Sentences with phrase «recent major group exhibitions»

The artists» work has been featured in recent major group exhibitions, including Paulin, Paulin, Paulin, Galerie Perrotin Paris, Paris, France (2015); What We Call Love, IMMA, Dublin, Ireland (2015); Little Is Left To Tell (Calvino after Calvino), Blueproject Foundation, Barcelona, Spain (2015); Poor Art - Rich Legacy.
He has exhibited work in recent major group exhibitions at such venues as the Venice Biennale (2015, 2007) and the Museum of Contemporary Art, Los Angeles (2012).
The artists» work has been featured in recent major group exhibitions, including Paulin, Paulin, Paulin, Galerie Perrotin Paris, Paris, France (2015); What We Call Love, IMMA, Dublin, Ireland (2015); Little Is Left To Tell (Calvino after Calvino), Blueproject Foundation, Barcelona, Spain (2015); Poor Art — Rich Legacy.
Recent major group exhibitions include: The Great Mother, Fondazione Nicola Trussardi Milan, Italy; The World Goes Pop, Tate Modern, London, U.K.; Heaven, 2nd Athens Biennial, Athens, Greece; Making Worlds, La Biennale di Venezia, 53rd International Art Exhibition, Arsenale, Venice, Italy; 2008 Sydney Biennial, Sidney, Australia; 4th Berlin Biennial for Contemporary Art: Of Mice and Men / Of Mice and Men, KW Institute for Contemporary Art, Berlin, Germany; and Guangzhou Triennial, Guangzhou, China; as well as Documenta 3 (1964), 6 (1977), and 13 (2012).
Gaines's work has been featured in recent major group exhibitions including Blues for Smoke (Museum of Contemporary Art, Los Angeles, 2012) and Now Dig This!

Not exact matches

She has participated in major exhibitions including recent solo shows at the Hammer Museum and the Norton Museum of Art, and group shows at the New Museum, SFMOMA, the Studio Museum in Harlem, the Nasher Museum of Art, and The Whitney Museum of American Art Billboard Project.
From focused exhibitions on the work of Cuban painter Amelia Peláez and Haitian born, Miami - based artist Edouard Duval - Carrié to thematic presentations of the Museum's permanent collection to major retrospectives on artists Ai Weiwei and Beatriz Milhazes and group exhibitions on the exchange of ideas between the Caribbean basin, Europe, and North Africa, PAMM's upcoming projects serve as critical frames through which larger dialogues about recent history, migration, new cultural formations, and diverse ideologies can be structured.
BOOKSHELF Recent group exhibition organized by major museums have featured the work of Barbara Jones - Hogu.
In recent years, the work has been featured in major group exhibitions including «Witness: Art and Civil Rights in the Sixties,» «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» We Wanted a Revolution: Black Radical Women, 1965 - 85,» and «Soul of a Nation: Art in the Age of Black Power.»
In recent years, Williams's work has been included in major group exhibitions such as the current «Soul of a Nation: Art in the Age of Black Power» at Tate Modern, London, and «The Freedom Principle: Experiments in Art and Music, 1965 to now», organized by MCA Chicago in 2015.
Nengudi's work was included in the 2017 Venice Biennale and has been featured in major recent group exhibitions, such as We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, New York (2017); Blues for Smoke, Whitney Museum, New York (2013), and Radical Presence: Black Performance in Contemporary Art, Contemporary Art Museum Houston (2012).
Sébastien Ricou is proud to present a group exhibition including recent work by Jean - Baptiste Bernadet, Travess Smalley and Keith J. Varadi around a major painting by Jean Degottex, Lignes - Report V from 1977.
Hou Young's work has been exhibited in major group shows including New voices: a dslcollection story, Klein Sun Gallery, New York, NY (2016); Dessensus Agitation - The Painting of Language, Today Art Museum, Beijing, China (2016); Fact or Fiction, Tang Contemporary Art, Hong Kong (2016); Omnipresent Concrete, Hunsand Space, Beijing, China (2014 - 2015); Touch, Chengdu A4 Contemporary Arts Center, Chengdu, China (2009 - 2010); The mARket Summer 2009 - 2010, Beijing Center for the Arts, Beijing, China (2009); Blank Show, Inside - Out, Beijing, China (2008); Blank, Ke Center for the Contemporary Arts, Shanghai, China (2007); Today Art Gallery Recent Exhibition, Today Art Museum, Beijing, China (2006); The 3rd Chinese Oil Painting Exhibition, The National Art Museum of China, Beijing, China (2003).
Recent projects include Treasure of Lima: A Buried Exhibition (a unique site - specific exhibition on the remote Pacific island of Isla del Coco) and Rare Earth (a major group exhibition at Thyssen - Bornemisza Art ContemporaryExhibition (a unique site - specific exhibition on the remote Pacific island of Isla del Coco) and Rare Earth (a major group exhibition at Thyssen - Bornemisza Art Contemporaryexhibition on the remote Pacific island of Isla del Coco) and Rare Earth (a major group exhibition at Thyssen - Bornemisza Art Contemporaryexhibition at Thyssen - Bornemisza Art Contemporary, Vienna).
The core of the selected 58 artists consisted of the major artists of the «85 New Wave such as Geng Jianyi, Gu Wenda, Huang Yong Ping, Liu Wei, Long - Tailed Elephant Group, Qiu Zhijie, Xu Bing but also, to a lesser extent, younger artists such as Zhang Huan, Cao Yong, and Wu Tien - Chang.7 As numerous group exhibitions featuring contemporary Chinese arts in Europe and North America, Inside Out also claimed to be the first and most representative large presentation of the recent art production from China providing a unique space to understand «China.&rGroup, Qiu Zhijie, Xu Bing but also, to a lesser extent, younger artists such as Zhang Huan, Cao Yong, and Wu Tien - Chang.7 As numerous group exhibitions featuring contemporary Chinese arts in Europe and North America, Inside Out also claimed to be the first and most representative large presentation of the recent art production from China providing a unique space to understand «China.&rgroup exhibitions featuring contemporary Chinese arts in Europe and North America, Inside Out also claimed to be the first and most representative large presentation of the recent art production from China providing a unique space to understand «China.»
In recent years, both within and outside Japan, interest in the post — World War II Gutai art movement has increased considerably, with major museum exhibitions appearing at such venues as the Museo Cantonale d'Arte in Lugano, Switzerland, the National Art Center in Tokyo, and the Guggenheim Museum in New York, as well as solo and group shows at commercial galleries in New York (Paula Cooper, McCaffrey Fine Art, Hauser & Wirth, Galerie Richard), London (Hauser & Wirth), Antwerp (Axel Vervoordt) and elsewhere.
Inspired by their great affinity for the exhibition theme and for the PinchukArtCentre as a leading institution in contemporary art, all of the artists decided to create some special pieces, partly in the form of new productions such as those by, amongst others, Anish Kapoor, AES+F, Cindy Sherman, Matthew Barney and Elmgreen & Dragset; of a special reappraisal of existing works by Paul McCarthy, Richard Prince, Boris Mikhailov and Takashi Murakami; or the selection of rare or recent work groups that have never been displayed as part of a major international exhibition before.
Inspired by the great affinity to the exhibition theme and for the PAC as a leading institution for contemporary art all of the artists created special contributions partly in the form of new productions, of a special reappraisal of existing works or the selection of rare most recent work groups that have never been displayed as part of a major international exhibition.
Parts of the region were included in the New Museum's recent exhibition «Here and Elsewhere,» a major group show of artists who make work within and about the Arab world, making «Focus: MENAM»» s timing all the more noteworthy.
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