The film is directed by Barry Levinson, whose Oscar win for Rain Man (1988) hasn't helped
his recent theatrical work get noticed (he did direct Pacino in HBO's You Don't Know Jack).
Not exact matches
More consciously seeking to recreate an old Hollywood vibe is the latest from Peter Bogdanovich, the refugee from the first golden age of cinephile directors who has found film
work increasingly hard to find in
recent years (this is his first
theatrical fiction feature since 2001's The Cat's Meow).
The children are presented alone or in groups against a studio - like backdrop that negates time and space, while underlining the
theatrical atmosphere and artifice that exists throughout Borremans's
recent work.
On view from December 1, 2010 — February 13, 2011, the exhibition Jonathan Meese: Sculpture focuses on Meese's three - dimensional
work, including his first ceramic talisman created when he was 15, small assemblages and dioramas from the beginning of his career that have never been shown before, massive bronze sculptures,
recent large - scale ceramics, and models and set designs for
theatrical and operatic productions.
He has shown dark paintings in darkened rooms, created
theatrical environments — like the Tate's The Upper Room or his British Pavilion at the Venice Biennale, and his more
recent exhibition at New York's New Museum), and created
work for the Royal Opera House, to extend the way we might approach and look at his
work.
Like Iglesias's more
recent large - scale installations, this early
work conjures a
theatrical environment, a dream - like fictional world within an existing space.
Macuga and Norton will use this presentation — which brings together a selection of the artist's
recent projects, including five of her tapestries and a
theatrical environment — as an opportunity to discuss some of the persistent concerns of her
work to date.
Although perhaps less carnivalesque that his previous
works, Enrico David's most
recent collection of pieces is no less
theatrical.
Their ghostwritten detective novel Headless (2015) narrates investigations into offshore businesses, and their
recent work focuses on experiments in
theatrical finance.
El Lissitzky: The Artist and the State brings to Ireland for the first time an extraordinary body of El Lissitzky
works generously lent to IMMA by the Van Abbemuseum, Eindhoven, The Netherlands, shown alongside archival material related to Alice Milligan and Maud Gonne's
theatrical tableaux, and newly commissioned and
recent works by Rossella Biscotti (Italy 1978), Núria Güell (Spain 1981), Sarah Pierce (USA 1968) and Hito Steyerl (Germany 1966).
In this series of
work, children are presented alone or in groups against a studio - like backdrop that negates time and space, while underlining the
theatrical atmosphere and artifice that exists throughout Borremans's
recent work.
In her large, multi-media
works, vivid spray - painted, translucent atmospheres are contrasted with opaque, hand - painted geometric areas reminiscent of pointillism or pixelation, a juxtaposition that creates significant spatial depth
Recent works such as «Gray Matter» (2017) inhabit an intersection between the
theatrical baroque and the graphic specificity of stained glass, which is accentuated a dynamic sense of movement, swirling spirals, upward diagonals, and heavy impasto.