Sentences with phrase «recent paintings focusing»

Walton Ford's most recent paintings focus on the history of California through fantastical interpretations of humanity and its encounters with animal life.

«My most recent paintings focus on the singular beauty of the surface.

Onditi's recent paintings focus on current political, social and economic upheavals and interrogate the current shift from liberal values.

Recent paintings focus on experiences seen and recorded in Ireland, and Maine but also include Pennsylvania water scenes and often views from the beautiful hillsides of Vermont.

Her recent paintings focus on tornadoes and forest fires and their mesmerizing power and elemental threat.

Not exact matches

His sustained focus on the city's finances has cast the race as a battle of fiscal forecasts, with Sheehan pointing to the recent obtainment of $ 12.5 million in state aid as a sign her approach is working and Commisso wielding a state - backed consultant's study to paint a darker picture.

Recent studies of mortality trends paint a gloomy picture for many middle - aged and older Americans, but a new study focused on children reveals a more optimistic future.

I am dedicated to exploring traditional and contemporary methods, hence my recent focus on fused, enamelled and painted glass.

Prof. Berndt's lecture will focus on three aspects: 1) the ir / relevance of traditional Japanese painting for contemporary manga; 2) manga museums compared to recent manga exhibitions in Japanese art museums; and 3) the unilateral interest in manga by contemporary artists such as Murakami Takashi and Aida Makoto.

I am dedicated to exploring traditional and contemporary methods, hence my recent focus on fused, enamelled and painted glass.

Both exhibitions focused on his most recent work: multilayered paintings that explore the politics of race using the basketball and hoop netting as conceptual elements.

3:45 — 4:45 pm Madness of the Present: Abstraction's Radical Possibilities: A conversation between Adam Pendleton and Adrienne Edwards Focusing on Adam Pendleton's art of the past two years, from his installation for the Belgian Pavilion at the 2015 Venice Biennale to his recent suite of paintings entitled Untitled (A Victim of American Democracy), Pendleton and curator Adrienne Edwards explore abstraction as a platform for revolutionary possibilities in art and politics.

Recent exhibitions focused on the work of Alan Shields have included Alan Shields: Protracted Simplicity, a survey accompanied by a chronological monograph by Heidi Zuckerman at the Aspen Art Museum; Alan Shields: A Different Kind of Painting at Beeler Gallery at Columbus College of Art & Design; Alan Shields: Common Threads at Parrish Art Museum; and Into the Maze at SITE Santa Fe, among others.

This exhibition — which focused on Jay DeFeo's production following her three - year hiatus from artmaking after her completion of The Rose, 1958 - 66, her famous, one - ton painting of a burst of white light — gathered forty - nine pieces from the last fifteen years of the artist's life, several of which were absent from her recent traveling US retrospective.

The event will focus on how each artist explores the boundaries of painting through a variety of materials and forms, as well as mines U.S. history in their recent work.

This exhibition traces the career of artist Gary Erbe from his early troupe l'oeil works to his recent paintings combining realism with modernist tendencies, including works that focus on objects arranged to emphasize composition, form and structure.

Here, in the latest of our interviews surrounding Phaidon's Vitamin P3 compendium of recent painting (for which Hoptman served as a nominator), Artspace's Dylan Kerr spoke to the curator for a fascinating glimpse behind the scenes of her work, discussing the staying power (or lack thereof) of the «Zombies,» the strange and sometimes strained relationship between institutions and the art market, and why a good curator focuses on needs, not trends.

Although the 2012 retrospective at Tate Modern was rapturously received, bringing with it a renewed reminder of the power of early works such as The Physical Impossibility of Death in the Mind of Someone Living and Mother and Child, Divided, recent exhibitions have been panned — Schizophrenogenesis was condemned for coasting on past glory, while 2012's painting - focused Two Weeks, One Summer received scathing one - star reviews — and there is a nagging sense that these days his art can resemble a factory production line, with endless copies of his popular «spot» paintings churned out in the name of brand recognition.

The gallery's longstanding relationship with many of its artists will be highlighted by focusing on important early solo exhibitions at Art Projects International: Jian - Jun Zhang: Water and Fire (1995); Gwenn Thomas: Recent Work (1996); Il Lee - Line and Form: Drawings 1984 - 1996 (1997); Pouran Jinchi: Recent Paintings (2000).

In many of your paintings the foreground and background together create an all - over atmospheric field, while in your recent paintings, large star shapes become significant points of focus constructing much more of a figure / ground relationship.

The Modern Art Museum of Fort Worth is showing «FOCUS: Kamrooz Aram,» an installation of Aram's recent sculpture, collage and painting.

Fischl's paintings from that time dealt with issues of early sexuality and voyeurism, while his most recent large - scale canvases focus on the tradition of bull fighting.

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

Prellwitz will show recent paintings and monotypes focused on water imagery.

In recent years, Baldessari's focus has shifted to the canon of art history, and the medium of painting has become a central aspect of his work.

The exhibition, which will include about 70 works, will focus on Marshall's paintings — from his seminal statement in «Portrait of the Artist as a Shadow of His Former Self» (1980), to his most recent explorations of African - American history.

Though Godfrey will focus on Oehlen's abstract work, his talk will also consider the artist's interior collages and recent series of tree paintings.

Benjamin Bridges» recent work has focused on variation of textures and layers of paint, verging towards abstract compositions.

His methods contain notable convergences with abstract painting, and increasingly abstract elements are evident within the tree paintings that have been a consistent focus of his practice in recent years.

His most recent paintings are a deep analysis of human physiology wherein he focuses on the foundations of our existence.

