Sentences with phrase «recent paintings look»

Jackie Saccoccio (closes on Sunday) Ms. Saccoccio's recent paintings look as if they were blasted onto the canvas.

Rose Wylie is incredible: her recent paintings look as if they have been done by someone in their 20s.

Not exact matches

Each action sequence looks like an expressionist painting and are strengthened by Jenkins's exceptional use of slow motion (a style I've resented in recent years).

-- Jonathon Wood looks at some upmarket Hillmans and Humbers — better known as Sunbeam - Talbots / Books For Christmas — The Automobile's guide to the very best of festive old - car reading / Cars In My Life — Chris Gordon concludes his motoring memoirs / Six Of The Best Norman Painting on Morris's first off - roader / Deep South — Michael Worthington - Williams heads off to the land of cotton on the trail of the Hanson / Italian High Performer — Part One of Edward Eve's reassessment of Alfa Romeo's immortal six - cylinder power plant / By Nash To Merano — Mike Bullett and Sandy Burnett report on the recent Alpine Raid by Frazer Nash enthusiasts.

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Some recent media reports about current eBook sales have quoted industry statistics that only look at a portion of the total book market, painting a bleak, though incomplete picture

And talking about smells: On my recent week - long trip to Barcelona, I was rather aimlessly ambling around Plaza del Pi, looking at the paintings of artists who exhibit their works there at weekends.

In all the recent videos in closeup cutscenes, its just the whites of the eyes look painted on, like there is no shading or shadows on them.

Looking at your recent work [from 2015 - 16], I thought about your painting «Showered» from 2007 which was the first painting of yours that came to my attention about five years ago.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

From his lush early paintings of the Arkansas nature conservancy Grassy Lake and the Texas Gulf Coast; to his reliefs, sculptures, and assemblages created in a variety of materials; to his most recent paintings depicting survivors of Hurricane Katrina, self - portraits, and a return to still life, this exhibition provides an in - depth look at the work of a unique and significant American artist.

In Chicago, Looking at the Present examines Dine's recent large - scale paintings.

Gilliam's paintings on view at David Kordansky look mostly to me like one of the more recent cover designs for JD Salinger's Catcher in the Rye, which is white with simple text and a streak of rainbow angled diagionally across the top left corner.

Yayoi Kusama, ever interested in the proliferation and repetition of image and self - image, contributes surprising new works from a recent body of portrait paintings, while Grayson Perry's ceramic portrait Transvestite looking in a Mirror depicts the artist as his alter ego Claire.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

In comparison with the unequivocal force of Clark's or Benglis's work, Lois Dodd's recent paintings at Alexandre Gallery might have looked introverted, even prim.

These recent works with their multiple perspectives and deceptively simple rendering of landscape and figure look much connected to the tradition of Korean ink painting from which they do indeed come.

«Kill My Mother was just published at the end of 2014; Life & Times of an Orb Weaver features recent acquisitions, augmented by newly discovered works by Zucker; and the untimely loss of Robert Dash is recognized by an in - depth look at his process through the lens of his final series of paintings.»

2003 Painting Lesson, Galleria Cardi & Co., Milan (catalogue) Conversations: Influence and Collaboration in Contemporary Art, Evergreen House, Johns Hopkins University, Baltimore, MD (catalogue) A Notion of Time, Ingrao Gallery, New York Intersection... Art / Design / New Media, Jan Abrams Fine Art, New York Fall Colors: Group Show, Baldwin Gallery, Aspen, CO On the Edge: Contemporary Art from the DaimlerChrysler Collection, The Detroit Institute of Arts, Detroit, MI On: Inaugural Show, Galerie Xippas, Athens Unframed First Look, Lehmann Maupin Gallery, New York The DaimlerChrysler Collection, Museum für Neue Kunst & Medienmuseum, Karlsruhe, Germany The Past of the Present: Selections from the ABN AMRO Collection, Shanghai Art Museum, Shanghai, China; travelled to Singapore Art Museum, Singapore; Pinacoteca do Estado de São Paulo, São Paolo Painting: from Rauschenberg to Murakami, 1964 — 2003, 50th Venice Biennale, Venice (catalogue) American Beauty, McClain Gallery, Houston, TX Recent Screenprints, Maya Stendhal Gallery, New York New York Contemporaries, Maya Stendhal Gallery, New York White on White, Galerie Xippas, Paris

There's an Oscar Murillo painting that is looking to capitalize on the recent run of record sales for the Columbian artist.

Sly and obliquely, but also unmistakably, another Hockney show currently available in London, this time at Annely Juda Fine Art, the artist's regular dealer, casts doubt on the proposition the Royal Academy exhibition of his recent portraits seems determined to put forward, which is that nothing can match a figurative painting made when directly confronting the subject, with no technology to modify or mediate the artist's immediate perception of what he is looking at.

He has shown dark paintings in darkened rooms, created theatrical environments — like the Tate's The Upper Room or his British Pavilion at the Venice Biennale, and his more recent exhibition at New York's New Museum), and created work for the Royal Opera House, to extend the way we might approach and look at his work.

In this film, artist Josephine Halvorson guides a video crew through an exhibition of her recent paintings — What Looks Back (2011)-- at Sikkema Jenkins & Co. gallery in Chelsea, Manhattan.

Large recent paintings such as 2010's Untitled (Woldgate) have looked equally closely at woodland undergrowth, but on an epic scale.

