Sentences with phrase «recent paintings explore»

Cora Cohen's recent paintings explore a theme that never ceases to challenge: the multiple paths within abstraction.

The artist's recent paintings explore relationships between nature and abstraction, returning to landscape motifs as a source for painterly invention.

Not exact matches

Townsleygallery told us, «I have always loved drawing and painting since I was young but haven't had the confidence to really explore this beyond practicing at home; recent holidays in Cornwall inspired me to paint some of the scenery to hang on my walls at home... this had led to commissions and I am slowly taking this forward.

I am dedicated to exploring traditional and contemporary methods, hence my recent focus on fused, enamelled and painted glass.

I am dedicated to exploring traditional and contemporary methods, hence my recent focus on fused, enamelled and painted glass.

Exploring concepts of landscape and abstraction with human experience, the exhibition unites sculpture with important recent paintings on aluminium and linen, together with works on paper.

Both exhibitions focused on his most recent work: multilayered paintings that explore the politics of race using the basketball and hoop netting as conceptual elements.

For three decades she concentrated primarily on photography and video, but in recent years began exploring drawing and painting again, inspired by vintage images of black representation in Ebony and Jet magazines.

Recent Paintings by John A. Parks through February 16, 2013 In his recent pictures, executed as finger paintings, John Parks explores the memories of his English childhood in a series of richly evocative iRecent Paintings by John A. Parks through February 16, 2013 In his recent pictures, executed as finger paintings, John Parks explores the memories of his English childhood in a series of richly evocativPaintings by John A. Parks through February 16, 2013 In his recent pictures, executed as finger paintings, John Parks explores the memories of his English childhood in a series of richly evocative irecent pictures, executed as finger paintings, John Parks explores the memories of his English childhood in a series of richly evocativpaintings, John Parks explores the memories of his English childhood in a series of richly evocative images.

In more recent works such as Pile (2004), a painted bronze sculpture of a pile of garbage bags, Turk explores the way in which a work of art is conferred with iconic status and value.

3:45 — 4:45 pm Madness of the Present: Abstraction's Radical Possibilities: A conversation between Adam Pendleton and Adrienne Edwards Focusing on Adam Pendleton's art of the past two years, from his installation for the Belgian Pavilion at the 2015 Venice Biennale to his recent suite of paintings entitled Untitled (A Victim of American Democracy), Pendleton and curator Adrienne Edwards explore abstraction as a platform for revolutionary possibilities in art and politics.

With recent paintings depicting lovers, dreamy and encoiled in states of sleep and embrace, pervasive throughout Noonan's paintings is an interest in the representation of the sensual (and more sinister sensibilities) underlying popular culture, while his films explore transgressive and subliminal themes, and states of «interiority» and «otherworldliness».

The event will focus on how each artist explores the boundaries of painting through a variety of materials and forms, as well as mines U.S. history in their recent work.

In this final exhibition, the four members — Ximena Izquierdo Ugaz, Julia Mata, Bryan Rodriguez Cambana, Eduardo Restrepo Castaño — display recent work in a variety of media, including video, photography, textiles, and painting that explore personal histories through an understanding of time, horror, and mood.

His most recent body of work pays homage to his home state of Florida and includes paintings, screens and sculptures that explore allegory, narrative painting and his personal biography.

This selection of paintings from the 1970s shows a range of Minimalist - inspired experimentations with abstraction: hazy, striped plexiglas paintings by Thomas Chimes (1921 - 2009), a Day - Glo round - edged canvas by Ralph Humphrey (1932 - 1990), atmospheric grid - based oil paintings by Warren Rohrer (1927 - 1995), subtly - lined acrylic monochromes by Sean Scully (b. 1945), and a pencil drawing by Sol LeWitt (1928 - 2007), are seen in relation to more recent paintings by Lee Ufan (b. 1936) and Pat Steir (b. 1940), who continue to explore the legacies of line and gesture in abstract painting today.

This exhibition of new paintings and cyanotypes provides evidence of the many different bodies of work McGinness has been exploring in recent years — from self - reflective Studio Views with process - referencing subject matter to iconic Signals, Skateboards, Mindscapes, and Black Holes.

The exhibition at Ameringer McEnery Yohe will present my recent and continuing body of paintings that explore color, gesture and abstraction.

The show juxtaposes the artist's personal notes, almost journal like, with his recent paintings on Mylar and paper that explore his search for a personal truth.

At Ben Brown Fine Arts, a similar theme is being explored in the form of «Miquel Barceló: Courant Central,» an exhibition of recent paintings and sculptures by the Spanish artist.