To celebrate the recent gift of the painting One (1970), by American artist Sam Gilliam (b. 1933), the Block Museum will present a focused exhibition of works by artists engaged with abstraction and the expansion of painting in the U.S. in the 1960s and 1970s.

2017 Secrets and Stories, Casa das Histórias, Cascais Depression Pictures, Marlborough Fine Art, London 2016 Old Meets New, Casa das Histórias, Cascais Dancing Ostriches, Marlborough Fine Art, London Paintings and Etchings from the 1980s, Frieze Masters, London 2015 Cousin Bazilio and Other Stories, Marlborough Galería, Madrid The Poacher, Casa das Histórias, Cascais 2014 The Last King of Portugal, Marlborough Fine Art, London 2013 Dame with the goat's foot and other stories, Marlborough Fine Art, London 2012 Retrospective, The Gulbenkian Museum, Paris Balzac and other Stories, Marlborough Fine Art, London 2010 - 11 Retrospective exhibition, Museum of Contemporary Art, Monterrey, Mexico; Pinacoteca de Sao Paulo 2010 Oratorio, Marlborough Fine Art, London 2008 Human Cargo, Marlborough Chelsea, New York Retrospective Exhibition, Museo Nacional Centro de Arte Reina Sofia, Madrid; National Museum of Women in the Arts, Washington O Vinho, a series of eight lithographs, Marlborough Fine Art, London; Galeria Marlborough, Madrid 2006 Marlborough Fine Art, London Paula Rego in Focus, Tate Britain, London 2003 - 04 Corner 2004, Charlottenborg, Copenhagen Jane Eyre and Other Stories, Marlborough Fine Art, London 2002 Celestina's House & Paula Rego — Jane Eyre, Yale Center for British Art, New Haven 2001 Nursery Rymes e Outras Gravuras, Parque das Nacoes, Lisbon So desenhos Paula Rego, Fundacao Arpad Szenes - Vieira da Silva, Lisbon 1999 The Children's Crusade — a suite of 12 etchings, Marlborough Graphics, London Recent Work, Marlborough Galeria SA, Madrid O Crime do Padre Amaro, Fundação Calouste Gulbenkian, Lisbon Open Secrets — Drawings and Etchings, Centre Culturel Calouste Gulbenkian, Paris Children's Crusade, Edinburgh Printmakers Workshop 1988 The Sins of Father Amaro, Dulwich Picture Gallery, London Pra Lá et Pra Cá, Galerie III, Lisbon Pendle Witches, Marlborough Galeria Madrid 1997 Retrospective exhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNBA, Lisbon

Rodney McMillian: The Black Show, on view at the Institute of Contemporary Art at the University of Pennsylvania (February 3 — August 14, 2016), brings together a tightly focused selection of new and recent paintings, sculptures, and videos that deal with blackness as subject, form, process, emotion, and politics.

Departing from previous painting - dense retrospectives of Chicago - based artist Lee Godie's work, Intuit's recent exhibition — though it did include several strong canvases — focused instead on some fifty of the several hundred self - portraits that Godie took in public photo booths during the 1970s and»80s.

In recent years, the collectors have focused on the new painting scene, collecting major works by Neo Rauch, Franz Ackermann, Michel Majerus, and Daniel Richter.

All of the Above marks Gronquist's first solo exhibition at Soze with a focus on his recent painting and

Katy's recent body of work is focused on the fluidity of oil paint and the subject matter of the human body and life under the water.

My recent paintings and sculptures focus on the African - American experience of navigating public spaces while remaining buoyant within them... Working beyond the physical image of the body, objects of buoyancy, and navigation become metaphors for selfhood, resilience, and the sanity required in the turbulent oceans of contemporary America.»

I have focused my recent paintings on atmospheric color and light explorations.

Charles Seliger: The Nascent Image — Recent Paintings is the artist's sixth at Michael Rosenfeld Gallery and focuses on twenty - nine paintings completed between 1992 to thePaintings is the artist's sixth at Michael Rosenfeld Gallery and focuses on twenty - nine paintings completed between 1992 to thepaintings completed between 1992 to the present.

Meko states his «recent paintings and sculptures focus on the African American experience of navigating public spaces while remaining buoyant within them» CT

Forgoing a voguish focus on the medium's networked aspects, «Outside the Lines» will position «painting» and «abstraction» as foils for genre - defying artworks of the recent past.

The exhibition focuses on recent sculptures by the Japanese contemporary artist Bidou Yamaguchi (b. 1970) who employs the forms, techniques and transformative spirit of traditional Noh masks to create contemporary sculptures whose subjects are drawn from such iconic European paintings as Leonardo da Vinci's Mona Lisa and Vermeer's Girl with a Pearl Earring.

Wall painting is Riley's current artistic focus, and she will spend a month painting directly onto the wall of the gallery to create works that will be displayed alongside canvases in the show, Bridget Riley: Recent Paintings 2014 - 2017, which runs from January 19 to March 10.

The recent exhibition at David Zwirner of twenty - seven blue paintings made by Ad Reinhardt, focusing on the period between 1950 and 1953, was a tour de force on many levels.

In her most recent work Lou has created monochrome woven canvases, which reference Color Field painting and Minimalism, while focusing on the beauty and humanity revealed in the simple repetitive processes made by the human hand.

Bauer's most recent exhibition, which was shown in the Duke Gallery of Azusa Pacific University, was based on a small but focused selection of his blue paintings.

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.

Opening to the public April 23, 2016, Kerry James Marshall: Mastry focuses primarily on the artist's paintings from the last 35 years, including his most recent explorations of African American history.

Borrowing from Caravaggio's Bacchus and minotaurs from Picasso, Lukacs» paintings are imbued with highly sexual imagery which has been the focus of much recent controversy surrounding his work.