Scanavino holds a BFA from Rhode Island School of Design (2001) and an MFA from the Yale University School of the Arts (2003), Scanavino's
recent museum solo exhibitions include Imperial Texture at the Aldrich Museum of Contemporary Art, Ridgefield CT; Candy Crush at the Pulitzer Foundation of Art in St. Louis, MO; and a public commission for the Columbus Metropolitan Public Library in Columbus, Ohio.
Other
recent museum solo exhibitions have been held at the Guangdong Museum of Art, Guangzhou (2004); Fondation Beyeler, Basel (2005 - 2006); MUAC (Museo Universitario Arte Contemporáneo), Mexico City (2009); The Nelson - Atkins Museum of Art, Kansas City (2009 - 2010); and MMK Museum für Moderne Kunst, Frankfurt (2010).
Recent museum solo exhibitions include The Aldrich Contemporary Art Museum, Connecticut and Museum of Contemporary Art Cleveland, Ohio; Public Art Fund, Bryant Park, New York, among many others.
Her most
recent museum solo exhibitions include Kate Shepherd: Lineaments, Charlotte and Philip Hanes Art Gallery, Wake Forest University, North Carolina, and Intersections: Relation to and yet not (homage to Mondrian) by Kate Shepherd, Phillips Collection, Washington, D.C. Shepherd's work is featured in numerous museum collections including the Albright - Knox Art Gallery, New York; Baltimore Museum of Art, Maryland; Eli and Edythe Broad Art Museum, Michigan; Des Moines Art Center, Iowa; Indianapolis Museum of Art, Indiana; Los Angeles County Museum of Art, California; Museum of Fine Arts Boston, Massachusetts; Phillips Collection, Washington, D.C.; Scottsdale Museum of Contemporary Art, Arizona; and Seattle Art Museum, Washington.
Not exact matches
Recent projects include a
solo exhibition at Cleveland
Museum of Contemporary Art, and participation in the 12th Bienal de Cuenca, Ecuador.
Recent solo exhibitions include Lever House, New York (2013); Anton Kern Gallery, New York (2013); David Kordansky Gallery, Los Angeles (2012); Patrick de Brock, Belgium (2011); and Hammer
Museum, Los Angeles (2010).
Recent solo exhibitions include the National Gallery of Art, Washington, D.C. (2013); Secession, Vienna (2012); Vancouver Art Gallery, Canada (2010); and the San Francisco
Museum of Modern Art, CA (2009).
Recent solo exhibitions include the National
Museum of Women in the Arts, Washington, D.C. (2013); Pérez Art
Museum Miami (2011 — 2012); John Jay College, New York (2011); and Neuberger Berman
Museum, New York (2010).
Recent solo exhibitions include Shrine For Girls, Venice, Chiesa di San Gallo, Solo Collateral Event of the 56th International Art Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn Museum, Brooklyn, NY (2009 - 10); among oth
solo exhibitions include Shrine For Girls, Venice, Chiesa di San Gallo,
Solo Collateral Event of the 56th International Art Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn Museum, Brooklyn, NY (2009 - 10); among oth
Solo Collateral Event of the 56th International Art
Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn
Museum, Brooklyn, NY (2009 - 10); among others.
Other
recent solo exhibitions have been staged at Western Front, Vancouver (2016); CCA Derry - Londonderry (2016); Konsthall C, Stockholm (2015); Bergen Kunsthall (2014); Inverleith House, Edinburgh (2013); Neues
Museum Nürnberg (2013) and Atelier am Eck, Düsseldorf (2010).
Recent solo exhibitions include The Drawing Center, New York (2015); the
Museum of Contemporary Art, Denver (2014); Ballroom Marfa, Texas (2013); High
Museum of Art, Atlanta (2013); Kemper Art
Museum, St. Louis (2013); Miami Art
Museum (2012);
Museum of Contemporary Art, Chicago (2012); and South London Gallery (2012).
Recent solo exhibitions have been presented internationally at venues including Hammer
Museum (2015); Neuer Kunstverein Wien (2014); Institute of Contemporary Art, Boston (2013); and The Contemporary Austin, TX (2013).
Recent exhibitions of Uecker's work include a large - scale retrospective at K20 am Grabbeplatz, Kunstsammlung Nordrhein - Westfalen, Düsseldorf, in 2015; and a
solo exhibition, Tribute to Hafez, at the Imam Ali (AS) Religious Arts
Museum, Tehran, in 2016.
