Sentences with phrase «recent moving image»

He recently coordinated the LUX / ICA Biennial of Moving Images 2012, curated Alma Mater (2011/12) a LUX annual touring programme of recent Moving Image from the UK and has contributed to numerous screening programmes and panel discussions.

Not exact matches

One recent high - profile deal involving a top international player moving to a Premier League club was delayed because of fairly unique complexities involving his image rights company, which needed to be addressed and resolved before he could conclude the image rights portion of the deal with his new club.

I am forced to believe that your participation in the program is a cynical move on your part to improve your image in the international community, an image which is constantly marred by your unethical marketing of breastmilk substitutes and other widely publicized immoral acts (ie your recent attempts to exploit the impoverished Ethiopian government).

The move follows the BNP's tactic of using images of Winston Churchill and wartime insignia during recent European election campaigns.

Whitney Wolfe Herd «s Bumble is moving to ban images of guns from profiles following recent mass shootings in the USA.

Parkin turned the conversation to Image Comics» recent announcement that they would sell their comics as direct downloads, free of digital rights management (DRM), meaning that readers could store them permanently on their own devices and move them from one device to another without restriction.

Recent exhibitions Everything and More at The Whitney Museum of American Art (2015); Interiors at Castello di Rivoli (2015); and past shows include Visitors, Governor's Island, New York (2015); Cloud Cover, CCS Bard College, Hessel Museum, Annandale - on - Hudson, New York (2015); The Importance of Being a (Moving) Image, National Gallery, Prague (2015); The Great Acceleration, Taipei Biennial, Taipei (2014); Phantom Limbs, Pilar Corrias, London (2014); A Minute Ago, High Art, Paris (2014); Chance Motives, Sculpture Center, New York (2013); Geographies of Contamination, David Roberts Art Foundation, London (2013).

His recent exhibitions include Refractions, Moving Images on Palestine, P21 Gallery, London; When Violence becomes Decadent, ACC Galerie, Weimar; Speaking from the Heart, Castrum Peregrini, Amsterdam and Fragile Hands, University of Applied Arts, Vienna.

His recent works take the form of large photographic grids, often including text, archive materials and moving image as multiple, composite forms of examining temporary settlements, sites of corporate development and exclusion, border territories, and geographies of extraction.

The work questions the priority placed on consumer goods in today's society and is generally considered one of the most significant moving image works to be produced in recent decades.

Ten Thousand Waves (on display 30 March — 28 August 2018) is the most recent in a series of major moving image acquisitions by the Whitworth, and was supported through...

Recent exhibitions include Visitors, Governor's Island, New York (2015); Cloud Cover, CCS Bard College, Hessel Museum, Annandale - on - Hudson, New York (2015); The Importance of Being a (Moving) Image, National Gallery, Prague (2015); The Great Acceleration, Taipei Biennial (2014); Phantom Limbs, Pilar Corrias Gallery, London (2014); A Minute Ago, High Art, Paris (2014); Chance Motives, SculptureCenter, New York (2013); Geographies of Contamination, David Roberts Art Foundation, London (2013); and Uncanny Valleys, Electronic Arts Intermix, New York (2013).

His most recent moving - image work was produced during a residency at AP News, Zurich.

In recent years Will has exhibited in both formal art settings and in more DIY type locations around the world including: the original site of the Black Mountain College; a parking lot in St. Petersburg, Russia; ARoS Museum in Aarus, Denmark; SMK Friday event at the Statens Museet før Kunst in Copenhagen, Denmark; Flux Factory NYC; Philadelphia Water Works Museum; The Museum of Soviet Arcade Machines in St. Petersburg, Russia; The Dome of Visions in Copenhagen, Denmark; A parking garage in Baltimore for Artscape; Museum of the Moving Image in NYC, and Little Berlin in Philadelphia.

Exhibitions she organized include Realisms, the second part of The Cinema Effect: Reality, Illusion, and the Moving Image (2008); Refract, Reflect, Project: Light Works from the Collection (2007); and The Uncertainty of Objects and Ideas: Recent Sculpture (2006) as well as solo presentations with Terence Gower, Amy Sillman, and Jim Lambie.

Tramway's third edition of the Artists» Moving Image Festival (AMIF) includes recent work by international artists working in the field of moving image, in a series of profile and thematic group screenings, live events and discusMoving Image Festival (AMIF) includes recent work by international artists working in the field of moving image, in a series of profile and thematic group screenings, live events and discussImage Festival (AMIF) includes recent work by international artists working in the field of moving image, in a series of profile and thematic group screenings, live events and discusmoving image, in a series of profile and thematic group screenings, live events and discussimage, in a series of profile and thematic group screenings, live events and discussions.

