In
his recent photographic series, IMG (2012 --RRB-, Heishman creates minimalist glyphs made out of colored tape that generate a slippage between visual flatness and real - space dimensionality.
Although she favours exploration of straitened or «peripheral» situations in her native Brazil or in Holland and China (as in her most
recent photographic series), Bárbara Wagner is not interested in a documentary type slant.
This work, along with two
recent photographic series, will go on view at Jack Shainman's 20th Street space this week; nearby, at its 24th Street gallery, Weems will debut two more photographic series that deal with the representation of black Americans, often through performance.
Not exact matches
Her most
recent bodies of work include the
photographic series The Book of Kings (2012), The Home of My Eyes (2015), and the trilogy Dreamers, comprised of three video installations: Illusions and Mirrors (2013), Roja (2016), and Sarah (2016).
On view will be works from two
recent series, DCT (2016 — ongoing) and Blackout (2017), that together illustrate the artist's overarching interest in the nature of
photographic representation and its relationship to reality.
Her current exhibition, 6 out of 5 at White Cube Mason's Yard in London, is a broad survey of her work across the decades, including her well - known
photographic series from the 70s, frottage drawings from the 80s, and more
recent paintings.
David Taylor speaks about his
recent book, Working the Line, a
photographic examination of the U.S. / Mexico border, organized around a
series of 260 obelisks that demarcate this boundary, which were installed in the late 1880s.
The solo exhibition will feature work from several of Hanzlová's
photographic projects, including Rokytnik and Forest, taken in the Czech village and surrounding forest where the artist grew up; Cotton Rose, taken in Gifu, Japan; as well as the artist's three most
recent series, Horses, Flowers and There Is Something I Don't Know.
A
recent series of
photographic inkjet prints in the exhibition contests ideas of how art mediums are understood to function.
Recent works include a
series of beautifully coloured photograms, Lycopodium, created by burning the spores of Lycopodium moss against
photographic paper and Replaying the mistake of a broken hammer (2011), a shimmering metal rod with the brittle properties of glass, created by deliberately interrupting the steel - tempering process.
In her
recent series Transpositions (2014 - 2016) and her latest body of
photographic work titled Collisions (2016), she uses Plexiglas elements to create large - scale compositions.
This publication brings together three major bodies of work: the
photographic and video works produced under the fictional collective name The Atlas Group; various
series of seemingly «straight» photography of his native Beirut titled Sweet Talk: Commissions (Beirut); and his most
recent project, Scratching on Things I Could Disavow: A History of Art in the Arab World.
During Deep Epoch, Dullaart shows a new
series of oil paintings based on images generated by «neural networks»; works derived from his
recent performative intervention The Possibility of an Army, as well as
photographic prints from his Instragram project for Jeu de Paume and HMKV: High Retention, Slow Delivery.
In two
recent series, one of rounded - squares that look somewhat like television or computers screens and the other of black concentric circles that resemble targets, he turns painting into an industrial project in the manner of photography by making multiple painted copies of a single one - off
photographic image.
Her most
recent series of portraits and landscapes struck us as the perfect opportunity to do that — it's a bold bringing together of the two
photographic traditions she's been faithful to throughout her career.
In a
recent show at ISCP, the artist's first solo show in NYC, Kia Henda exhibited A City Called Mirage, a four - channel video installation and three
photographic series that examines the conceptual underpinnings of building a city in the desert.
These enclosed tranches of landscape, culturally displaced and geopolitically charged, relate to Land Art exponent Robert Smithson's Non-Site
series; while other homages to
recent heroes of art history include Blow Up, which reveals itself as a playful destruction of the
photographic work of German couple Bernd and Hilla Becher and the life - sized, white ceramic Pig (2012) which is both a scaled - up version of a piggy bank from Monk's childhood and an imagining of an unrealised sculpture by Jeff Koons.
