Sentences with phrase «recent paintings develop»

How do your more recent paintings develop or build on your earlier work?

Not exact matches

Having belatedly stumbled upon a notice of a recent exhibition of Professor Remington's work, I was inspired to revisit my former professor's legacy and, in retrospect of over 40 years since my initial contact with her at Cooper in the 1970's — when she was a new painting professor and I was a young, developing painting student — reflected upon her impact as both an artist and a teacher.

Firstly, it presents the visual artist through a selection from two of his outstanding bodies of work: those from the late 1990s related to the character Mr DOB and the concept of «Superflat», which placed him within the legacy of Pop art but with an exceptionally original artistic language, and works from recent years in which Murakami has developed an intelligent personal dialogue with Japanese historical paintings.

Rather, as Noland said in a recent conversation, they wished to develop»... a less codified way of painting in which materials were dealt with in terms of texture, color, even pattern, rather than in the service of gesture or images.»

But painting did not come to a standstill, and in recent years activity in the field has developed rapidly, especially among younger artists.

His recent cliff paintings that he has developed since 2007 articulate both artistic and metaphysical tension.

In recent years, abstract painting has developed a rich complexity that, more than ever, rewards intensive viewing.

Quinn's recent work is full of deeply personal impressions of the people he's stored in his memory (it should also be noted that he's developed a virtuosic painting style to apply these images to canvas in which he matches oil to soft pastels to avoid the scattered images bleeding into one another, which is why the paintings look like collage from a distance).

In the downstairs gallery are three smaller and more recent sculptures, two Blu and a Giallo, whose curves develop out from what look like stretchers for canvas paintings.

These recent, tropical paintings close off an extraordinary exhibition, and lending the whole collection a perfect, mature shape which reveals the logic of Ofili's developing explorations of his identity and place.

This recent series titled, «Mandala for Crusoe», brings together fourteen paintings developing Clemente's singular pictorial language, gathering together myriad cultural references and merging timeless symbols, iconic imagery and philosophies.

David Reed, born 1946 in San Diego and a resident of New York since the 1970s, has in his good forty creative years developed an oeuvre that, with all its concentration on specific forms of painting, also maintains relationships to other, more recent image media, especially to film and video art.

Showing many new works, Amenoff discusses how his recent paintings have developed and his interest in painting in - between states - twilight and the changes in the seasons.

For his exhibition CONSTELLATIONS Sebastian Bartel, who holds this year's Schloss Ringenberg scholarship, will develop a site - specific installation for centrum's large window, which will include some of his most recent works in painting and drawing.

Rosenkranz, whose recent installation can be viewed at at the Venice Biennale, here smears Bellini paintings with the average - European - skin - tone pigment that she developed for the pool at the Swiss Pavilion.

The wall drawing was accompanied by two recent «pull paintings» by the artist, a new technique he developed through the process of making MATRIX wall drawing tests in the studio.

In this exhibition Frith Street Gallery presents a selection of their recent works on paper which have developed alongside their painting.

McNeil speaks of why he became interested in art; his early influences; becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading figures in modern art during the 1930s; his interest in Cézanne; studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American Abstract Artists (A.A.A.); a group of painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted as abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed as an artist; the problems of abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting.

Following a thread that has developed throughout Gursky's career, a number of recent pictures share more aesthetically with abstract painting than documentary photography.

Focusing on Peter Adams» process in developing the paintings of the Fourteen Stations of the Cross for Our Savior Church and USC Caruso Catholic Center, this solo exhibition includes studies, plein air paintings of the Holy Land, staging photographs, re-enactment video segment, recent Resurrection - inspired paintings, and other Christian - themed subjects.

Her recent paintings vary in scale, opacity, colour and spatiality, each distinctly painted composition has been developed with a degree of intricacy and intuition.