Sentences with phrase «recent work of living artists»

Not exact matches

From his lush early paintings of the Arkansas nature conservancy Grassy Lake and the Texas Gulf Coast; to his reliefs, sculptures, and assemblages created in a variety of materials; to his most recent paintings depicting survivors of Hurricane Katrina, self - portraits, and a return to still life, this exhibition provides an in - depth look at the work of a unique and significant American artist.

Frieze enjoys a strong tradition of commissioning artists» time - based work, with live and participatory works by Dora Budor, Pia Camil, Maurizio Cattelan, Giosetta Fioroni, Liz Glynn, Anthea Hamilton, Ryan McNamara and Eduardo Navarro featured in recent editions of Frieze New York; the first performance work ever acquired for the collection of the Tate, meanwhile, was acquired from Frieze London in 2004.

Currently on display are works by prominent DC - based artist Linn Meyers, who has been commissioned in the recent past by The Phillips Collection, as well as William Kentridge (South Africa) and Oleg Kudryashov (Russia), two of the most significant living printmakers who were exhibited together at The Kreeger Museum in 2009.

Brooklyn - based artist and activist Ann Lewis talks about: Her recent move to Greenpoint from Bushwick, where she was kicked out of her live / work loft when the building was bought by two hedge - fund entities; the realities of living in an...

In Identity Unknown, Donna Seaman brings to life seven forgotten female artists, among the best of their day: Gertrude Abercrombie, with her dark, surreal paintings and friendships with Dizzy Gillespie and Sonny Rollins; Bay Area self - portraitist Joan Brown; Ree Morton, with her witty, oddly beautiful constructions; Loïs Mailou Jones of the Harlem Renaissance; Lenore Tawney, who combined weaving and sculpture when art and craft were considered mutually exclusive; Christina Ramberg, whose unsettling works drew on pop culture and advertising; and Louise Nevelson, an art - world superstar in her heyday but omitted from recent surveys of her era.

While the Japanese artist is best known for orchestrating digital LED counters into richly varied arrangements — strewn across the floor, installed in geometric patterns on walls, even placed on little robotic cars — the works in his recent installation «Totality of Life» span a wider range of media and incorporate a certain humanist dimension that his earlier installations lacked.

Some present recent work by living artists spanning several generations; others showcase fascinating historical material of varying vintages.

His artistic diversification of subject matter, from the people of the small villages and farming communities going about their daily lives to the exquisite portraitures as well as his most recent works inspired by western historical themes and American landscapes, all reflect the sensitive dedication of this Master Artist.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he selected small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist in the first museum survey of her work since 2001.

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

In addition to the exhibition at Pace, Hockney's work will be the subject of two major upcoming museum exhibitions: David Hockney: 82 Portraits and 1 Still Life which opens in July at the Royal Academy, London, showing the artist's recent paintings done in his Los Angeles studio, and a retrospective of his work opening at the Tate Britain in February 2017, traveling to the Centre Pompidou, Paris, and The Metropolitan Museum of Art, New York.

The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman joins other exhibitions at the Broad MSU examining work by living artists from the U.S. and around the globe who are addressing a range of social and political issues through their practice — including recent exhibitions of South Asian artists Naiza Khan, Imran Qureshi, and Mithu Sen.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

In the solo show, the artist's recent work — made using acrylic, rag, gold leaf and collage — brings to life abstract elements from the realm of her memories and imagination.

Featuring seven paintings from recent series and the 2003 installation I Catch the Little White Man, Pace Gallery's exhibition is part of a constellation of events celebrating the artists» life and work throughout New York City this fall season.

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!

«When all this leaves,» Hunk said before the recent move, sweeping a glance around his living room's chock - a-block walls, «we may be trying to replace irreplaceable art with replaceable art,» meaning no insult to the far less time - tested purchases of younger artists» works that the couple continue to make.

More unexpected is the discovery that an artist so closely identified with abstraction and with enlarging the possibilites for her own and future generations - with what her friend Anthony Caro calls «the onward of art» - should have looked not only to her lived visual experience as a starting point for her work but also to the art of the distant and recent past.

Mass Recording (To Be Read From Right to Left) is a recent photographic work by Erik Blinderman that continues the artist's inquiry into the intersection of representation, media, and politics in contemporary life where an increasing number of individuals have the means to record, manipulate, and circulate information.