This fall, as you explore the Torpedo Factory studios, look for paintings, drawings, and photographs inspired by our recent travels.

When Cathy came to Pittsburgh after a trip to Aspen a few months later, in the middle of the winter, we looked at the Forum gallery together, deciding on a mix of recent paintings and a new installation.

This acclaimed solo show, organized by the Whitney Museum of American Art and now on view at the Dallas Museum of Art, looks back on her 20 - year career through more than 60 works and objects, from early pieces made in the mid-1990s to more recent installations and paintings.

If Armando Mariño's earlier art looked at the outside world with a critical postcolonial eye, his recent paintings probe visceral states of being tinted by melancholy and framed by a directness that feels intimate.

(all photos by the author for Hyperallergic) If Armando Mariño's earlier art looked at the outside world with a critical postcolonial eye, his recent paintings probe visceral states of being tinted by melancholy and framed by a directness that feels intimate.

Writing about the Corcoran Gallery exhibition of 1967, Andrew Hudson, an art critic in Washington, D.C., wrote»... Olitski has been able to maintain the quality of his work while experimenting in things that one would expect to turn out «wrong»... the expansion of his vision and of the possibilities of painting that his recent work offers has effected an expansion in my way of looking.»

Quinn's recent work is full of deeply personal impressions of the people he's stored in his memory (it should also be noted that he's developed a virtuosic painting style to apply these images to canvas in which he matches oil to soft pastels to avoid the scattered images bleeding into one another, which is why the paintings look like collage from a distance).

In two recent series, one of rounded - squares that look somewhat like television or computers screens and the other of black concentric circles that resemble targets, he turns painting into an industrial project in the manner of photography by making multiple painted copies of a single one - off photographic image.

Recent displays of political art and abstract painting look tailor - made for global markets.

While her earlier work looked at art museums as places for worship or contemplation — in the vein of cathedrals or pilgrimage sites — and artworks as objects of faith, her recent works, such as Deposit III (2015), give more importance to painting as an actual object in its own right: «It allowed me to leave bi-dimensionality, unhang [painting] from the wall and naturally add other supports of images (video, mirrors, printed matter, found paintings) and link them to a same genealogy.»

As I look at Mohammed's recent body of work, I can't help but think of Kerry James Marshall's The Lost Boys (1993), a painting that depicts two young black boys — one playing with a water gun, the other seated in a toy car of the type found outside a supermarket.

His paintings look relaxed and real, in their shuffling between figuration and abstraction, in a way that some more recent artists here don't.

The climax of «Rift Raft» was the massive diptych of the same name (above)-- more than 18 feet wide — on one side depicting the recent wave of immigrants struggling to come ashore in Europe, and on the other, a privileged bubble of female nudes, abstract paintings and art dealers looking at their phones.

Benjamin Morris speaks to New Orleans native John Isiah Walton about his recent paintings and drawings, which look at the ongoing conflict in Syria.

In the downstairs gallery are three smaller and more recent sculptures, two Blu and a Giallo, whose curves develop out from what look like stretchers for canvas paintings.

From his lush early paintings of the Arkansas nature conservancy Grassy Lake and the Texas Gulf Coast, to his reliefs, sculptures, and assemblages created in a variety of materials, to his most recent paintings depicting survivors of Hurricane Katrina, self - portraits and a return to still life, the exhibition provided an in - depth look at the work of a unique and significant American artist.

This is to say that Poons has become less intent in his ongoing desire to harness the look of a surface or to take on the toil of the ages insofar as the history of recent painting exists.

It is not an understatement to say that recent Chinese figurative painting has had an exemplary impact on the way we look at painting today and on the growth of the contemporary Asian art market.

In a recent letter to the Hoxton Gallery, Auerbach remembers that Cunningham «looked into the college to look at the model, then sprinted to his room to paint the model he had seen from memory».

«I've found that things creep in,» he adds, of those recent pictures — and in a sense this is about the best explanation one can arrive at to explain the look and feel of Peter Doig's paintings.

This survey of twenty - four recent works highlights her unique compositions, including both intimate and large - scale paintings, setting the stage for a series of moral debates and speculations: who am I looking at?

While Karen and I looked around at her most recent paintings, we chatted about roilings and stirrings, headlines old and new, relevancies fleeting and perennial, fine boundaries between representation and suggestion, boundaries finer yet along certain horizons, apparitions in clouds and grounds, and the bizarre and enthralling phenomenon of volcanic lightning.

While Karen and I looked around at her most recent paintings, we chatted about [READ ►]

Girolata (named after a creek in Corsica, but after the picture was painted), one of the most beautiful of Joan Mitchell's recent paintings, is a large triptych which does look very much like a fairly literal impression of the face of a cliff pocked with crevices and littered here and there with vines and messy vegetation.

In her recent paintings, which look like no one else's, Goodman has both synthesized and transformed aspects of all her earlier periods.

The exhibition includes a range of work across all media, including new sculptures by Michael Dean, Nicolas Deshayes and Jessie Wine, displayed alongside existing recent sculptures that include work from Emma Hart's recent exhibition Dirty Looks (2013), a number of Jess Flood - Paddock's food inspired Snacks, and Kate Owens» Towards Zero (1 — 18)(2013)-- eighteen soap bar sculptures created from the act of washing paint off her hands.