Recent solo exhibitions include Bunker 259, New York; Dundee Contemporary Arts, Dundee; Grundy Art Gallery, Blackpool; and a new commission for the Biennial of Moving Images, Geneva.

User - generated content linked to the selected city such as recent news, tweets, images, videos, and posts from social networks, is searched and retrieved in real time and displayed as a multiple moving collage onto the facades of an abstract urban environment.

Shows cancelled or postponed • Baltimore, Walters Art Museum, «Jean - Léon Gérôme», February - May 2010, cancelled • Boston, Museum of Fine Arts, «Subversion of the Images: Surrealism and Photography», spring 2010, cancelled • Chicago, Field Museum, «Lucy's Legacy: the Hidden Treasures of Ethiopia», planned for 2009 - 10, dropped • Denver, Denver Art Museum, «Imperial Mughal Albums from the Chester Beatty Library», July - September 2009, cancelled • Honolulu, Contemporary Art Museum, «Japan Fantastic» (11 contemporary artists), December 2009 - March 2010, cancelled • Houston, Museum of Fine Arts, «Cildo Meireles», June - September 2009, cancelled • Kansas City, Kemper Museum of Contemporary Art, «Rafael Lozano - Hemmer», February - May 2009, cancelled • London, Tate Britain, «Johann Zoffany», autumn 2010, cancelled and moved to Royal Academy • Los Angeles, Getty Museum, «Franz Messerschmidt», September 2009 - January 2010, postponed • Los Angeles, Los Angeles County Museum of Art, «Heavy Light: Recent Photography and Video from Japan», August - November 2009, cancelled • Los Angeles, Los Angeles County Museum of Art, «Cildo Meireles», November 2009 - February 2010, cancelled • Los Angeles, Los Angeles County Museum of Art, «Arshile Gorky: a Retrospective», June - September 2010, cancelled • Minneapolis, Minneapolis Institute of Arts, «Surreal Things: Surrealism and Design», February - May 2010, cancelled • New York, Brooklyn Museum of Art, «Donald Saff and the Art of Collaboration», September 2009 - January 2010, cancelled • New York, Metropolitan Museum, «Duncan Phyfe: America's Legendary Cabinetmaker», January - April 2010, postponed • Paris, Centre Pompidou, Indian contemporary art, 2010, postponed to 2011 • Philadelphia, Philadelphia Museum of Art, «The Kingdom of Aragon» (15th - century Spanish painting), spring 2010, postponed to 2011 • Reykjavík, National Gallery of Iceland, «Off the Beaten Track: Violence, Women and Art», September - December 2009, cancelled • Toronto, Art Gallery of Ontario, «Cildo Meireles», March - June 2010, cancelled • Vienna, Albertina, «Jörg Immendorff», October 2009 - January 2010, cancelled ``

Come 1975, Gilliam moved away from draped canvases, and since then, he has produced considerable bodies of work ranging from geometric collages and quilted paintings (both inspired by his African American heritage) to more recent forays into computer generated images and assemblage.

Recent projects include left — right, Austro — Sino Arts Programme, Hong Studio Beijing, Übermorgenkünstler II, Heidelberger Kunstverein, Lummerland I, Toves Galleri, Kopenhagen, rhein II (sweeping into action) at NoMad, Projekt Display Frankfurter Kunstverein (2011) Lisa Meixner takes existing words and objects, and creates an enlarged etymology via associative research that becomes installations, moving image work, and sculpture.

The exhibition will feature recent work by contemporary artists who use the moving image as a versatile tool for both documenting and questioning reality, including Zineb Sedira's fourteen screen installation Floating Coffins 2009 and Steve McQueen's Static 2009, which probes ideas of freedom and migration through the potent symbol of the Statue of Liberty.

Recent exhibitions and screenings include Anthology Film Archives (USA), Videonale.15 at Kunstmuseum Bonn (GER), Kino der Kunst Munich (GER), Academy of Fine Arts Vienna (AT), Museum of the Moving Image New York (USA), Bundeskunsthalle Bonn (GER), German Consulate New York (USA), Goethe Institute New York (USA), Grand Central Art Center Santa Ana (USA), transmediale, Berlin (D), Volksbühne, Berlin (D), Berlinische Galerie (D), Künstlerhaus Bethanien (D), Herzliya Biennale Israel (IL), and WRO Media Art Biennale, Wroclaw (PL).

