Sentences with phrase «recent photographic work»

Questions about performance and interactivity connect the disparate bodies of work in the debut solo show of sculptor Jonathan Schipper and the recent photographic work of Simon Lee.

Former Whaling Museum curator Nicholas Whitman exhibits a selection of his recent photographic work adjacent to the Whaling Museum's Albert Pinkham Ryder painting, Landscape, c. 1870.

A selection of Nicholas Whitman's recent photographic work adjacent to the Whaling Museum's Albert Pinkham Ryder painting, Landscape, c. 1870.

In more recent photographic work, Frazier documents Braddock from the skies in full - color aerial shots that record the extensive transformations of a community after years of economic collapse.

In an interview with «Open» host Rhina Valentin, guest curator Gregory Volk calls Stuart's work «endlessly curious, investigating, [and] poetic,» and notes that this exhibition is the first time her more recent photographic work will be on display in a museum.

Most of my recent photographic work is studio based and constructed for the camera.

Pibe magazine features a 6 page spread on Anja Niemi's most recent photographic work, She Could Have Been A Cowboy.

Alice Hargrave balances a sophisticated relationship between place and perception in her most recent photographic work featured in Paradise Wavering.

Conversely, some of my recent photographic work is concerned with dissecting recognisable and accepted conventional symbolism, with the intention to reassessing the validity of these conventions.

Mass Recording (To Be Read From Right to Left) is a recent photographic work by Erik Blinderman that continues the artist's inquiry into the intersection of representation, media, and politics in contemporary life where an increasing number of individuals have the means to record, manipulate, and circulate information.

A selection of Nicholas Whitman's recent photographic work exhibited adjacent to the Whaling Museum's Albert Pinkham Ryder painting, Landscape, c. 1870.

Prager, whose practice often explores the figure in relation to its surroundings, will exhibit recent photographic work that evokes a sense of ambiguity about time and place.

Kiki Smith: Recent Photographic Work, MITListVisualArtsCenter, Cambridge, Massachusetts, January 15 — March 28, 1999.

The exhibition also includes large - scale sculptural work by Kendell Geers, Sigalit Landau, Stuart Bird and Walter Oltmann, new and recent photographic work by Mikhael Subotzky, Adam Broomberg & Oliver Chanarin, Alfredo Jaar, David Goldblatt and Sue Williamson, and paintings by Moshekwa Langa, Clive van den Berg and Vusi Beauchamp.

In her first New York showing since a mid-career retrospective at the Guggenheim in 2014, Weems takes over both Jack Shainman spaces with recent photographic works and films.

The exhibition presents recent photographic works by Diane Tuft, marking her third solo with the gallery.

Cumberland Gallery is excited to present D I S C O N T E N T featuring recent photographic works by Mike Smith (Tennessee) and Leslie Tucker (New York).

This «hypnagogic» show (to use the Surrealists» term, which applies particularly to Hains's first works from the late»40s) was organized at the invitation of the Fundação de Serralves and has provided Hains the opportunity to revisit some of his old pieces and display them with his recent photographic works.

In Marina Pinsky's recent photographic works, the window is at once a material surface and a historical artifact.

Ute Klein's recent photographic works often relate to a particular site and to the objects found within a site.

Not exact matches

This work, along with two recent photographic series, will go on view at Jack Shainman's 20th Street space this week; nearby, at its 24th Street gallery, Weems will debut two more photographic series that deal with the representation of black Americans, often through performance.

Her most recent bodies of work include the photographic series The Book of Kings (2012), The Home of My Eyes (2015), and the trilogy Dreamers, comprised of three video installations: Illusions and Mirrors (2013), Roja (2016), and Sarah (2016).

On view will be works from two recent series, DCT (2016 — ongoing) and Blackout (2017), that together illustrate the artist's overarching interest in the nature of photographic representation and its relationship to reality.

Everything Is Happening At Once includes new and recent work that cuts across conventional notions of the scale and status of the photographic object, opening up its potential to represent cultural, social and physical realities.

Her current exhibition, 6 out of 5 at White Cube Mason's Yard in London, is a broad survey of her work across the decades, including her well - known photographic series from the 70s, frottage drawings from the 80s, and more recent paintings.

On view is a recent body of work in which Lambrecht explores the evolution of perception using the cyanotype process, an early photographic technique dating to the mid-19th century and named for its Prussian blue hue.

Her working method is interdisciplinary and recent projects take the form of performance, photographic installations, printmaking, text, video, curating, and collaborating.

In my most recent work subject and process have become inseparable: rather than document what has been, my photographic collages and mixed media monotypes give shape to change and are shaped by it in turn.

Eight, Eighteen Teresa Hubbard and Alexander Birchler present two video installations — Eight, which was first presented in 2002 at Artpace, and the world premiere of its follow - up, Eighteen — and a selection of other recent video and photographic work.

