Sentences with phrase «recent video performances»
In more recent video performances he reveals his intense interest in history and how past events relate to the contemporary political situation.
https://www.hatchfund.org/ Not exact matches
Throw in some recent live performance videos and a few new singles from...
Discover video clips of recent music performances and more on MTV.
In our recent report, A Game Changer: Using video to achieve high performance in the classroom, we included a «playbook,» which guides district and school leaders through all the necessary considerations, from installing hardware to ensuring teacher buy - in.
Ford's performance division is reminding us that it's put out a number of capable, exhilarating machines over the past few years with this video, in which its two most recent Fiesta ST models, a Focus RS, Mustang GT, Shelby GT350R Mustang, F - 150 Raptor, Ford GT road car, and Ford GT race car all go head - to - head at the MotorLand Aragón near Barcelona, Spain.
New commissions and recent works in various media — sculpture, painting, installation, performance, and video — will take over five historic structures at Fort Winfield Scott, the former headquarters for coastal defense of California at the Golden Gate.
Mark Beasley, the Robert and Arlene Kogod Secretarial Scholar and Curator of Media and Performance Art, has programmed the Washington, D.C., debuts of five video installations from recent biennials, which are to be experienced in the following sequence: Camille Henrot's Grosse Fatigue (2013), a transcendent and lyrical multilayered rumination on the creation and organization of the universe, conceived during a residency at the Smithsonian; Hito Steyerl's How Not to Be Seen: A Fucking Didactic Educational.
In addition to videos, her recent work includes multi-discipline performances, often including multiple large - scale videos, live musicians, and athletes.
Although Joan Jonas might not work in the same public, ad - hoc settings, her recent work connects live performance, drawing, and live - feed video in a circular fashion to carve out new depths.
Included are numerous landmarks in the development of performance video by Marina Abramovic and Ulay, Vito Acconci, Gilbert and George, Joan Jonas, Bruce Nauman, Nam June Paik, Bill Viola, and William Wegman as well as more recent work by Steve McQueen, Darren Almond, Pipilotti Rist, and others redefining the genre.
«Interregnum» features a selection of video, recent large - scale photography and special performances of his theater production «Helen Lawrence.»
Recent exhibitions include his solo show Potential Difference at the Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014), as well as group exhibitions including the SIKKA Art Fair, Dubai, UAE (2016), Perched in the Eye of a Tornado, Ying Space, Beijing (2015), A Personal Thing, 184 Project Space, Brooklyn, NY (2014) Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013), Body And Material, Greenpoint Film Festival, Brooklyn, NY (2012), Fractured, performance at the Chrysler Museum of Art, Norfolk, VA (2011), -LCB- Superposition -RCB-, Hyperopia Projects, Seattle, WA (2011), Art Here Art Now, University of Chicago / HyPa, Chicago, IL (2011), The Post - Glass Video Festival, Heller Gallery, New York, NY (2010), A Thin Veneer, RISD Museum, Providence, RI (2009).
It begins with her early choreographic works and pioneering video performances, such as the Organic Honey series, and culminates with her most recent piece They Come to Us without a Word, which was presented in 2015 at the Pavilion of the United States for the 56th edition of the Venice Biennale, and will premiere in North America at DHC / ART.
The show draws a line from her performance art to the recent video game, and from her scandalous operations to her artistic and human positions regarding the current social and cultural context.
Her working method is interdisciplinary and recent projects take the form of performance, photographic installations, printmaking, text, video, curating, and collaborating.
An exhibition of corporeal, temporal works, the idea of Chained to a Creature of a Different Kingdomwas fueled both by a recent conflagration of performances and performative video works being made, and a dearth of international video exhibitions.
Her most recent work explores the relationship between new digital media and performance in multichannel video installations.
The exhibition will track her 25 - year career from early carbon drawings to intricate collages and mixed - media paintings to the more recent work, which includes PowerPoint slide shows, video, performance, and Instagram photographs.
