect of his practice started with his
recent installations «TOGETHER APART», currently exhibited at Kunstverein Braunschweig, Germany and» STAND OFF» as seen in his solo - show at Plymouth Arts Centre, UK in 2015.
Contemporary Art from the Collection is the most
recent installation of these galleries, which are regularly reconfigured and reinstalled to display the Museum's vast collection and to allow visitors to
explore the art of today.
It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which
explore the representation of the female body in popular culture, to her
recent expansive video
installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.
In Big Windows: Skin: Portals, Nicola López draws on her
recent monumental
installation In Gentle Defiance of Gravity and Form at Museum of Contemporary Art Jacksonville, to
explore architecture as a metaphor for the human experience on both societal and individual levels.
«Pixel Forest» will be the most comprehensive presentation of Rist's work in New York to date; it spans the artist's entire career, from her early single - channel videos of the 1980s, which
explore the representation of the female body in popular culture, to her
recent expansive video
installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.
His
recent work includes Storming Times Square, screened on 47 of the LED billboards in Times Square, New York; «Small Data», a solo exhibition at bitforms, New York, and Max Estrella Gallery in Madrid; «Quadratura», a solo exhibition at Espacio Fundación Telefónica in Lima; «Vórtices», an exhibition
exploring issues of water and sustainability at the Fundación Canal Isabel II in Madrid; Synaptic Passage, an
installation commissioned for the exhibition «Brain: The Inside Story» at the American Museum of Natural History in New York and two
installations at the Sundance Film Festival 2011 in Park City, Utah.
He uses
installation, sculpture and video to
explore modern day industrialization,
recent insurgencies throughout the Maghreb and the Middle East, and the inevitability of history repeating itself.
In her most
recent project Correspondence 0, which is currently on display at the South London Gallery, she uses archival footage and video
installations to
explore the history of the Pioneer Health Centre in Peckham.
After the huge success of Julien's
installation film TEN THOUSAND WAVES (2010), his most
recent video work PLAYTIME
explores current issues such as the ambivalent relationship between capital, the contemporary art world and the individual.
Breaker A collection of
recent sculpture and
installation work by Philadelphia native Maggie Casey, curated by NAPOLEON member Christina P. Day Working at the scale of the body, Breaker
explores methods that take materials out of a familiar context by enhancing innate characteristics.
Although known for his outlandish performances and kitschy
installations that riff on contemporary art making strategies, in a
recent show at The Schumacher Gallery at Westover School, O'Donnell presented a series of small paintings that
explored contemporary abstraction.
This catalog brings together Shapiro's early wood reliefs, created between 1978 and 1980, with his
recent site - specific
installation practice,
exploring the ways in which both bodies of work create expansive, joyful moments of discovery and play.
Four
recent video -
installations will be presented alongside a selection of her photographic work
exploring or questioning the polarity between still and moving, broken and continuous, fleeting and fixed or captured.
Johnson himself is known for his photography, films, sculptures and
installations that often draw on the identities of black figures from
recent history such as Don King and Sun Ra, as well
exploring his own upbringing.
Key works include Andrew Erdos's Texture of a Ghost (2011), a 6 x 8 foot room featuring hand - blown glass sculptures and a video
installation; Josiah McElheny's Landscape Model for Total Reflective Abstraction (I)(2004); Luke Jerram's E. coli (2010), which
explores the tension between scientific objectivity and cultural perceptions of viruses, diseases, and bacteria; twelve snow globes by Walter Martin and Paloma Muñoz from the Travelers series; three stained glass light boxes by Judith Schaechter; and a
recent body of work by Czech Republic - based artist Karen LaMonte that highlights the role of the kimono in Japanese culture.
«Nocturnal Hologram» features three
recent large - scale sculptural
installations that
explore the...
In
recent years, Urs Fischer has been
exploring the genres of classical art history (still lifes, portraits, nudes, landscapes, and interiors) at the intersection with everyday life in cast sculptures and assemblages, paintings, digital montages, spatial
installations, mutating or kinetic objects, and texts.
While Mullican has had
recent press for his large and fascinating drawing
installation at the Venice Biennale this year, Mai 36 presented an understated yet impressive selection of works including a selection of 9 gouache on handmade paper works
exploring some of the most fundamental elements to Mullican's work.