Samaras will debut new
photographic works from the «Nexus»
series alongside images from the
recent «Chairs»
series (2008) and the «iMovie» video works (2005.)
Collier's exhibition includes
recent works from her ongoing
series «Women Crying»; two text - based
photographic works based on printed materials originally used in group - therapy and self - analysis; works from her latest
series «Crying (Comic)» and «Tears (Comic)»; and a 35 mm slide projection piece «Women With Cameras (Self Portrait)».
Multi-talented artist and designer Diane Love shows current
photographic series Intersections, which refers to the serendipitous combining of images from
recent work along with images she found when reviewing older contact sheets and negatives.
Fake Titel presents sculptures and drawings from three
recent series: The Help (2012), the large - scale installation Incidents of Travel in Yucatan (2011) and the photographic suite Sunset Series (2000 —
series: The Help (2012), the large - scale installation Incidents of Travel in Yucatan (2011) and the
photographic suite Sunset
Series (2000 —
Series (2000 — 2012).
The Brooklyn - based artist Nona Faustine, whose White Shoes
series has become one of the most acclaimed and thought - provoking
photographic works in
recent years, introduces her new work at Baxter St, Camera Club of New York's gallery space in Chinatown.
She is a
recent graduate of Bard College International Center of Photography where she earned an M.F.A. in Advanced
Photographic Studies, and has exhibited internationally and regionally in solo and group shows including, The Exquisite Landscape, ICP, New York; Interiority Complex: A Conversation
Series, Camera Club of New York, New York; and «Wrestling with the Image: Caribbean Interventions», organized by the World Bank and the OAS, and «About Change».
The
recent series «ZOE» are
photographic images that deceive the eye and transform perception in an illusionistic process.
Weems's 20th Street exhibition is a fairly conventional survey of
recent work, bringing together two
photographic series and a video installation.
is a fairly conventional survey of
recent work, bringing together two
photographic series and a video installation.
Following Blushes, the Freischwimmer
series and the monochromatic Silver
series, his most
recent abstract works — of which the creased and folded Lighter
series is perhaps the most significant — treat the photograph, and especially
photographic paper itself, no longer as a reproductive medium, but as a material object.
NEW YORK — A Palm Tree Is A Palm Tree Is A Palm Tree, a
recent series of
photographic assemblages by Bruno V. Roels, will be on view at Howard Greenberg Gallery from March 22 - May 5, 2018.
Featuring new and
recent video installations,
photographic series and sculptural work, the exhibition will occupy both floors and all four public gallery spaces.
2008 Walters Art Museum, Baltimore, MD - ʻPortraits Re / Examined: A Dawoud Bey Projectʼ 2007 • Howard Yezerski Gallery, Boston, Ma — ʻDawoud Bey: Pictures: 1975 - 2005ʼ • Addison Gallery of American Art, Andover, MA — ʻClass Pictures» (Travels to Aperture Gallery, New York, NY; Contemporary Art Museum, Houston, TX; Weatherspoon Art Museum, Greensboro, NC; Indianapolis Museum of Art, IN; Contemporary Art Museum, Baltimore, MD; Milwaukee Art Museum, WI; Kresge Art Museum, East Lansing, MI) 2004 • Detroit Institute of Art, Detroit, MI - «Dawoud Bey: Detroit Portraits» • Gorney Bravin + Lee, NY - «Class Pictures» • Revolution, Ferndale, MI - «Dawoud Bey: The Watsonville
Series» 2003 • Smart Museum of Art, Chicago, IL - «Dawoud Bey: The Chicago Project» 2002 • Gorney Bravin + Lee, New York, NY - «Dawoud Bey» • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey: New