Brooke Frank is an emerging artist living and working in South Florida, and recent graduate of Florida Atlantic University, with a BFA in painting.

Tramway's third edition of the Artists» Moving Image Festival (AMIF) includes recent work by international artists working in the field of moving image, in a series of profile and thematic group screenings, live events and discuArtists» Moving Image Festival (AMIF) includes recent work by international artists working in the field of moving image, in a series of profile and thematic group screenings, live events and discuartists working in the field of moving image, in a series of profile and thematic group screenings, live events and discussions.

Published in conjunction with Lévy Gorvy's exhibition of the work, this fully illustrated catalogue features a newly commissioned essay by Michael Bracewell based on a recent interview with the artists, an original poem by Kostas Anagnopoulos, newspaper reviews from the inaugural exhibition at the Sonnabend Gallery, and a facsimile of the postal sculpture A Day in the Life of George & Gilbert, the sculptors (1971).

Frieze has a significant history of presenting and commissioning time - based work by artists, with live and participatory works by Dora Budor, Pia Camil, Maurizio Cattelan, Giosetta Fioroni, Liz Glynn, Anthea Hamilton, Ryan McNamara and Eduardo Navarro featured in recent editions of Frieze New York; the first performance work in the Tate Collection (UK) was acquired from Frieze London in 2004.

His recent exhibitions include The Interview: Red, Red Future, a solo exhibition with the artist MPA that addressed the impending human colonization of Mars; Double Life with artists Jérôme Bel, Wu Tsang, and Haegue Yang that considered possibilities for performance without live bodies; Parallel Practices: Joan Jonas & Gina Pane, which brought together multimedia works by two pioneering female performers based in New York and Paris, respectively; and LaToya Ruby Frazier: WITNESS, which documented, in the artist's own words, of «the rise of globalization and the decline in manufacturing as told through the bodies of three generations of African - American women.»

Loewenthal, a teacher, always supported her work (he died in 2000), but the life of a female artist until recent decades has never been straight - forward.

The survey is the largest presentation of the artist's work in the United States, reflecting an artist who was largely overlooked by institutions during her life, yet has garnered a cult - like following in recent years.

The exhibition includes the work of significant historical, recent and contemporary Australian artists who have lived and worked in Bali, European artists who visited there prior to coming to Australia and bringing with them a range of new motifs and ideas, and selected examples of modern and contemporary Balinese art that provide a «right of reply».

From his lush early paintings of the Arkansas nature conservancy Grassy Lake and the Texas Gulf Coast, to his reliefs, sculptures, and assemblages created in a variety of materials, to his most recent paintings depicting survivors of Hurricane Katrina, self - portraits and a return to still life, the exhibition provided an in - depth look at the work of a unique and significant American artist.

Recent projects include GUESTS, a series of works in response to research and interviews with migrant labourers in Berlin (shown at: Where Everything is Yet To Happen, ex-factory in Bosnia - Herzegovina, Over the Counter: the Phenomenon of Post-socialist Economy in Contemporary Art at the Museum of Contemporary Art, Budapest Journeys With No Return at Kurt - Kurt Gallery Berlin, all 2010); Clothes for Living & Dying, a major body of work and an international solo exhibition tour to Croatia, Germany and the UK (2005 — 2008); and Artist - in - Residence project at the University of Bath Social & Policy Sciences department, and the Institute for Contemporary Interdisciplinary Art (2010).

In 2007, after an extended period living and traveling in Japan, Europe and America, Azam became Artist - in - Residence at County Hall Gallery, London, mounting a series of major exhibitions of early and recent work, including the critically acclaimed Anatomica in April 2008.

Hammons, who is recent years has nevertheless landed among the top ten living American artists at auction (and the only one of those to put up the work himself, thus profiting from sales, as artists do not), long ago realized that, after a certain point, if you don't chase, you'll likely be chased.

A snapshot of contemporary drawing practices, the exhibition includes more than 200 new and recent works on paper by leading international artists, including the Still Life with Screen and Heart (2016) by David Haines.

Inspired by recent cities the artists have lived and worked in (including Istanbul, Montreal and Vancouver), the exhibition explores notions of prayer and protest as communal expressions of personal hope, desire, demand and outrage.