David Taylor speaks about his recent book, Working the Line, a photographic examination of the U.S. / Mexico border, organized around a series of 260 obelisks that demarcate this boundary, which were installed in the late 1880s.

The solo exhibition will feature work from several of Hanzlová's photographic projects, including Rokytnik and Forest, taken in the Czech village and surrounding forest where the artist grew up; Cotton Rose, taken in Gifu, Japan; as well as the artist's three most recent series, Horses, Flowers and There Is Something I Don't Know.

Roni Horn's most recent solo exhibitions include Photographien / Photographic Works at the Hamburger Kunsthalle, Germany (2011) and Well and Truly at the Kunsthaus Bregenz, Austria (2010).

His recent works take the form of large photographic grids, often including text, archive materials and moving image as multiple, composite forms of examining temporary settlements, sites of corporate development and exclusion, border territories, and geographies of extraction.

Her most recent mixed media works for example start with black and white photographic images of potatoes which De Jong transforms into landscapes, animals or monsters, which have become so characteristic to her practice.

To mark Marina Abramović's forthcoming retrospective at The Museum of Modern Art in New York (March 14 until May 31, 2010), we will present two new photographic works including the debut of Golden Mask (see above) as well as her most recent video work.

Of course, a good part of the artist's wideranging, amiable practice lends itself very neatly to reproduction, from the transient «One - Minute Sculptures,» 1988 - 97, that brought his work to the attention of a wider public beginning in the late 1980s to his more recent photographic «instructions» for being idle or politically incorrect.

Her recent works predominantly consist of photographic and video installations.

Recent works include a series of beautifully coloured photograms, Lycopodium, created by burning the spores of Lycopodium moss against photographic paper and Replaying the mistake of a broken hammer (2011), a shimmering metal rod with the brittle properties of glass, created by deliberately interrupting the steel - tempering process.

In her recent series Transpositions (2014 - 2016) and her latest body of photographic work titled Collisions (2016), she uses Plexiglas elements to create large - scale compositions.

This publication brings together three major bodies of work: the photographic and video works produced under the fictional collective name The Atlas Group; various series of seemingly «straight» photography of his native Beirut titled Sweet Talk: Commissions (Beirut); and his most recent project, Scratching on Things I Could Disavow: A History of Art in the Arab World.

Photographic images made at night were new, bold, mysterious and brave, the ability to photograph at night being a recent technical capability that had yet to be mastered or even considered by the majority of photographers working in the 20s and 30s.

Recent works often contain text and photographic images which serve to underline her strong sense of Cree heritage and her active participation in mainstream contemporary culture through her art, writing and teaching.

During Deep Epoch, Dullaart shows a new series of oil paintings based on images generated by «neural networks»; works derived from his recent performative intervention The Possibility of an Army, as well as photographic prints from his Instragram project for Jeu de Paume and HMKV: High Retention, Slow Delivery.

Other homages to recent heroes of art history include Blow Up, Monk's tongue - in - cheek destruction of the photographic work of German couple Bernd and Hilla Becher.

Teresa Hubbard and Alexander Birchler present two video installations — Eight, which was first presented in 2002 at Artpace, and the world premiere of its follow - up, Eighteen — and a selection of other recent video and photographic work.

On Wednesday, October 5th from 6 - 9PM Studio Sixty Six will hold the opening reception of ERUPT, a group show of new work from recent graduates from the School of the Photographic Arts: Ottawa.

«Sited within the comprehensive survey of Shannon Ebner's new and recent installation and photographic work, we are providing our visitors with the rare opportunity to experience the variety and depth and Shannon Ebner's interests and talents during the same visit to ICA Miami.»

These enclosed tranches of landscape, culturally displaced and geopolitically charged, relate to Land Art exponent Robert Smithson's Non-Site series; while other homages to recent heroes of art history include Blow Up, which reveals itself as a playful destruction of the photographic work of German couple Bernd and Hilla Becher and the life - sized, white ceramic Pig (2012) which is both a scaled - up version of a piggy bank from Monk's childhood and an imagining of an unrealised sculpture by Jeff Koons.

This exhibition features approximately five large - scale photographic works and the London premier of his most recent film Trick (2004).

Published on the occasion of her 2013 exhibition at Aspen Art Museum, Lorna Simpson: Works on Paper highlights four recent bodies of work on paper that explore the complex relationship between the photographic archive and processes of self - fashioning, including a new group of works being developed during her time as the AAM's 2013 Jane and Marc Nathanson Distinguished Artist in ResidWorks on Paper highlights four recent bodies of work on paper that explore the complex relationship between the photographic archive and processes of self - fashioning, including a new group of works being developed during her time as the AAM's 2013 Jane and Marc Nathanson Distinguished Artist in Residworks being developed during her time as the AAM's 2013 Jane and Marc Nathanson Distinguished Artist in Residence.