Sentences with phrase «recent paintings using»

Not exact matches

The enhanced industrial paint used in both public urination - plagued cities is called Ultra-Ever Dry, the very same nanotech coating that made Nissan's recent self - cleaning car prototype possible.

For example, a recent recall of Baby's Dream mattresses was because of lead paint being used.

I've been getting several questions about what color paint I have used in some of my most recent designs.

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Each action sequence looks like an expressionist painting and are strengthened by Jenkins's exceptional use of slow motion (a style I've resented in recent years).

AUTOMOBILE was invited from the U.S. for the intimate gathering in London's Hospital Club, where a new production Bentayga SUV and its much - talked about 2015 Geneva auto show concept — the EXP 10 Speed 6 coupe — were displayed in a well - lit gallery along with paintings and renderings of recent work and physical presentations of materials and techniques used in the production of the company's projects.

A nonprofit wants to purchase the digital images of 55 of my oil - on - canvas paintings from a recent solo exhibit, to be used for educational purposes and for printed materials.

Both exhibitions focused on his most recent work: multilayered paintings that explore the politics of race using the basketball and hoop netting as conceptual elements.

Reed's recent multi-media works, Judy's Bedroom (1992) and Scottie's Bedroom (1994), combine his interests in photography and film with his painting, using Alfred Hitchcock's 1958 film Vertigo as a vehicle.

In many of my recent paintings, I am utilizing and playing with scale shifts of the letters, which is a new development from my previous body of work, which used a uniform text size to aid in making an image.

New York - based Caporael is an inveterate road tripper (having covered some 30,000 miles in her lifetime), and she used her most recent cross-country excursion as the basis for the 12 paintings on display here (all 2009 or» 10).

In her recent wall - drawings, the largest of which to date will be made at Tate Britain especially for the exhibition, Riley eschews paint and colour, weaving intricate compositions entirely using line.

Name, address and contact details of painter - Where you heard about Beep2016 (name of magazine, website, etc.)- A submission of up to TWO paintings (high quality JPEGS) with title / s, dimensions in cm, medium, year - 250 words maximum statement (Word document or in an email) on the submitted paintings relating to the theme and a brief artist biography (this will be used for the online catalogue)- link / s to website or recent works (this will only be used by exhibition judges if needing additional information picking a winner)

Along with Joan Semmel and Betty Tompkins, she appropriated for painting the provocative use of the female body that is usually limited to performance artists, including Carolee Schneemann and Valie Export in the late 1960s, and Vanessa Beecroft in more recent times.

It used to be crammed with decades of unsold paintings, but now that she can finally afford storage space, the only work present on a recent visit was her new series of fluorescent black - light paintings of testicle - headed Donald Trumps and vagina - faced Hillary Clintons, which are now on view at the Drawing Center in downtown Manhattan.

In a recent documentary interview, Appel explained why she considers herself a Romantic landscape painter: «Not recording mimetically what lay before me, but trying to express the excitement I felt in response to nature by using paint - soaked brush strokes on a large canvas wherein the over-lapping layered strokes of color were metaphors for the contiguities found in nature.

My most recent series, the «paintless paintings» uses the absence of paint to point to traditional materials, nomenclature, even expectations about painting as potentially expressive sources of meaning.

An artist who has mined the dual seams of abstract painting and conceptual repetition, Christopher Wool has used approaches from decoration, street art, and, in more recent work, the digital landscape.

In recent years, Gooden's paintings have become increasingly layered using a variety of materials to build the surfaces.

In his more recent works, including those in this show, he uses enamel on linen, spray painting looping black lines, then erasing or blurring them with rags, engaging in a complex play of presence and absence, gesture and cancellation.

The surfaces in the recent work from 2013 — 14 reveals more literal variations of black pigment, often utilizing an uncompromising matt underpainting as a support for glossy black on top; or, alternatively, light refracting from severe cuts into a hardened density of pigment, unequaled in works associated with subsequent modes of pastiche used in some overworked paintings associated with painters of The New York School in the turbulent late fifties.

The East End of Long Island has a cultural history that's both «traditional and radical,» a phrase critic and artist Fairfield Porter used to describe Jane Freilicher's painting that was quoted in a recent remembrance of her by the Parrish's chief curator, Alicia Longwell.

Using his now - familiar method of transposing photographic portraits onto canvas with a polychromatic grid, Close's recent paintings have matured to the extent that each two - inch square is an independent abstract painting worthy

In recent paintings, she has experimented with the use of ornate cut - glass forms to achieve a feeling of the «embroidered» interconnectedness of self and world.