Photographic Work» 2001 • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1999 • Rhona Hoffman Gallery at Gallery 312, Chicago, IL - «Dawoud Bey:
Recent Work» • Parrish Art Museum, Southampton, NY - «Dawoud Bey: The Southampton Project» • Yale University Art Gallery, New Haven, CT - «Portraits of New Haven Teenagers» 1998 • Galerie Nordenhake, Stockholm, Sweden - «Dawoud Bey» • Queens Museum of Art, Queens, NY - «Dawoud Bey» 1997 • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey:
Recent Work» • The Light Factory, Charlotte, NC - «Dawoud Bey: Portraits» • Addison Gallery of American Art, Andover, MA - «Dawoud Bey:
Recent Photographic Portraits» • Wadsworth Atheneum, Hartford, CT - «Dawoud Bey: Hartford Portraits 1996» («Dawoud Bey / MATRIX 132,» «Dawoud Bey / Amistad Gallery,» «African American Studio Portraits: Dawoud Bey Selects from the Amistad Foundation Collection») 1996 • David Beitzel Gallery, NYC — ʻDawoud Beyʼ • University of Massachusetts Amherst, Fine Arts Center - «Dawoud Bey» • High Museum of Art, Atlanta, GA - «Picturing the South: The Commission Project» • Wexner Center for the Arts, Columbus, OH - «Dawoud Bey: Residency Exhibition» • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1995 • Walker Art Center, Minneapolis, MN - «Dawoud Bey: Portraits, 1975 - 1995» (Travels to Albright - Knox Gallery, Buffalo, NY; Chicago Cultural Center, Chicago, IL; Virginia Beach Center for the Arts, VA; El Paso Museum, TX; The Newark Museum, NJ, The Jersey City Museum, NJ; Robeson Center Gallery, Newark, NJ; Cleveland Center for Contemporary Art, OH; Contemporary Art Museum, St. Louis, MO; The Barbican Centre, London, England)(Catalog) • The Photographer's Gallery, London, England - «Dawoud Bey» 1994 • Cleveland Museum of Art, Cleveland, OH - ʻDawoud Bey Photographs: Portraitsʼ • Olin Art Gallery, Kenyon College, Gambier, OH - «Dawoud Bey» 1993 • The Museum of Contemporary Photography, Chicago, IL - «Polaroid Portraits» • Stockton State College, Pamona, NJ - «Dawoud Bey: Photographs» • Drew University, Madison, NJ - «Photographs from the Streets» 1992 • Addison Gallery of American Art, Andover, MA - ʻDawoud Bey:
Photographic Portraitsʼ • The Rotunda Gallery, Brooklyn, NY - «Dawoud Bey: Photographs» 1991 • Fogg Art Museum, Harvard University, Cambridge, MA - ʻDawoud Beyʼ 1990 • Ledel Gallery, NYC - ʻRecent Photographsʼ (Catalog) 1988 • BACA Downtown Center for the Arts, Brooklyn, NY - ʻBrooklyn Street Portraitsʼ 1986 • Light Work, Syracuse, NY - ʻDawoud Beyʼ • The Midtown Y Photography Gallery, NYC - ʻPhotographs by Dawoud Beyʼ • Blue Sky Gallery, Portland, OR - ʻDawoud Beyʼ 1984 • Hunter College, Center for Puerto Rican Studies, NYC - ʻPuerto Rico: A Chronicleʼ 1983 • Cinque Gallery, NYC - ʻDawoud Bey:
Recent Photographsʼ 1979 • Studio Museum in Harlem, NYC - ʻHarlem, USAʼ
However, something quite different comes to light in Collier's richly toned and large color
photographic prints, especially in the
recent «Women Crying»
series.
A new
series of
photographic collages titled Constellations (2017), which are presented in this exhibition for the first time, form Geyer's most
recent contribution to this continuously relevant project.
Trevor Paglen: Sites Unseen is a mid-career survey, the first exhibition to present Paglen's early
photographic series alongside his
recent sculptural objects and new work with AI.
The exhibition presented works from Douglas's two
recent series, DCT (2016 — ongoing) and Blackout (2017), that together illustrate the artist's overarching interest in the nature of
photographic representation and its relationship to reality.