Recent solo exhibitions include Eric Aho at the New Britain
Museum of American Art, CT (2016); Eric Aho: Ice Cuts at the Hood
Museum of Art, Hanover, NH (2016); Eric Aho: In the Landscape at the Federal Reserve Board, Washington, DC (2013); and Transcending Nature: Paintings by Eric Aho at the Currier
Museum of Art, New Hampsire (2012).
His work has been the subject of
recent solo exhibitions at the University of Maine
Museum of Art, University of Notre Dame, and The Painting Center in New York.
Pam Lins»
recent solo exhibitions include The Tang
Museum, Saratoga Springs, NY and The Suburban, Oak Park, IL.
His most
recent solo exhibitions include: Lovers, Le Consortium, l'Académie Conti, Vosne - Romanée, France (2015 - 16); Masks (Pentagon), Rockefeller Plaza, New York (2015); Thomas Houseago: Studies «98 — «14, Gemeentemuseum Den Haag, The Hague (2014); Striding Figure / Standing Figure, Galleria Borghese, Rome, Italy (2014); As I Went Out One Morning, Storm King Art Center, Mountainville, NY (2014); Thomas Houseago: Where the Wild Things Are, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, UK (2012) and What Went Down, Centre International d'art et du paysage, île de vassivière, Vassivière, France (2012, travelled to
Museum Abteiberg, Mönchengladbach, Germany; Modern Art Oxford and The Ashmolean
Museum, Oxford).
Recent solo exhibitions include «We'll Not Carry Coals,» Kunsthaus Bregenz, Austria (2003); «
Recent Sculptures», Lincoln Center, New York (2004); Vancouver Art Gallery (2005); MAK, Vienna (2008); and «To Build A House You Start with the Roof: Work, 1972 - 2008», Baltimore
Museum of Art (2008 - 2009, traveled to Los Angeles County
Museum of Art and the Foundation Beyeler in 2009); and «Franz West: Autotheater» the
Museum Ludwig, Cologne (2010, travelled to MADRE, Naples and the Universalmuseum, Graz, Austria in 2011).
Recent solo and group
exhibitions inclulde Hamburger Bahnhof, Castillo Corrales, Paris; Berlinische Galerie, Kunsthalle Nürnberg; Kunstverein Hamburg, Bergen Kunsthall, ICA, London, the Carnegie
Museum of Art, Pittsburgh; the Australian Centre for Contemporary Art, Melbourne; Kunsthalle Baden Baden, Pro Choice, Vienna, Bundeskunsthalle Bonn; the Seattle Art
Museum; ArtPace, San Antonio; Portikus Frankfurt am Main, Tokyo Wonder Site, Cubitt, London, Witte de With, Rotterdam; and White Columns, New York.
Recent solo exhibitions include 2TRAPS at The Pace Gallery, New York (2010), Robert Mapplethorpe / Sterling Ruby at Xavier Hufkens, Brussels (2009), The Masturbators at Foxy Production, New York (2009), Supermax 2008 at the
Museum of Contemporary Art, Los Angeles (2008), CHRON at the Drawing Center, New York (2008) and Grid Ripper, Galleria d'arte Moderna e Contemporanea, Bergamo, Italy (2008).
Recent major
solo exhibitions include Museo d'Arte Contemporanea di Roma (MACRO), Rome (2016); Museo Universitario Arte Contemporáneo (MUAC), Mexico City (2016); Château de Versailles, France (2015); The Jewish
Museum and Tolerance Center, Moscow (2015); Sak?p Sabanc?
Recent solo exhibitions and screenings include the Contemporary Art
Museum, St. Louis (2012);
Museum Tinguely, Basel (2011); the Baltic Centre for Contemporary Art, Gateshead, United Kingdom (2011); and the CAPC, Musée d'Art Contemporain, Bordeaux (2010).
Recent solo exhibitions include Paul Chan: The 7 Lights, Serpentine Gallery, London and New
Museum, New York, 2007 — 2008.