BOOKSHELF Compelling catalogs have accompanied Valerie Cassel Oliver's recent exhibitions, including «Cinema Remixed and Reloaded: Black Women and the Moving Image Since 1970,» «Radical Presence: Black Performance in Contemporary Art,» and «Jennie C. Jones: Compilation.»

The profile of artists working in moving image has been elevated in recent years by those who've made the leap into cinema — Steve McQueen, Sam Taylor - Wood, Gillian Wearing — and those taking over leading gallery spaces — Tacita Dean at Tate Modern, Pipilotti Rist at The Hayward.

Recent group shows include; 2017 FIAC — Paris Moving Image Istanbul, Gaia Gallery, Istanbul; Contemporary Istanbul 2017, Gaia Gallery, Istanbul; Moving Image, Gaia Gallery, New York; The State Museum of Oriental Art Bilge Collection Exhibition, Moscow; Contemporary Istanbul 2017, Gaia Gallery, Istanbul; ODTU / METU Sanat 2017, Gaia Gallery, Istanbul; Moving Image, Gaia Gallery, Istanbul; Contemporary Istanbul 2016, Gaia Gallery, Istanbul; Alter - Hero, Gaia Gallery, Istanbul; Loop Barcelona Video Fest.

This compelling volume documents three recent projects by Canadian artist Stan Douglas, who uses photographs and moving images to surface, consider and manipulate specific political and culture moments.

Recent solo and group exhibitions and screenings include: «Everything and More», Whitney Museum of American Art, New York (2015); «Palisades», Serpentine Galleries, London (2015); «Cloud Cover», CCS Hessel Museum, New York (2015); «The Importance of Being a (Moving) Image», National Gallery, Prague (2015); Taipei Biennial, «The Great Acceleration», Taipei (2014); «Phantom Limbs», Pilar Corrias, London (2014); «Geographies of Contamination», David Roberts Art Foundation, London (2014) and BAM (Brooklyn Academy of Music), New York (2014).

For the exhibition, artists Sharon Lockhart, Ryan Trecartin, Peter Campus and Joachim Koester are presenting recent video projects that vary widely, while addressing the moving image and the idea of screen space.

In addition to the many recent acquisitions to the Marieluise Hessel Collection including new works by Rachel Rose, Philippe Parreno, Hito Steyerl, and Jutta Koether, among others, in 2012, CCS Bard acquired the Colin de Land, American Fine Arts, Co. and Pat Hearn Gallery Archives (for which a major exhibition is planned for 2017), and in 2013 received the gift of the John Hanhardt Archive, a unique history of exhibitions and artists working with the moving image over the past fifty years (from Nam June Paik to Cory Arcangel).

The exhibition will also present recent portraits, interviews and film footage, including some moving image pieces shot in Lampedusa and Sicily showing interviews with the people he photographed in 2015.

ISAAC JULIEN: TEN THOUSAND WAVES Mar 30 - Aug 28, 2018 Ten Thousand Waves is the most recent in a series of major moving image acquisitions by the Whitworth, and was supported through Art Fund's Moving Imagemoving image acquisitions by the Whitworth, and was supported through Art Fund's Moving Image image acquisitions by the Whitworth, and was supported through Art Fund's Moving ImageMoving Image Image Fund.

Ming Wong has had recent solo exhibitions at UCCA, Beijing; the Museum of Moving Image, Queens, New York, as part of Performa 11; Vitamin Creative Space, Guangzhou; the Frye Art Museum, Seattle; the Hara Museum of Contemporary Art, Tokyo; and the Singapore Art Museum.

From his early multichannel video installation diamond sea, 1997, to his more recent performance - based works, such as SONG I, 2012/2015, the exhibition unfolds around the major moving - image installations that articulate Aitken's central subject matters, from catastrophic environmental depredation to unprecedented technological mediation; self - contained, decentralized communication; and the incursion of commerce into every aspect of our social relationships.

For contemporary audiovisual artists, the possibilities inspired by this phenomenon, known as synesthesia, have expanded with the advent of recent digital technologies that translate all electronic media, whether sounds or moving images, into the zeros and ones of computer bits.