In her recent statement, she reflects upon a DIY mentality that many artists find themselves embracing as boundaries of work, home - life, and creativity are blurred.

Published in conjunction with Lévy Gorvy's exhibition of the work, this fully illustrated catalog features a newly commissioned essay by Michael Bracewell based on a recent interview with the artists, an original poem by Kostas Anagnopoulos, newspaper reviews from the Sonnabend exhibition and a facsimile of the postal sculpture A Day in the Life of George & Gilbert, the Sculptors (1971).

This volume features new and recent works by New York - based artists Ginny Casey (born 1981) and Jessi Reaves (born 1986) exploring the relationship between painting and sculpture, domestic objects and decorative surfaces, by reimagining the form and function of objects encountered in daily life.

Left Coast: Recent Acquisitions of Contemporary Art presents an overview of the Museum's collecting habits in contemporary art over the past five years, focusing most heavily on artists living and working in Southern California.

This exhibition is a survey of the artist's oeuvre — from images that are the product of experimentation with various materials and photographic processes, to portraits of friends and strangers and still lives of his environment, to book page collages, to more recent hyperreal digital works.

The Louvrefritos museum will display a collection of master works by artists living and working in the Lower East Side from the 1980s to the present, demonstrating the creativity and artistic productivity the LES has sustained throughout its recent history.

The artist, who kept producing new work through the last stages of his life, had begun experimenting with Plexiglass in recent years, benefitting from the material's sleek yet solid texture.

Residual Lives features new and recent work by a selection of US - based artists Tyanna Buie, Tirtza Even, Carlos Javier Ortiz, Jenny Polak, Emmanuel Pratt, and the Portraits of Resolution Project by William Estrada, Erica Brooks, and Anthony Rea.

In fact, according to a recent report by the University of Southern California's Stevens Institute for Innovation, «there are more artists, writers, filmmakers, actors, dancers and musicians living and working in Los Angeles than any other city at any time in the history of civilization.»

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.

Always proponents of «living art,» Secret Project Robot's most recent endeavor showcases the work of David Shull, an artist / musician who constantly challenges perceptions of «regular» reality, as he puts it.

Berliner Aufzeichnungen (Berlin Notes) Catalogue: Berliner Aufzeichnungen (Berlin Notes) published by The Walter Phillips Gallery and the Banff School of Fine Arts This exhibition features recent works on canvas and paper by five artists currently living in West Berlin, including two Canadians, Michael Morris and Vincent Trasov.

Each taking as their subjects the lives of a deceased creative individual and his personal belongings, their projects build meaningfully on the Whitney Biennial's recent history of both deceased artists and artist - curated «sub exhibitions,» notably from the 2012 edition the inclusion of George Kuchar (died, 2011); Robert Gober's presentation of work by Forrest Bess; Nick Mauss» curation of queer - oriented work culled from the museum collection; and also discursive contributions, such as Andrea Fraser's essay No Place Like Home.

His preoccupations bring to mind those of another Chinese artist, Cao Fei, born a year after Zhen; her recent solo show at MoMA PS1 included a work — RMB City — built entirely within Second Life and named after the Chinese currency.

The ninety - four paintings on view provide a broad selection of the artist's work, including the pulp - novel romance paintings which garnered Robinson critical recognition in the early 1980s, still lifes featuring over-the-counter pharmaceuticals, recent representations of Lands» End clothing models and online erotic selfies, and many others.

Highlights of recent Broad MSU exhibitions include: Trevor Paglen: The Genres; the final installment of the exhibition series The Genres: Portraiture, Still, Life, Landscape, featuring works by social scientist, researcher, and writer Trevor Paglen; Moving Time: Video Art at 50, 1965 - 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation, currently on view at the China Central Academy of Fine Arts, Beijing; Material Effects, which brought together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials; and The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman, the first major museum exhibition to bring together a comprehensive body of work by two of Bangladeshi's foremost contemporary artists.

Following his recent solo exhibitions at Yokohama Museum of Art, Japan, Asia Society Museum, New York, Asia Society Hong Kong Center and Reykjavik Art Museum, Iceland, «New Works» is the simple title of the current exhibition by one of the most important living contemporary Japanese artists.