Recent solo exhibitions include the Rubin
Museum of Art, New York; Schirn Kunsthalle, Frankfurt; Uffizi Gallery, Florence; Reykjavik Art
Museum, Reykjavik; Solomon R. Guggenheim
Museum, New York; Musée National d'Art Moderne, Centre Georges Pompidou, Paris; SFMoMA, San Francisco; Dia Art Foundation, New York; The
Museum of Modern Art, New York; Nationalgalerie, Berlin; and Stedelijk
Museum, Amsterdam.
SOLO EXHIBITIONS 2020 Forthcoming: Sir John Soane's
Museum, London, UK 2019 Forthcoming: Fondazione Sviluppo e Crescita CRT, Turin, IT 2018 Bloomberg SPACE, London, UK Herald St, London, UK 2017 «The largeness of China seen from a great distance», Galleria Franco Noero, Turin, Italy «Conservatism, or the long reign of pseudo-georgian architecture», The Architecture Gallery, RIBA, London, UK Jupiter Artland, Edinburgh, UK Synthetic Landscapes, Weston Park, Sheffield, UK 2016 «Tate Britain Commission 2016: Pablo Bronstein, Tate Britain, London, UK Staatsgalerie Stuttgart, Stuttgart, DE «Haydn's creation», Garsington Opera, Buckinghamshire and Saddler's Wells, London, UK 2015 «Pablo Bronstein: studies in Mannerist decomposition», Museo Marino Marini, Florence «The Grand Tour: Pablo Bronstein and the treasures of Chatsworth», Nottingham Contemporary, Nottingham, UK «The Grand Tour», Chatsworth House, Derbyshire, UK «We live in Mannerist times», The
Museum of Fine Arts, Houston «We live in Mannerist times», Galleria Franco Noero, Turin, «Art on the Underground Commission» 2015, London, UK 2014 «Pablo Bronstein: Enlightenment Discourse on The original of Architecture», REDCAT, Los Angeles «
Recent History», Herald St, London
Recent solo exhibitions have been featured at the Hammer
Museum, Los Angeles (2014); Centre d'Art Contemporaine, Geneva (2012); MAXXI, Rome (2012); Museo Marino Marini, Florence (2012); and the Institute of Contemporary Art, Tirana, Albania (2008).
Recent solo exhibitions include the Los Angeles Filmforum at the
Museum of Contemporary Art, Los Angeles (2014); Magasin Centre National d'Art Contemporain de Grenoble, France (2014); Tate Modern, London (2013); Kunsthalle Bern, Switzerland (2013); Centre Pompidou, Paris (2013); and The Walker Art Center, Minneapolis (2005).
Her
recent work is the subject of an upcoming
solo exhibition at the Guggenheim
Museum, Bilbao, Spain in summer 2015.
Recent solo exhibitions include Castello di Rivoli (Turin); MMK Frankfurt; Tate Britain and The Serpentine Gallery (both London); Palais de Tokyo (Paris); The Stedelijk
Museum (Amsterdam); The Kitchen and MoMA PS1 (both NYC).
The recipient of numerous honours and awards, Jonas's most
recent solo exhibitions include the U.S. Pavilion at the 56th Venice Biennale 2015, Centre for Contemporary Art, Kitakyushu Project Gallery, Japan (2014); Kulturhuset Stadsteatern Stockholm (2013); Proyecto Paralelo, Mexico (2013); Contemporary Arts
Museum, Houston (2013); Bergen Kunsthall, Norway (2011); and
Museum of Modern Art, New York (2010).
Recent solo exhibitions include Greene Naftali, New York (2017); Carnegie
Museum of Art, Pittsburgh (2015); Contemporary Art Center New Orleans, New Orleans (2015); Stuart Shave / Modern Art, London (2014); Greene Naftali, New York (2012); and Prospect.1 New Orleans (2008).
Recent solo exhibitions include: Hierophanies, The Swiss Church, London, UK (2017); Unobservables, narrative projects, London, UK (2016); An Archaeology of Cinema, Dagestan
Museum of Fine Art, Makhachkala, RU (2015); Object Interviews, Swiss Cottage Gallery, London, UK (2015); Once More, With Feeling!
Recent solo exhibitions include the New
Museum, New York; Serpentine Gallery, London; the Stedelijk
Museum, Amsterdam; The Fabric Workshop and
Museum, Philadelphia; and Portikus, Frankfurt.