«The House at Kawinal,» the artist's first solo exhibition in the US, will present a recent performance for video, Life in His Mouth, Death Cradles Her Arm (2016), together with a new body of sculptures inspired in part by the artist's research into the effects of the construction of the Chixoy Hydroelectric Dam in Guatemala in the early 1980s.
Haunted: Contemporary Photography / Video / Performance examines the myriad ways by which photographic imagery is incorporated into recent art practices, and in the process underscores the unique power of reproductive media — while documenting a widespread contemporary obsession with accessing and retrieving the past.
Video, in recent years, has become of particular interest after a decade working with spoken word performance.
The exhibition at Telfair Museums features a selection of soundsuits made in the past decade, as well as two tondos — large circular works evoking the night sky and the cosmos — and two recent videos documenting the soundsuits and their use in performance.
Her recent writings include «Art and History» in Shary Boyle: Flesh and Blood (Galerie de l'UQAM, Montreal, 2010), «And the winner is...,» an exploration of Camille Turner's Miss Canadiana performance, in Byproduct: On the Excess of Embedded Art Practices (YYZ Books, Toronto, 2010), «Another World: Material and Metaphor in the Video Work of Wangechi Mutu» in Wangechi Mutu: This You Call Civilization?
The exhibition also includes video projections of past performance pieces and the more recent Lotus (3 minute video loop), a visual poem through which the artist contemplates the connection between the physical world and the sublime / absolute.
learn more... June 2017 - First Public Art Project Unveiled Sandra DeLucca Developmental Center - Miami May 25, 2017 - Mermaid Performance Vizcaya Museum and Gardens - Miami April 22 - June 25, 2017 - Group Exhibition Aesthetics & Values - Frost Art Museum - Miami March 9, 2017 - Performance Along the Shadow of the River - Girls Club Collection - Fort Lauderdale Empty Kingdom Interview Drawings at PAMM, part of «Global Positioning Systems» Exhibition My first edition, available thru Girls Club Collection New Video at the Art Center / Miami Beach Group Show - Museum of Contemporary Art - Miami Recent performances at MOCA and Pinecrest Gardens Art Slant Review New Times Review Recent Interview - OPP Website Update - Select videos now available for viewing New York Show - launchf18
Other recent exhibitions include Haunted: Contemporary Photography / Video / Performance and Catherine Opie: American Photographer.
This richly illustrated catalog offers a comprehensive view of Nauman's work in all mediums, spanning drawings across the decades; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and the most recent 3D video that harks back to one of his earliest performances.
His recent exhibitions in London in March and April were a solo show at Vilma Gold and a collaboration with Mika Tajima and New Humans for the South London Gallery, where the main space was transformed in into an installation and film set for live performance, music, video and sculpture.
2010Today is not a Dress Rehearsal, SFMOMA live installation in collaboration with Mika Tajima / New Humans, New York Dance With Camera, ICA Philadelphia and touring to Contemporary Arts Museum, Houston Virtuoso Illusion: Cross Dressing and the New Media Avant Garde, MIT / LIST Visual Art Centre, Cambridge, Massachusetts Albrecht Dürer Gessellschaft, Kunstverein Nürnberg, Nürnberg, Germany Recent Acquisitions, De Hallen Haarlem, The Netherlands Move: Choreographing You, Hayward Gallery, London Body / Space Mechanics, De Hallen Haarlem, The Netherlands 100 years, (Version no. 2, Nov 2009): 45 Years of Performance Video from EAI», PS1, New York, touring to Garage «100 years, (Version no. 2, Nov 2009): 45 Years of Performance Video from EAI», PS1, New York, touring to Garage Centre for Contemporary Art, Moscow Time Based Arts Festival, PICA, Portland Institute for Contemporary Art, Portland Nobody Gets to See the Wizard.
From Robert Henri's 1917 painting Gregorita with the Santa Clara Bowl to Zhang Huan's photo - documentation of his 2000 performance Family Tree, from the expressive strokes of Robert Motherwell's 1976 Les Caves No. 2 to the digital animation of Jeremy Blake's 2001 video Mod Lang, the collection exhibition explores key artists, styles and episodes in recent artmaking.