Kenyan artist Wangechi Mutu returns to Performa through a new commission, Banana Stroke, which builds on a recent shift in her practice towards fermenting, dying, or saturating with dirt the paper materials she uses in her collage paintings, and then deploying them in site - specific action painting.

Unique to the process in recent paintings is the use of squeegees.

His more recent works, which include print making, painting and installations, still draw on this theme of everyday objects and their changing nature in society and artistic practice, using their pre-defined contextual symbolism as a way to make an audience re-think what we see, and what we know.

Continuing his exploration of the Welsh coast and countryside, landscape painter Peter Kettle will show a collection of recent paintings introducing a new development in his use of colour, some large - scale and others in a smaller format.

Reinterpreting the Otto Dix image using recent polaroids of himself and Elke nude, sitting in a similar position as Dix's parents, the artist painted the figures using predominantly black and white palette and addressed the powerful themes of his celebrated «Avignon» canvases exhibited at the 2015 Venice Biennale.

Recent painters have also used the idea of painting badly and quickly as a way of rebelling against expectations of their art and as a mark of the authenticity of their expression.

At Sadie Coles he showed work featuring the imprint of huge palm leaves on weathered canvases splattered with rain saturated with pigment, while at the Zabludowicz Collection there were boldly painted aluminium sculptures and a recent series of five video works using appropriated scenes from Tarkovsky films played against a segment of a Velvet Underground song.

In her recent work she has taken to reappropriating her own collection of her paintings and drawings into shelters and ripped and reassembled collages, in an attempt to find different uses for art in a possible utopian future.

In her most recent work, Engelsen paints Long Beach Island landmarks of the past using the medium of watercolor.

After his recent protracted lawsuit and subsequent ruling against him for his appropriated use of images from his Canal Zone series — where he «creatively transformed» photographs of Rastafarians from an in - print book into paintings — you'd think that he'd shy away from such gestures.

Time Magazine included one on a recent list of the 100 Most Influential Photographs in the World, and artist Dana Schutz used it as the source image for «Open Casket,» a 2016 painting that has been included in the 2017 Whitney Biennial.

In his more recent body of work, titled Flat Screen Nature (2012 — current), Goode uses an industrial hand saw to cut through sheets of painted fiberglass, creating allegorical landscapes of jagged edges and menacing peripheries; the artist's visual vocabulary comes full circle to represent our environment's vulnerable sky, land, and sea.

But that, she feels, has started to change, with her more deliberate uses of painterly materials and techniques — for this recent series of portraits, she returned to using oil paint — and by showing parts of her process.

In Jose Lerma's most recent sculptural painting using the largest polo shirt you could possibly imagine, he combines his well - known paint blobs into a work full of fresh and cynically wry humor.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Within more recent work, Wachtel has turned to culling all of her imagery from the internet and although continuing to use cartoon characters, each painting now features a focal panel that expounds particular notions of the representational «everyman».

A more recent affinity is the similarity to Gerhardt Richter's squeegee paintings, in which he obliterates his initial lively color fields using custom tools.

The paintings evoke the good times of yesteryear, with lush interiors that are always deserted, yet speak eloquently of recent use and inhabitation.

These recent drawings include bubbles and arrows that divulge his working method, revealing the paint colors he uses while completing a canvas.

I don't think it is as hard on my sitters to be a subject of my recent paintings as it used to be.

May 6 — June 25, 2010 Curated by Jim Osman, Print is an exhibition of Hill's recent digital prints that use photography, painting and printmaking to investigate surface and light and their role in the formation of images.

Now, using a close harmony of hue and tone spiked by strong contrasts, Bridget Riley has taken up vertical stripes again in her most recent paintings — the Rose Rose series.

Print is an exhibition of Daniel Hill's recent digital prints that use photography, painting and printmaking to investigate surface and light and their role in the formation of images.

In this presentation Brice expands her recent use of a near single colour palette to include dynamic reds and deep greens to create large - scale paintings which address the art - historical tradition of the female nude.

On view are Haberny's recent mixed - media paintings and ceramic sculptures, which he made using unconventional materials such as ash, paper towels, wire hangers, dirt, and candle wax.

Rugoff's effort presents examples of the «use and translation» of photographic imagery in recent painting and considers each of its twenty - two artists in surprising depth: Most have about half a dozen canvases in the show.