Recent exhibitions include his
solo show Potential Difference at the Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014), as well as group
exhibitions including the SIKKA Art Fair, Dubai, UAE (2016), Perched in the Eye of a Tornado, Ying Space, Beijing (2015), A Personal Thing, 184 Project Space, Brooklyn, NY (2014) Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013), Body And Material, Greenpoint Film Festival, Brooklyn, NY (2012), Fractured, performance at the Chrysler
Museum of Art, Norfolk, VA (2011), -LCB- Superposition -RCB-, Hyperopia Projects, Seattle, WA (2011), Art Here Art Now, University of Chicago / HyPa, Chicago, IL (2011), The Post - Glass Video Festival, Heller Gallery, New York, NY (2010), A Thin Veneer, RISD
Museum, Providence, RI (2009).
Recent solo exhibitions include the Fowler
Museum at UCLA, Los Angeles, USA (2014); Kunsthaus Bregenz, Austria (2014); Galerie Cécile Fakhoury, Abidjan, Cameroon (2014); MACRO, Rome, Italy (2012); Le Chemin Lumineux, Lille, France (2012); Pavillon Paul - Delouvrier, Parc de la Villette, Paris, France (2012); Gare Saint Lazare, Paris, France (2012); Castello di Ama, Ama, Italy (2012); MUDAM LUXEMBOURG, Luxembourg (2011); Galleria Continua / Le Moulin Boissy - le - Châtel, France (2011); REVURE NOIR Expressions Contemporaines d'Afrique et du Monde Paris, France (2011); Mac Lyon, France (2011); Galleria Continua / San Gimignano, Italy (2010); Goethe on Main, Goethe - Institut Johannesburg, South Africa (2010); Gare Saint Sauveur, lille3000, Lille, France (2010); Malmö Konsthall, Malmö, Sweden (2010); International Film Festival, Rotterdam, Nederlands (2010).
Recent solo exhibitions include Stedelijk
Museum, Amsterdam (2013); Luhring Augustine, New York (2012); Kunstlerhaus Bethanien, Berlin (2012); Hirshhorn
Museum and Sculpture Garden, Washington, D.C. (2009); Hayward Gallery, London (2008); and La Maison Rouge, la Vestibule, Paris (2008).
@ Blaffer Art
Museum, University of Houston Houston, Texas For her first solo museum exhibition, British - Nigerian video artist and filmmaker Zina Saro - Wiwa is presenting recent photography and video and sound installations produced in the Niger
Museum, University of Houston Houston, Texas For her first
solo museum exhibition, British - Nigerian video artist and filmmaker Zina Saro - Wiwa is presenting recent photography and video and sound installations produced in the Niger
museum exhibition, British - Nigerian video artist and filmmaker Zina Saro - Wiwa is presenting
recent photography and video and sound installations produced in the Niger Delta.
Recent major
solo exhibitions include Museo d'Arte Contemporanea di Roma (MACRO), Rome (2016); Museo Universitario Arte Contemporáneo (MUAC), Mexico City (2016); Château de Versailles, France (2015); The Jewish
Museum and Tolerance Center, Moscow (2015); Sakip Sabanci
Museum, Istanbul
Museum, Istanbul (2013); Martin - Gropius - Bau, Berlin (2013);
Museum of Contemporary Art, Sydney (2012); Le Grand Palais, Paris (2011) and the Royal Academy of Arts, London (2009).
He has had a
recent solo exhibition at OK Harris Gallery, New York and has been featured at the Brooklyn
Museum, Queens
Museum of Art, Artists Space, and Safe - T - Gallery, all in New York; Smithsonian Building
Museum, Washington, DC; and Staton - Greenberg Gallery, Santa Barbara.
Other
recent solo exhibitions include Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 04, including Saratoga Springs, Berkeley, Houston, Andover, Los Angeles, Chicago and ending its run at the Studio
Museum in Harlem; Life's Link at the Savannah College of Art and Design
Museum of Art in 2012; Fred Wilson: Works 2004 — 2011 at the Cleveland
Museum of Art in 2013; and Fred Wilson: Local Color, Studio
Museum in Harlem in 2013.
Recent solo exhibitions include: White Paper: On Land, Law and the Imaginary, Centro de Arte dos de Mayo, Mostoles, A Wave in the Well, Sursock
Museum, Beirut (2016); Movement Break, Kadist Art Foundation (2015) and Playing Truant, Gasworks (2012).