Recent and forthcoming books include You Are Here: Art After the Internet (Cornerhouse and SPACE, 2014), Moving Image (MIT Press, 2015), The Rumors of the World: Re-thinking Trust in the Age of the Internet (Sternberg Press, 2015), Electronic Superhighway: From Experiments in Art and Technology to Art After the Internet (Whitechapel Gallery, 2015), The Artists Who Will Change the World (Thames and Hudson, 2018), Goodbye, World!

Isaac Julien: Ten Thousand Waves is the most recent in a series of major moving image acquisitions by The Whitworth, and was supported through Art Fund's Moving Imagemoving image acquisitions by The Whitworth, and was supported through Art Fund's Moving Image image acquisitions by The Whitworth, and was supported through Art Fund's Moving ImageMoving Image Image Fund.

Other recent solo shows include those at Portikus, Frankfurt; Institute of Contemporary Arts, London; Centro José Guerrero, Granada; and the International Biennial of the Moving Image, Geneva.

When I received an email from the Brooklyn Rail asking me to write on the «status and position of the moving image art today,» the question had already been on my mind, prompted by the recent International Short Film Festival in Oberhausen, Germany.

Derived from painted heads depicted in many recent canvases, the sculpture moves this image into three dimensions and further abstracts it.

Her recent publications include «History in the Present», in Ghosting, The Role of the Archive Within Contemporary Artists» Film and Video (Jane Connarty and Josephine Lanyon eds, Bristol: Picture This Moving Image and The Arts Council, 2006); «Patterning Memory: Ellen Gallagher's «Icthyosaurus» at the Freud Museum», Wasafari, November 2006; and «Migratory Aesthetics: (Dis) placing the Black Maternal Subject in Martina Attille's Dreaming Rivers (1988)», in Black British Aesthetics Today (Victoria Arana ed., Cambridge Scholars Press, 2007).

Isaac Julien is joined by Giuliana Bruno, Professor of Visual and Environmental Studies, Harvard University and author of the upcoming book Surface: Matters of Aesthetics, Materiality, and Media, for a discussion of Julien's prolific and diverse moving - image work, and its active migration from cinema screen to gallery installation in such recent works as Vagabondia (2000) and Baltimore (2003), both of which take as their subject the space of the museum; the immersive video installation Ten Thousand Waves, on view in the Museum's atrium through February 17; and his most recent installation, the seven - screen PLAYTIME.

David's work was included on the recent DVD, New Contemporaries Moving Image 1968 - 2010, and as part of Move it: Parts and Labour a touring exhibition of artist animation currently showing at art venues throughout the UK.

Recent exhibitions and events include Pley, Spike Island, Bristol (2012); Whitstable Biennale (2012); Her Noise: Feminisms and the Sonic, Tate Modern (2012); A Sensible Stage, Lux / ICA Biennial of Moving Images, London (2012); Frieze Projects, London (2011); Supplement, London (2011) and Dundee Contemporary Arts (2011).

Artist Statement In ON THE MOVE, Yvette Drury Dubinsky uses found then manipulated images and old maps and through these comments on the recent and historical dispersions of people around the world.

She is founder of Future Assembly, a platform for artist experimentation and development and her recent projects and collaborations include co-curating «UNTITLED: Art on the Conditions of Our Time», New Art Exchange (2017 - touring); curating «Concerning Symmetry», selected artists» moving image from the Emile Stipp Collection (2016); producing «Promised Land», Culture + Conflict (2016), and publishing her first book 9 Weeks with Stevenson (2016).

Recent solo exhibitions include Percussion Biface 1 - 13 at Studio Voltaire, London (2012) and: - *, Intermedia, Glasgow (2012) and group exhibitions and performances at the Artists» Space, New York, LUX / ICA Biennial of Moving Images and CCA, Glasgow.

Similarly, Pandian takes on 1960s artistic strategies in The Incomparables Club, the conclusion of a cycle of recent exhibitions that features the moving image and sound installation Reversal.

Ming Wong has had recent solo exhibitions at UCCA, Beijing; Museum of Moving Image, Queens, New York, as part of Performa 11; Vitamin Creative Space, Guangzhou; Frye Art Museum, Seattle; Hara Museum of Contemporary Art, Tokyo; and Singapore Art Museum.

The space offered this commentary on his most recent solo show: «Rather than a collage that expects «new» meaning to emerge out of the juxtaposition of different visual orientations, his paintings aim for the disappearance of one image into another, one narrative into another, one system of seeing into another, and are haunted by the desire to move away from what it originally was.»