Recent works include: Bobby Niven's «Bothy Project» whereby he has created perfectly realised spaces for other artists to work and live in; Aaron Williamson's anarchic performance art often displays a politicised and progressive sensibility towards disability and is typically presented to an unsuspecting public as with his current «Demonstrating the World» mobile stage set; Ruth Ewan explores how the past connects to the present, with her recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and con
Recent works include: Bobby Niven's «Bothy Project» whereby he has created perfectly realised spaces for other artists to work and live in; Aaron Williamson's anarchic performance art often displays a politicised and progressive sensibility towards disability and is typically presented to an unsuspecting public as with his current «Demonstrating the World» mobile stage set; Ruth Ewan
explores how the past connects to the present, with her
recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and con
recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy
installation «A Greater Order», that both question and confound.
Recent sound
installations include ANT / LIFE / ART / WORK, listening in to the sound world of thatching ants, and Memory Like Water,
exploring the flow and malleability of memory.
This catalogue brings together Shapiro's early wood reliefs, created between 1978 and 1980, with his
recent site - specific
installation practice,
exploring the ways in which both bodies of work create expansive, joyful moments of discovery and play.
Whose beginning is not, nor end can not be presents new and
recent works that
explore recurring themes and new subject matter through a wide range of media including film, drawing,
installation and performance.
Furthest Boundless: In a major, new mixed media
installation complemented by a series of
recent paintings, Toronto artist Nicole Collins delves into the emotional territory of loss as she
explores the human struggle between grief and acceptance, gravity and grace.
In a major, new mixed media
installation complemented by a series of
recent paintings, Toronto artist Nicole Collins delves into the emotional territory of loss as she
explores the human struggle between grief and acceptance, gravity and grace.
Curator Sabine Breitwieser of the Generali Foundation includes early Conceptualist photographs and drawings, documentation of»70s feminist performances, and
recent video
installations, in which Piper
explores issues of race and African - American experience.
The most
recent presentation, Tales of Our Time (2016 — 17), was a group exhibition that included a robot - operated
installation of monumental scale, a public tea gathering in an indoor garden setting, and immersive video works to
explore and challenge the notion of place.
Recent audio - visual
installation works include «Ten Thousand Waves» (2010), which was shot in China and recently exhibited at Museum of Modern Art, as well as «Playtime» (2014), an ambitious new body of work
exploring the dramatic and nuanced subject of capital starring an international roster of actors.
Since his debut film, Intervista (Finding the Words)(1998), to his
recent installations that
explore spatial and temporal manipulations of music, Anri Sala has developed a widely acclaimed multimedia practice founded in the interplay of images, sound and architectural space.
In
recent installations, he revisits this archive, pairing images of Jackson with photographs of Ghana where Gray maintains a studio,
exploring the diasporic dislocations and cultural connections which link the US to West Africa.
The contributions also consider such specific works as Kelly's Interim (1984 — 1989), the subject of a special issue of October; Gloria Patri (1992), an
installation conceived in response to the first Gulf War; The Ballad of Kastriot Rexhepi (2001), an extensive project including a 200 - foot narrative executed in the medium of compressed lint and the performance of a musical score by Michael Nyman; and two
recent works, Love Songs (2005 - 2007), which
explores the role of memory in feminist politics, and Mimus (2012), a triptych that parodies the House Un-American Activities Committee's 1962 investigation of the pacifist group, Women Strike for Peace.
Claire Ashley (Scottish, born 1971) earned her BA in 1993 from Grays School of Art, Aberdeen, Scotland and an MFA (Painting and Drawing) from The School of the Art Institute of Chicago (1995)... As seen in this exhibition at 808 Gallery, Ashley's
recent work
explores inflatable objects as painting, sculpture,
installation, and performance costume.
A
recent Culture Talk with Lorna Simpson
explored the concept for «Cloudscape» her 2004 video
installation featuring Adkins.
It will include work spanning the artist's entire career, from her early single - channel videos of the 1980s, which
explore the representation of the female body in popular culture, to her
recent expansive video
installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.
Defiant of genre and dismissive of easy conventions of taste, Blackwell's
recent series of transformed plastic bags known as Neveruses (or «never uses») have additionally made their way into collaborative
installations, photographs, performances, and dance projects that further
explore the limitless potential of the material.
Best known for her immersive
installations and public projects that
explore the various historical and psychological implications of the genre of landscape, Teresita Fernández's most
recent exhibition at Lehmann Maupin, Fire (America), debuts a 16 - foot glazed ceramic wall panel depicting a nocturnal landscape engulfed in flames, as well as a new series of abstract landscapes made from burned paper.