Recent solo exhibitions include at Kiosk, Ghent; Centre Culturel Suisse, Paris (both 2016); Reykjavik Arts Festival; Air de Paris, Paris (both 2015); and Migros
Museum für Gegenwartskunt, Zurich (2014).
Recent solo exhibitions include Serpentine Gallery, London (2013); Kunsthalle Budapest, Budapest (2012); Knoxville
Museum of Art, Tennessee (2012); and Museo Nacional Centro de Arte Reina Sofía and Palacio de Cristal, Madrid (2009).
Recent solo exhibitions include the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); State Hermitage
Museum, St. Petersburg (2011); Kunsthaus Bregenz, Austria (2010); the major touring
exhibition Between You and Me (Kunsthal Rotterdam, Musée d'Art Moderne De Saint - Etienne and Artium, Vitoria, Spain, 2008 — 2009); MARCO, Monterrey, Mexico (2008); the Hayward Gallery, London (2007); MADRE, Naples (2006); the Calouste Gulbenkian Foundation, Lisbon (2004); the Baltic Centre for Contemporary Art, Gateshead (2003) and the National History
Museum, Beijing (2003).
Recent solo exhibitions have been held at Long
Museum, Shanghai (2017); Hall Art Foundation, Schloss Derneburg
Museum (2017); The National Portrait Gallery, London (2016) and Forte di Belvedere, Florence (2015).
Recent solo and group
exhibitions include MoMA, New York, the Solomon R. Guggenheim
Museum, New York, 21er Haus, Vienna, MACBA, Barcelona, the Perez
Museum, Miami, the 12th Sharjah biennial, the 8th Berlin Biennial, MuHKA, Antwerp, Tensta Konsthall, Spånga, New
Museum, New York, and KW Institute of Contemporary Art, Berlin.
She has had
recent solo exhibitions at Greene Naftali, New York (2016);
Museum Fridericianum, Germany; Sadie Coles HQ, London; Johann König, Berlin (all 2014); CCS Bard Hessel
Museum, New York; Kunsthalle Zürich, Switzerland; Palais de Tokyo, Paris; and Chisenhale, London (2012 - 2013).
Recent solo and major notable
museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (
museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art
Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (
Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary
Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (
Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal
Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art
Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (
Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art
Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (
Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel
Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (
Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).
He has had
solo exhibitions in
recent years at the
Museum of Modern Art, Fort Worth, Texas (2012),
Museum of Contemporary Art, Denver (2009) and at BALTIC Centre for Contemporary Art, Gateshead (2005), with work featured in group
exhibitions at venues including the Albright - Knox Art Gallery, Buffalo, NY (2011), the Ullens Center, Beijing (2010), the Contemporary Arts
Museum, Houston, Texas (2008), Deste Foundation, Athens (2007), Kunsthalle Wien (2007),
Museum of Contemporary Art, Shanghai (2007), The Royal Academy of Arts, London (2006), and the
Museum of Contemporary Art, Chicago (2003).
-
Recent solo exhibitions include: If Only You Could See What I've Seen with Your Eyes, Kumu Art
Museum, Tallinn, 2018; CC Foundation & Art Centre, Shanghai; If Only You Could See What I've Seen With Your Eyes, 57th Venice Biennale, Estonian Pavilion, Venice; Earth Potential, City Hall Park, Public Art Fund, New York, 2017; Approximation (Storm Time), Greene Naftali, New York; Dawn Mission, Kunstverein Hamburg, Hamburg, 2016; Life Update, Kunsthalle Lisbon, Lisbon, 2015; Art Basel Hong Kong, 2015; Pattern of Activation, Art Basel Statements, Basel; Green Growth, Salts, Basel; Spirit, Curiosity and Opportunity, Kraupa - Tuskany Zeidler, Berlin; Urgently «Yesterday», Mottahedan Projects, Dubai, 2014; miart, Milan, 2013; Macro Expansion, Kraupa - Tuskany Zeidler, Berlin, 2012; Appendix, Portland; Hotel Palenque, French Riviera, London; Katja Novitskova and Timur Si - Qin, CCS Bard, Annadaleon - Hudson, New York; # 8 Health Club, Czarny Neseser, Wrocław, Poland; Profit Decay, Arcadia Missa, London, 2012; sunny n shiiite, The State, thestate.tumblr.com, 2011.