Bringing together a selection of recent cut - out paper figures, mixed media works on paper, collage paintings in beehive frames, a large - scale painted sailcloth and hand - painted texts on the gallery wall, the exhibition will showcase Anna Boghiguian's raw and expressionistic oeuvre that explores economics, philosophy, literature and myth.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he selected small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist in the first museum survey of her work since 2001.

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

His most recent body of work pays homage to his home state of Florida and includes paintings, screens and sculptures that explore...

A recent graduate of Bucks New University, London - based Cavers makes site specific constructions exploring the process of painting, and the history of painting and display, investigating questions of success and failure in these media.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

[6] Her most recent work explores the physical and psychological experiences associated with aging, while continuing to be self - referential and engaging in her paintings.

The Jewish Museum in New York to Present Mel Bochner: Strong Language May 2 — September 21, 2014 Exhibition Explores Mel Bochner's Text - Based Works From Early Conceptual Drawings to Recent, Large Scale Thesaurus Paintings New York, NY — From May 2 through... Continued

In recent years, Richter's interests in merging media and appropriation have resulted in works that transform his own paintings into a range of forms, exploring the process of painting through digital techniques.

This fall, as you explore the Torpedo Factory studios, look for paintings, drawings, and photographs inspired by our recent travels.

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!

Moving from an analysis of Riley's iconic 1960s black and white paintings to her more recent wall drawings, Kudielka explores the unpredictable changes of direction throughout Riley's career.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

«Fyfe's recent work — which operates in the elastic territory between painting, sculpture and drawing — explores both the legacy and current realities of non-representational art.

My most recent paintings and prints explore the instant of pause just before everything changes — an instant filled with possibility, complexity, opportunity, threat, and humor.»

Opening April 28, the Institute of Contemporary Art at the University of Pennsylvania (ICA) will present Ginny Casey & Jessi Reaves, an exhibition featuring new and recent works by two emerging artists exploring the relationship between contemporary painting and sculpture, domestic objects, and decorative surfaces.

Zander Blom's exhibition «Place and Space» presents a selection of recent paintings, drawings and photographs in which the artist explores different configurations of lines, shapes and forms.

With a complete selection of over 90 works in different media such as painting, industrial design, animation and fashion, the exhibition, curated by MOCA Chief Curator Paul Schimmel, reveals this artist's personal universe: from his early works in the 1990s, in which he explored his own identity, to his large - scale sculptures created after 2000, veritable icons of this artist, and ending with his gallery of manufactured objects, his animation projects, his connection to the world of fashion, and his compelling works of recent years.

On view November 3 - February 17, this exhibition explores the evolution of Dunbar's art from his early paintings from the 1940s and 1950s to his most recent contemporary work in clay relief.

This volume features new and recent works by New York - based artists Ginny Casey (born 1981) and Jessi Reaves (born 1986) exploring the relationship between painting and sculpture, domestic objects and decorative surfaces, by reimagining the form and function of objects encountered in daily life.

Doug Reina's recent work involves painting the figure while exploring ideas about how to manipulate the treatment of the paint on the canvas surface.

While known primarily for his performances in the early 1990s, which involved feats of physical and psychological endurance, Zhang Huan's recent work has featured sculptures and paintings that explore themes of memory and spirituality and how these relate to Buddhist practice.

While known primarily for his performances in the early 1990s, which involved feats of physical and psychological endurance, his recent work has featured sculptures and paintings that explore themes of memory and spirituality and how these relate to Buddhist practice.

The exhibition culminates with Riley's most recent stripe works as well as a new series of black - and - white paintings that explore concavity and convexity of the line, all shown here for the first time.

This recent body of work reflects Mr.'s impulse to push the seemingly kitschy nature of these imaginary realms into a gritty and abstract painting style in order to explore personal, global, and environmental themes of destruction.

Recent series explore contemporary geometric abstraction with painted paper blocks juxtaposed within a gridded space.

Donald Judd was an early admirer of these works and an exhibition currently on view at Judd Foundation on 101 Spring Street in New York presents four recent, white paintings from the series as part of a program that explores Judd's relationship with his contemporaries in the 1960s through the 1980s (through December 9).

The show, comprised of Judd's recent paintings, explores the mythic patterns of post-war American society.

From Robert Henri's 1917 painting Gregorita with the Santa Clara Bowl to Zhang Huan's photo - documentation of his 2000 performance Family Tree, from the expressive strokes of Robert Motherwell's 1976 Les Caves No. 2 to the digital animation of Jeremy Blake's 2001 video Mod Lang, the collection exhibition explores key artists, styles and episodes in recent artmaking.

This catalog celebrates an exhibition of 28 recent paintings by Robert Slutzky, works which elaborate the theme of «transparency» that the painter has explored over the last fifty years.