Palestinian audio / visual collective Tashweesh present their most recent sound and video performance: a fractured narrative exploring a contemporary moment full of desire and disaster and, on this occasion, incorporating recent histories of Arab London.
Beckman's work consistently treats film as a performance medium, and astutely anticipates the social and cultural impact of video gaming and online networks over recent decades.
Enacting Stillness, thoughtful and soft - spoken, includes a satisfying mix of performance videos and material documentation by performance - art pioneers such as Joan Jonas, Kirsten Justesen, and John Ahearn, as well as more recent practitioners such as Clifford Owens, Nicolás Dumit Estévez, and Emily Roysdon.
Dennis McNulty makes video works, sound works and installations, and in recent years, has produced a number of complex multi-layered performance works.
In her solo exhibition at VisArts, Mercedes re-presents through video and photography her recent performance, 1,000 Yellow Dahlias.
Recent projects in Alberta include Everyday Rituals (survival tactics), an exhibition of photographs and video at SNAP Gallery in Edmonton, Common Opulence 2, an artist residency and sustainable building initiative in Peace Country and After Aurora, an unexpected structure and performance in Intersite Visual Arts Festival (Calgary).
From his early multichannel video installation diamond sea, 1997, to his more recent performance - based works, such as SONG I, 2012/2015, the exhibition unfolds around the major moving - image installations that articulate Aitken's central subject matters, from catastrophic environmental depredation to unprecedented technological mediation; self - contained, decentralized communication; and the incursion of commerce into every aspect of our social relationships.
Kimani's recent works are recorded performances presented as video - works.
It begins with her early choreographic works and pioneering video performances, and culminates with her most recent piece «They Come to Us without a Word».
The work of Shahar Marcus and Nezaket Ekici, who in recent years have been collaborating on performance and video works, is rife with ritual and ascetic, symbolic and metaphysical acts, usually in desert settings against the backdrop of a primeval landscape.
The LA - based performance and video artist, Hirsch, will be performing the new work which «delves into the predicament of her recent marriage, a growing addiction to pornography, and an endearing bitterness for sex positive feminism.»
Upcoming and recent exhibitions include the Rapid Pulse Performance Art Festival at Defibrillator Gallery, Chicago; solo exhibition at Garcia Squared Contemporary, Kansas City; and participation in festivals and exhibitions in Cuba including the International Festival of Video Art, the 10th and 11th Havana Biennials, and group gallery exhibitions.
S.M.A.K. devotes a solo exhibition to the recent video works, performances and installations of Hiwa K.
Recent group shows and projects include Sonic Lumps, a performance in collaboration with Factory Floor, ICA; Entroludes 1 — 6 at Serpentine Cinema, London; La Chausette, Dependance, Brussels; and Assembly: A Survey of Recent Artists Film and Video in Britain, Tate Britain, London.
Even in the exhibition, there's a telling chronological gap between the Hairy Who (active from 1966 to «69) and the most recent of the show's groups, Forcefield (1996 to 2003), which emerged during the early days of net art and echoed some of it in their digressive, identity - shifting videos and performances.
Oct 23: Turner Prize Shortlist Following the recent announcement of the shortlist for the British Turner Prize for Contemporary Art (2012)- namely, Spartacus Chetwynd (performance art), Luke Fowler and Elizabeth Price (video installation artists), and Paul Noble (traditional draughtsman, painter)- the odds are that the prize will go, once again, to an «entertainer» rather than an artist.
Columbia School of the Arts MFA candidates and recent alumni present new video, sound, and performance - based artworks in response to the objects, artists, and historical context of the exhibition Other Primary Structures.
Curator Sabine Breitwieser of the Generali Foundation includes early Conceptualist photographs and drawings, documentation of»70s feminist performances, and recent video installations, in which Piper explores issues of race and African - American experience.
The exhibition juxtaposes videos and photographs of early performance works by Zhang Huan (Chinese, b. 1965) with those of more recent performances by Li Binyuan (Chinese, b. 1985).
My recent ICA show was a participatory performance piece and video installation and I only visited it once whilst it was on — but not to watch people, just to refresh my memory of the work.